<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-5764983287224643286</id><updated>2012-01-17T06:50:47.451-08:00</updated><category term='Tubular Balls'/><category term='No Wave'/><category term='AAMQ'/><category term='Post-Punk'/><category term='Found Sounds'/><category term='Noise Dance'/><category term='Trash'/><category term='Redheads'/><category term='dohince'/><category term='Sagrados Corazones'/><category term='Free Blues'/><category term='Voice'/><category term='Free Jazz'/><category term='ahno drei'/><category term='Avant-Garde'/><category term='Improv'/><category term='Teeth Collection'/><category term='Weird'/><category term='Indhecenter'/><category term='Industrial'/><category term='chien'/><category term='Noisecore'/><category term='La Muer Blandenga'/><category term='Ülpeskriva'/><category term='Lattume Muto'/><category term='Fossils'/><category term='Free Rock'/><category term='fuguh'/><category term='Noise Techno'/><category term='Cousins of Reggae'/><category term='Aupier'/><category term='Noise Rock'/><category term='Cold Turkey'/><category term='Harsh Noise'/><category term='xNoBBQx'/><category term='Rust Worship'/><category term='pier'/><category term='James Fella'/><category term='Weird Folk'/><category term='Noise Garage'/><category term='Experimental Electronica'/><category term='Ambient'/><category term='Sheik Anorak'/><category term='Lysergic Farmers of the West'/><category term='Noise Punk'/><category term='Lo-Fi'/><category term='bazvotni'/><category term='Scissor Shock'/><category term='ponzoña'/><category term='Al Qaeda'/><category term='Dreamcatcher'/><category term='Musique Concrete'/><category term='O. Barras'/><category term='Rusted Wreck'/><category term='Abstract Electronica'/><category term='Experimental Rock'/><category term='Cruudeuces'/><category term='Noise'/><category term='Plonk Moist'/><category term='Free Hardcore'/><category term='The Murders In the Rue Morgue'/><category term='Drums'/><category term='3501'/><category term='Joey Chainsaw'/><category term='Noise Big Beat'/><category term='Ol&apos; Pain'/><category term='Hearts of Palm'/><category term='Hardcore Noise Dance'/><category term='Xedh/Imbernon'/><category term='Baalte'/><category term='Au'/><category term='Psychedelic Noise'/><category term='Avant Rock'/><category term='Electro-Acustic Improvisation'/><category term='Isolationism'/><category term='Telephones Rouges'/><category term='Noise Hardcore'/><category term='Les Yeux Sans Visage'/><category term='Free Noise'/><category term='Experimental'/><category term='Noise Blues'/><category term='Drone'/><category term='Placenta Popeye'/><category term='ahno eins'/><category term='Collage'/><category term='ahno zwei'/><category term='Aldous W. Baxter and Joseph J. Squider'/><category term='Wicked Rot'/><category term='shalocins'/><title type='text'>for Noise's sake</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>64</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-8207802439136854834</id><published>2011-10-17T08:32:00.000-07:00</published><updated>2011-10-17T10:12:01.872-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Free Rock'/><category scheme='http://www.blogger.com/atom/ns#' term='Noise Rock'/><category scheme='http://www.blogger.com/atom/ns#' term='No Wave'/><category scheme='http://www.blogger.com/atom/ns#' term='Sagrados Corazones'/><title type='text'>fNs071 Sagrados Corazones "Sagrados Corazones" CDR</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-vHsh6AA7jHM/TpxKcJ_6fcI/AAAAAAAAAI8/n28xu7TZS5s/s1600/fNs071-scans-m.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="317" src="http://4.bp.blogspot.com/-vHsh6AA7jHM/TpxKcJ_6fcI/AAAAAAAAAI8/n28xu7TZS5s/s320/fNs071-scans-m.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-weight: bold;"&gt;fNs071 Sagrados Corazones&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; font-family: inherit; text-align: left;"&gt;&lt;span style="font-style: italic;"&gt;Sagrados Corazones CDR&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: 100%;"&gt;&lt;/span&gt;5€ g.e. incl. EU/ppd EU&lt;br /&gt;6€ ppd Rest Of World&amp;nbsp;-- &lt;br /&gt;Grupo ocasional formado por miembros de chien! y Au. 34 minutos de brutal noise rock/no wave frenético y desquiciado. No te lo pierdas.&lt;br /&gt;Edición limitada de 50 copias numeradas a mano, impresión a color  en portadas y b/n en disco, en fundas de plásticoe, empaquetados en  fundas de plástico selladas.&lt;br /&gt;--&lt;br /&gt;A one-off band formed by members of chien! and Au. 34 minutes of brutal frantic noise rock/no wave. Unmissable.&lt;br /&gt;Limited edition of 50 hand numbered copies, color printing on covers and  b/w on disc, housed in plastic sleeves, packed in sealed plastic bags.&lt;br /&gt;--&lt;br /&gt;&lt;object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" height="26" width="640"&gt;&lt;param value="true" name="allowfullscreen"/&gt;&lt;param value="always" name="allowscriptaccess"/&gt;&lt;param value="high" name="quality"/&gt;&lt;param value="true" name="cachebusting"/&gt;&lt;param value="#000000" name="bgcolor"/&gt;&lt;param name="movie" value="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" /&gt;&lt;param value="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'fNs071-sagradoscorazones-stsample.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/fNs071-SagradosCorazones-sample/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}" name="flashvars"/&gt;&lt;embed src="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" type="application/x-shockwave-flash" width="640" height="26" allowfullscreen="true" allowscriptaccess="always" cachebusting="true" bgcolor="#000000" quality="high" flashvars="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'fNs071-sagradoscorazones-stsample.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/fNs071-SagradosCorazones-sample/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}"&gt; &lt;/embed&gt;&lt;/object&gt; &lt;br /&gt;&lt;iframe allowfullscreen="" frameborder="0" height="315" src="http://www.youtube.com/embed/VCV8h84IYKo" width="420"&gt;&lt;/iframe&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-8207802439136854834?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/8207802439136854834/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2011/10/fns071-sagrados-corazones-cdr.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/8207802439136854834'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/8207802439136854834'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2011/10/fns071-sagrados-corazones-cdr.html' title='fNs071 Sagrados Corazones &quot;Sagrados Corazones&quot; CDR'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-vHsh6AA7jHM/TpxKcJ_6fcI/AAAAAAAAAI8/n28xu7TZS5s/s72-c/fNs071-scans-m.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-7387716573224738642</id><published>2011-10-17T08:27:00.000-07:00</published><updated>2011-10-17T10:07:41.564-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Ülpeskriva'/><category scheme='http://www.blogger.com/atom/ns#' term='Free Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='Noise Rock'/><title type='text'>fNs070 Ülpeskriva "I" CDR</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-FXZZzwbbU7w/TpxJQTvdctI/AAAAAAAAAI0/G12nqqZUNVA/s1600/fNs070-scans-m.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/-FXZZzwbbU7w/TpxJQTvdctI/AAAAAAAAAI0/G12nqqZUNVA/s320/fNs070-scans-m.jpg" width="249" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-weight: bold;"&gt;fNs070 Ülpeskriva&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; font-family: inherit; text-align: left;"&gt;&lt;span style="font-style: italic;"&gt;I CDR&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: 100%;"&gt;&lt;/span&gt;5€ g.e. incl. EU/ppd EU&lt;br /&gt;6€ ppd Rest Of World&lt;br /&gt;-- &lt;br /&gt;&lt;br /&gt;Nuevo grupo de explosivo free noise con baterías-saxo-trompeta formado por O. Barras (Au, Plonk Moist, ahno drei...) y RN Juristo (shalocins, pier, Plonk Moist...). 33 minutos de caos libre.&lt;br /&gt;Edición limitada de 30 copias numeradas a mano. En fundas de cartón con portadas pegadas y encarte, impresión en disco, en fundas de plástico.&lt;br /&gt;--&lt;br /&gt;New unit of drums-sax-trumpet free noise blast by O. Barras (Au, Plonk Moist, ahno drei...) and RN Juristo (shalocins, pier, Plonk Moist...). 33 minutes of free chaos.&lt;br /&gt;Limited edition of 30 hand numbered copies. It comes in cardboard sleeves with paste-on covers and insert, print on disc, housed in plastic sleeve.&lt;br /&gt;--&lt;br /&gt;&lt;object width="640" height="26" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000"&gt;&lt;param value="true" name="allowfullscreen"/&gt;&lt;param value="always" name="allowscriptaccess"/&gt;&lt;param value="high" name="quality"/&gt;&lt;param value="true" name="cachebusting"/&gt;&lt;param value="#000000" name="bgcolor"/&gt;&lt;param name="movie" value="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" /&gt;&lt;param value="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'fNs070-ulpeskriva-Isample.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/fNs070-Ulpeskriva-sample/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}" name="flashvars"/&gt;&lt;embed src="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" type="application/x-shockwave-flash" width="640" height="26" allowfullscreen="true" allowscriptaccess="always" cachebusting="true" bgcolor="#000000" quality="high" flashvars="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'fNs070-ulpeskriva-Isample.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/fNs070-Ulpeskriva-sample/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}"&gt; &lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;iframe width="420" height="315" src="http://www.youtube.com/embed/_VS2JNy7kg4" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-7387716573224738642?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/7387716573224738642/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2011/10/fns070-ulpeskriva-i-cdr.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/7387716573224738642'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/7387716573224738642'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2011/10/fns070-ulpeskriva-i-cdr.html' title='fNs070 Ülpeskriva &quot;I&quot; CDR'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-FXZZzwbbU7w/TpxJQTvdctI/AAAAAAAAAI0/G12nqqZUNVA/s72-c/fNs070-scans-m.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-2866894834692418870</id><published>2011-10-17T08:22:00.000-07:00</published><updated>2011-10-17T10:09:52.473-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Experimental Rock'/><category scheme='http://www.blogger.com/atom/ns#' term='Free Rock'/><category scheme='http://www.blogger.com/atom/ns#' term='Noise Rock'/><category scheme='http://www.blogger.com/atom/ns#' term='No Wave'/><category scheme='http://www.blogger.com/atom/ns#' term='pier'/><category scheme='http://www.blogger.com/atom/ns#' term='Placenta Popeye'/><title type='text'>fNs067 Placenta Popeye / pier Split C40</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-QljK7WxsJCk/TpxIJupKoYI/AAAAAAAAAIs/60PGpxXlJu8/s1600/fNs067-scans-m.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/-QljK7WxsJCk/TpxIJupKoYI/AAAAAAAAAIs/60PGpxXlJu8/s320/fNs067-scans-m.jpg" width="244" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-weight: bold;"&gt;fNs067 Placenta Popeye / pier&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; font-family: inherit; text-align: left;"&gt;&lt;span style="font-style: italic;"&gt;Split C40&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: 100%;"&gt;&lt;/span&gt;5€ g.e. incl. EU/ppd EU&lt;br /&gt;6€ ppd Rest Of World&lt;br /&gt;-- &lt;br /&gt;Cara A: Placenta Popeye es un duo francés de oscuro free noise rock de guitarra y bajo, con un puñado de discos impresionantes en sellos de todo el mundo. Esta cara contiene rifs lofi repetitivos, guitarras como enjambres cabreados, bajos embarrados, bonitas voces y gritos desquiciadas. Una jam aditiva.&lt;br /&gt;Cara B: pier ofrece seis temas cortos de improvisaciones no-wave/free noise rock, que suenan como si DNA violara a la Magic Band de Captain Beefheart bajo una lluvia de escombros.&lt;br /&gt;Edición limitada de 50 copias numeradas a mano. Portadas en b/n sobre cartulinas de color. Etiquetas de color en casetes amarillas. &lt;br /&gt;--&lt;br /&gt;Side A: Placenta Popeye is a french duo of guitar &amp;amp; bass dark free noise rock with a bunch of impressive releases in labels around the world. This side contains a lofi repetitious riffs, pissed swarming guitars, muddy basses, nice disturbed voices and screams. A very addictive jam.&lt;br /&gt;Side B: pier offers six short tracks of no-wave/free noise rock improvs, that sound as if DNA raped Captain Beefheart's Magic Band under a rain of debris.&lt;br /&gt;Limited edition of 50 hand numbered copies. Xeroxed covers on colored cardboards. Color lables on yellow cassettes.&lt;br /&gt;--&lt;br /&gt;&lt;b&gt; Placenta Popeye&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" height="26" width="640"&gt;&lt;param value="true" name="allowfullscreen"/&gt;&lt;param value="always" name="allowscriptaccess"/&gt;&lt;param value="high" name="quality"/&gt;&lt;param value="true" name="cachebusting"/&gt;&lt;param value="#000000" name="bgcolor"/&gt;&lt;param name="movie" value="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" /&gt;&lt;param value="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'fNs067-placentapopeye-pier-split-placenta.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/fNs067-placentapopeye-sample/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}" name="flashvars"/&gt;&lt;embed src="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" type="application/x-shockwave-flash" width="640" height="26" allowfullscreen="true" allowscriptaccess="always" cachebusting="true" bgcolor="#000000" quality="high" flashvars="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'fNs067-placentapopeye-pier-split-placenta.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/fNs067-placentapopeye-sample/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}"&gt; &lt;/embed&gt;&lt;/object&gt; &lt;/b&gt;&lt;br /&gt;&lt;b&gt;pier&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" height="26" width="640"&gt;&lt;param value="true" name="allowfullscreen"/&gt;&lt;param value="always" name="allowscriptaccess"/&gt;&lt;param value="high" name="quality"/&gt;&lt;param value="true" name="cachebusting"/&gt;&lt;param value="#000000" name="bgcolor"/&gt;&lt;param name="movie" value="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" /&gt;&lt;param value="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'fNs067-placentapopeye-pier-split-pier.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/fNs067-pier-sample/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}" name="flashvars"/&gt;&lt;embed src="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" type="application/x-shockwave-flash" width="640" height="26" allowfullscreen="true" allowscriptaccess="always" cachebusting="true" bgcolor="#000000" quality="high" flashvars="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'fNs067-placentapopeye-pier-split-pier.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/fNs067-pier-sample/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}"&gt; &lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;iframe allowfullscreen="" frameborder="0" height="315" src="http://www.youtube.com/embed/v7Aqn7Z6P6U" width="420"&gt;&lt;/iframe&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-2866894834692418870?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/2866894834692418870/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2011/10/fns067-placenta-popeye-pier-split-c40.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/2866894834692418870'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/2866894834692418870'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2011/10/fns067-placenta-popeye-pier-split-c40.html' title='fNs067 Placenta Popeye / pier Split C40'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-QljK7WxsJCk/TpxIJupKoYI/AAAAAAAAAIs/60PGpxXlJu8/s72-c/fNs067-scans-m.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-463617002643288526</id><published>2011-10-17T08:19:00.000-07:00</published><updated>2011-10-17T09:58:41.443-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='Weird'/><category scheme='http://www.blogger.com/atom/ns#' term='Voice'/><title type='text'>fNs065 Botox Vox "Rough Voz" C30</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-o639vMyne88/TpxHV2DdU9I/AAAAAAAAAIk/uf2bcvD-rQY/s1600/fNs065-scans-m.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://1.bp.blogspot.com/-o639vMyne88/TpxHV2DdU9I/AAAAAAAAAIk/uf2bcvD-rQY/s320/fNs065-scans-m.jpg" width="239" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-weight: bold;"&gt;fNs065 Botox Vox&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; font-family: inherit; text-align: left;"&gt;&lt;span style="font-style: italic;"&gt;Rough Voz &lt;/span&gt;C30&lt;/div&gt;&lt;span style="font-size: 100%;"&gt;&lt;/span&gt;5€ g.e. incl. EU/ppd EU&lt;br /&gt;6€ ppd Rest Of World--&lt;br /&gt;Nuevo proyecto de sólo voces y efectos, sonidos raros y dementes.&lt;br /&gt;Edición limitada de 20 copias numeradas a mano. Diseño fotocopiado en papel de color, casete y cajas negras.&lt;br /&gt;--&lt;br /&gt;New project of only voice and effects, weird and insane sounds.&lt;br /&gt;Limited edition of 20 hand numbered copies. Xeroxed artwork on colored paper, black cassettes and cases.&lt;br /&gt;--&lt;br /&gt;&lt;object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" height="26" width="640"&gt;&lt;param value="true" name="allowfullscreen"/&gt;&lt;param value="always" name="allowscriptaccess"/&gt;&lt;param value="high" name="quality"/&gt;&lt;param value="true" name="cachebusting"/&gt;&lt;param value="#000000" name="bgcolor"/&gt;&lt;param name="movie" value="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" /&gt;&lt;param value="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'fNs065-botoxvox-roughvozsample.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/fNs065-BotoxVox-sample/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}" name="flashvars"/&gt;&lt;embed src="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" type="application/x-shockwave-flash" width="640" height="26" allowfullscreen="true" allowscriptaccess="always" cachebusting="true" bgcolor="#000000" quality="high" flashvars="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'fNs065-botoxvox-roughvozsample.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/fNs065-BotoxVox-sample/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}"&gt; &lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-463617002643288526?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/463617002643288526/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2011/10/fns065-botox-vox-rough-voz-c30.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/463617002643288526'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/463617002643288526'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2011/10/fns065-botox-vox-rough-voz-c30.html' title='fNs065 Botox Vox &quot;Rough Voz&quot; C30'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-o639vMyne88/TpxHV2DdU9I/AAAAAAAAAIk/uf2bcvD-rQY/s72-c/fNs065-scans-m.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-3065223866406821432</id><published>2011-10-17T08:15:00.000-07:00</published><updated>2011-10-17T09:52:02.801-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='Cruudeuces'/><category scheme='http://www.blogger.com/atom/ns#' term='Drone'/><title type='text'>fNs029 Cruudeuces "Dead Hand" CDR</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-mzD5g3nLUZs/TpxCKgShOkI/AAAAAAAAAIc/n8CZEzdWw9o/s1600/fNs029-scans-m.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="244" src="http://3.bp.blogspot.com/-mzD5g3nLUZs/TpxCKgShOkI/AAAAAAAAAIc/n8CZEzdWw9o/s320/fNs029-scans-m.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-weight: bold;"&gt;fNs029 Cruudeuces&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; font-family: inherit; text-align: left;"&gt;&lt;span style="font-style: italic;"&gt;Dead Hand &lt;/span&gt;CDR&lt;/div&gt;&lt;span style="font-size: 100%;"&gt;&lt;/span&gt;5€ g.e. incl. EU/ppd EU&lt;br /&gt;6€ ppd Rest Of World&lt;br /&gt;--&lt;br /&gt;Me gusta pensar que la música drone es como un océano, que puedes relajarte mirándolo y después de un tiempo aburrirte, o puedes bucear en él y descubrir un nuevo mundo donde perderte. Cruudeuces ha estado publicando alucinantes sonidos drone/noise desde hace tiempo, a través de algunos de sus difuntos sellos o auto editándolos, y, recientemente, a través de su impresionante sello Ghetto Naturalist Series. En respuesta a mi petición, los 36 minutos de "Dead Hand" son menos tranquilos y más orientados al ruido que otros de sus discos anteriores, con bajos subacuáticos, saturación en abundancia, electrónica crujiente, chillidos de viento, voces ralentizadas, todo lo cual te lleva a un mundo nuevo y fascinante. Sube el volúmen y zambúllete.&lt;br /&gt;Edición limitada de 30 copias numeradas a mano. Portadas a color plastificadas, con un encarte collage a color e impresión a color en disco.&lt;br /&gt;--&lt;br /&gt;I like to think of drone music as an ocean, you can relax staring at it and after a while get bored, or you can dive into it and find a whole new world where get lost. Cruudeuces has been putting out amazing drone/noise sounds for quite a while, through some of his now defunct labels or self editing, and recently through his awesome Ghetto Naturalist Series label. In response to my request, the 36 min. long "Dead Hand" is less quiet and more noise oriented than other of his previous releases, with subaquatic basses, plenty saturation, crunchy electronics, wind squeals, slowed down voices, all of which takes you to a fascinating new world. Play it loud and dive in.&lt;br /&gt;Limited edition of 30 hand numbered copies. Laminated colored covers, with a colored collage insert and color print on disc.&lt;br /&gt;--&lt;br /&gt;&lt;object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" height="26" width="640"&gt;&lt;param value="true" name="allowfullscreen"/&gt;&lt;param value="always" name="allowscriptaccess"/&gt;&lt;param value="high" name="quality"/&gt;&lt;param value="true" name="cachebusting"/&gt;&lt;param value="#000000" name="bgcolor"/&gt;&lt;param name="movie" value="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" /&gt;&lt;param value="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'fNs029-cruudeuces-deadhandsample.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/fNs029-Cruudeuces-sample/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}" name="flashvars"/&gt;&lt;embed src="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" type="application/x-shockwave-flash" width="640" height="26" allowfullscreen="true" allowscriptaccess="always" cachebusting="true" bgcolor="#000000" quality="high" flashvars="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'fNs029-cruudeuces-deadhandsample.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/fNs029-Cruudeuces-sample/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}"&gt; &lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-3065223866406821432?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/3065223866406821432/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2011/10/fns029-cruudeuces-dead-hand-cdr.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/3065223866406821432'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/3065223866406821432'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2011/10/fns029-cruudeuces-dead-hand-cdr.html' title='fNs029 Cruudeuces &quot;Dead Hand&quot; CDR'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-mzD5g3nLUZs/TpxCKgShOkI/AAAAAAAAAIc/n8CZEzdWw9o/s72-c/fNs029-scans-m.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-4227826595282657609</id><published>2011-10-17T07:55:00.000-07:00</published><updated>2011-10-17T09:48:44.714-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Hardcore Noise Dance'/><category scheme='http://www.blogger.com/atom/ns#' term='Noise Big Beat'/><category scheme='http://www.blogger.com/atom/ns#' term='Noise Techno'/><title type='text'>fNs025 O. Barras / dohince Split CDR</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-0Y5NHcV20Ek/TpxBVPuTUxI/AAAAAAAAAIU/NtriYyxb6Cw/s1600/fNs025-scans-m.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="316" src="http://1.bp.blogspot.com/-0Y5NHcV20Ek/TpxBVPuTUxI/AAAAAAAAAIU/NtriYyxb6Cw/s320/fNs025-scans-m.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-weight: bold;"&gt;fNs025 O. Barras / dohince&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; font-family: inherit; text-align: left;"&gt;&lt;span style="font-style: italic;"&gt;Split CDR&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: 100%;"&gt;&lt;/span&gt;5€ g.e. incl. EU/ppd EU&lt;br /&gt;6€ ppd Rest Of World&lt;br /&gt;--&lt;br /&gt;37 minutos de beats y tecno sucio y ruidoso. Los temas de O. Barras más hardcore. Los de dohince más tecno. Baile en barro.&lt;br /&gt;Edición limitada de 30 copias numeradas a mano. En fundas de cartón con portadas a color pegadas, impresión en disco, en fundas de plástico.&lt;br /&gt;--&lt;br /&gt;37 minutes of dirty noise beats and techno. O. Barra tracks more hardcore oriented, dohince ones more techno oriented. Mud dance.&lt;br /&gt;Limited edition of 20 hand numbered copies. It comes in cardboard sleeves with paste-on colored covers, print on disc, housed in plastic sleeve.&lt;br /&gt;--&lt;br /&gt;&lt;b&gt; O. 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Barras / dohince Split CDR'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-0Y5NHcV20Ek/TpxBVPuTUxI/AAAAAAAAAIU/NtriYyxb6Cw/s72-c/fNs025-scans-m.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-9004988031997379171</id><published>2011-04-26T07:01:00.000-07:00</published><updated>2011-04-26T07:36:51.261-07:00</updated><title type='text'>fNs063 V/A "Madrid es Ruido" C120</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-kfrtIDjVboo/Tba9a6mUSZI/AAAAAAAAAIQ/LroZn5g92qo/s1600/Scans-m.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="640" src="http://4.bp.blogspot.com/-kfrtIDjVboo/Tba9a6mUSZI/AAAAAAAAAIQ/LroZn5g92qo/s640/Scans-m.jpg" width="377" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-weight: bold;"&gt;V/A "Madrid es Ruido"&lt;/span&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; font-family: inherit; text-align: left;"&gt;&lt;span style="font-style: italic;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: 100%;"&gt;fNs06&lt;/span&gt;3&lt;br /&gt;7€ g.e. incl. EU/ppd EU&lt;br /&gt;8€ ppd Rest Of World&lt;br /&gt;--- &lt;br /&gt;30 no-artistas, anti-grupos, pro-amateurs, y personajes anónimos de diferente calaña, con base en Madrid, agrupados en esta atronadora e irritante cinta duplicada e imprimida profesionalmente. Este es el ruido de Madrid ahora.&lt;br /&gt;C120. 100 copias.&lt;br /&gt;&lt;i&gt;thewOOter/Ponzoña/Au/Ormo/Desatrancos/Plonk Moist/La Catástrofe Ultravioleta/Daniel del Rio/Tubular Balls/Asperorers/Games Addiction/pier/bledo/Grassa DATO/Yo-Raid!/dohince/ahno drei/fuguh/Gran Logia/Jord Levulma/Scumearth/Xedh/R.R. Soup Fuck Uzz/noish/shalocins/Roughuh/Oscar Barras/Botox Vox/Ülpeskriva/Ol' Pain &lt;/i&gt;&lt;br /&gt;---&lt;br /&gt;30 non-artists, anti-bands, pro-amateurs, and anonimous characters of different ilk, based in Madrid, and gathered together in this thunderous and irritating pro-dub/printed tape. This is the noise of Madrid now.&lt;br /&gt;C120. 100 copies.&lt;br /&gt;&lt;i&gt;thewOOter/Ponzoña/Au/Ormo/Desatrancos/Plonk Moist/La Catástrofe  Ultravioleta/Daniel del Rio/Tubular Balls/Asperorers/Games  Addiction/pier/bledo/Grassa DATO/Yo-Raid!/dohince/ahno drei/fuguh/Gran  Logia/Jord Levulma/Scumearth/Xedh/R.R. Soup Fuck Uzz/noish/shalocins/Roughuh/Oscar Barras/Botox Vox/Ülpeskriva/Ol' Pain&lt;/i&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-9004988031997379171?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/9004988031997379171/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2011/04/fns063-va-madrid-es-ruido-c120.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/9004988031997379171'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/9004988031997379171'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2011/04/fns063-va-madrid-es-ruido-c120.html' title='fNs063 V/A &quot;Madrid es Ruido&quot; C120'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-kfrtIDjVboo/Tba9a6mUSZI/AAAAAAAAAIQ/LroZn5g92qo/s72-c/Scans-m.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-4336755593748268404</id><published>2011-02-16T09:49:00.000-08:00</published><updated>2011-02-22T05:21:42.980-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Noise Blues'/><category scheme='http://www.blogger.com/atom/ns#' term='Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='Ol&apos; Pain'/><title type='text'>fNs064 Ol' Pain "Ol' Pain" C30</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;a href="http://1.bp.blogspot.com/-xtlVzB5Fjpk/TVwISD_on0I/AAAAAAAAAHg/nBA-ntroPTo/s1600/scans-m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="222" src="http://1.bp.blogspot.com/-xtlVzB5Fjpk/TVwISD_on0I/AAAAAAAAAHg/nBA-ntroPTo/s320/scans-m.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-weight: bold;"&gt;Ol' Pain&lt;/span&gt;&lt;span style="font-style: italic;"&gt; &lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; font-family: inherit; text-align: left;"&gt;&lt;span style="font-style: italic;"&gt;Ol' Pain&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: 100%;"&gt;fNs06&lt;/span&gt;4&lt;br /&gt;5€ g.e. incl. EU/ppd EU&lt;br /&gt;6€ ppd Rest Of World&lt;br /&gt;--&lt;br /&gt;De ??? viene este nuevo ente inspirado en viejos blueseros Blind Willie Johnson, Robert Johnson, Skip James... y el ruido. Perfecto para noches oscuras y suelos fríos.&lt;br /&gt;Edición limitada de 15 copias numeradas a mano, diseño en b/n en papel de color, casetes pintadas de gris, cajas de color marfil.&lt;br /&gt;--&lt;br /&gt;From ??? comes this new unit inspired by ol' bluesmen Blind Willie Johnson, Robert Johnson, Skip James... and noise. Perfect for dark nights and cold grounds.&lt;br /&gt;Limited edition of 15 hand numbered copies, b/w artwork on colored paper, grey sprayed cassettes, ivory color cases.&lt;br /&gt;--&lt;br /&gt;&lt;object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" height="26" width="640"&gt;&lt;param value="true" name="allowfullscreen"/&gt;&lt;param value="always" name="allowscriptaccess"/&gt;&lt;param value="high" name="quality"/&gt;&lt;param value="true" name="cachebusting"/&gt;&lt;param value="#000000" name="bgcolor"/&gt;&lt;param name="movie" value="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" /&gt;&lt;param value="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'OlPain-Untitled-extract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/OlPain-Untitled-extract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}" name="flashvars"/&gt;&lt;embed src="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" type="application/x-shockwave-flash" width="640" height="26" allowfullscreen="true" allowscriptaccess="always" cachebusting="true" bgcolor="#000000" quality="high" flashvars="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'OlPain-Untitled-extract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/OlPain-Untitled-extract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}"&gt; &lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-4336755593748268404?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/4336755593748268404/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2011/02/fns064-ol-pain-ol-pain-c30.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/4336755593748268404'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/4336755593748268404'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2011/02/fns064-ol-pain-ol-pain-c30.html' title='fNs064 Ol&apos; Pain &quot;Ol&apos; Pain&quot; C30'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-xtlVzB5Fjpk/TVwISD_on0I/AAAAAAAAAHg/nBA-ntroPTo/s72-c/scans-m.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-1942762094000956666</id><published>2011-02-16T09:48:00.000-08:00</published><updated>2011-02-22T05:03:34.811-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Redheads'/><category scheme='http://www.blogger.com/atom/ns#' term='Harsh Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='Free Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='Rust Worship'/><category scheme='http://www.blogger.com/atom/ns#' term='Collage'/><title type='text'>fNs059 Rust Worship / Redheads C50</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;a href="http://2.bp.blogspot.com/-bFujw-g9Z68/TVwA52huf_I/AAAAAAAAAHc/-UCCYip5P20/s1600/scans-m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="220" src="http://2.bp.blogspot.com/-bFujw-g9Z68/TVwA52huf_I/AAAAAAAAAHc/-UCCYip5P20/s320/scans-m.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-weight: bold;"&gt;Rust Worship / Redheads&lt;/span&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; font-family: inherit; text-align: left;"&gt;&lt;span style="font-style: italic;"&gt;Split&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: 100%;"&gt;fNs059&lt;/span&gt;&lt;span style="font-size: 100%;"&gt;&lt;br /&gt;&lt;/span&gt;5€ g.e. incl. EU/ppd EU&lt;br /&gt;6€ ppd Rest Of World&lt;br /&gt;--&lt;br /&gt;Cara A: desde New York (EE.UU.) Rust Worship (Paul Haney, sello Obsolete Units) forma un collage sonoro glorioso de samplers, voces tratadas, ruido, grabaciones de campo, electrónica y un montón de sonidos no identificados, todo lo cual hacen 23 minutos que pasan tan rápido que parecen sólo 23 segundos.&lt;br /&gt;Cara B: desde Indiana (EE.UU.), los autodenominados "terroristas del ruido" Redheads (del colectivo Sepainnen), ofrecen más de 24 min. de construcciones harsh noise, ensuciando cada centímetro de los oídos, lo que de alguna manera acaba por sentirse espeluznantemente cómodo.&lt;br /&gt;Edición limitada de 20 copias numeradas a mano. Diseño a doble cara en b/n en papel  de color, etiquetas de color con impresión en b/n, casete y  cajas negras. &lt;br /&gt;--&lt;br /&gt;Side A: from NY (USA) Rust Worship (Paul Haney, Obsolete Units label) forms a glorious sound collage of&amp;nbsp; samplers, treated voices, noise, field recordings, electronics and a bunch of unidentified sounds, all of which makes 23 minutes that go by so fast that seems only 23 seconds.&lt;br /&gt;Side B: from Indiana (USA), self-called "noise terrorists" Redheads (of Sepainnen collective), offer 24+ min. of harsh noise constructions, getting dirt every single inch of the ears, which somehow ends up feeling creepy comfortable.&lt;br /&gt;Limited edition of 20 hand numbered copies. B/W design on color j-card,&amp;nbsp; color labels with b/w print, black tape and cases.&lt;br /&gt;--&lt;br /&gt;&lt;b&gt;Rust Whorship&lt;/b&gt;&lt;br /&gt;&lt;object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" height="26" width="640"&gt;&lt;param value="true" name="allowfullscreen"/&gt;&lt;param value="always" name="allowscriptaccess"/&gt;&lt;param value="high" name="quality"/&gt;&lt;param value="true" name="cachebusting"/&gt;&lt;param value="#000000" name="bgcolor"/&gt;&lt;param name="movie" value="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" /&gt;&lt;param value="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'RustWorship-tarnishedAimless.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/RustWorship-tarnishedAimless-extract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}" name="flashvars"/&gt;&lt;embed src="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" type="application/x-shockwave-flash" width="640" height="26" allowfullscreen="true" allowscriptaccess="always" cachebusting="true" bgcolor="#000000" quality="high" flashvars="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'RustWorship-tarnishedAimless.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/RustWorship-tarnishedAimless-extract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}"&gt; 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&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-1942762094000956666?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/1942762094000956666/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2011/02/fns059-rusted-worship-redheads-c50.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/1942762094000956666'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/1942762094000956666'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2011/02/fns059-rusted-worship-redheads-c50.html' title='fNs059 Rust Worship / Redheads C50'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-bFujw-g9Z68/TVwA52huf_I/AAAAAAAAAHc/-UCCYip5P20/s72-c/scans-m.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-999790975438055349</id><published>2011-02-16T09:46:00.001-08:00</published><updated>2011-02-22T04:54:40.296-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Lo-Fi'/><category scheme='http://www.blogger.com/atom/ns#' term='Free Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='Joey Chainsaw'/><category scheme='http://www.blogger.com/atom/ns#' term='Drone'/><title type='text'>fNs058 Joey Chainsaw "Haunted Mohawk" 3" CDR</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;a href="http://2.bp.blogspot.com/-M5IIEu99bRM/TVv6dJFDIUI/AAAAAAAAAHY/84NK5t0_AvE/s1600/scans-m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="319" src="http://2.bp.blogspot.com/-M5IIEu99bRM/TVv6dJFDIUI/AAAAAAAAAHY/84NK5t0_AvE/s320/scans-m.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-weight: bold;"&gt;Joey Chainsaw&lt;/span&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; font-family: inherit; text-align: left;"&gt;&lt;span style="font-style: italic;"&gt;Haunted Mohawk&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: 100%;"&gt;fNs058&lt;/span&gt;&lt;span style="font-size: 100%;"&gt;&lt;br /&gt;&lt;/span&gt;5€ g.e. incl. EU/ppd EU&lt;br /&gt;6€ ppd Rest Of World&lt;br /&gt;-- &lt;br /&gt;De Bristol (Inglaterra), Joey Chainsaw ha estado publicando desde hace algún tiempo su increíble lo-fi "lost late night techno drones/acoustic electrifications/ weirdouts". Y eso es exactamente lo que este mini CDR contiene, 20 minutos divididos en 4 temas de zumbidos lo-fi saturados que harán las noches más interesantes.&lt;br /&gt;Edición limitada de 30 copias numeradas a mano, con impresión a color en portadas y disco, en fundas de plástico.&lt;br /&gt;--&lt;br /&gt;From Bristol (England), Joey Chainsaw has been putting out since some time ago his amazing lo-fi "lost late night techno drones/acoustic electrifications/ weirdouts". And that's exactly what this mini CDR contains, 20 minutes split in 4 tracks of lo-fi saturated drones wich will make the nights more interesting.&lt;br /&gt;Limited edition of 30 hand numbered copies, color print on covers and disc.&lt;br /&gt;--&lt;br /&gt;&lt;object width="640" height="26" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000"&gt;&lt;param value="true" name="allowfullscreen"/&gt;&lt;param value="always" name="allowscriptaccess"/&gt;&lt;param value="high" name="quality"/&gt;&lt;param value="true" name="cachebusting"/&gt;&lt;param value="#000000" name="bgcolor"/&gt;&lt;param name="movie" value="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" /&gt;&lt;param value="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'JoeyChainsaw-spaceDisco-extract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/JoeyChainsaw-spaceDisco-extract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}" name="flashvars"/&gt;&lt;embed src="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" type="application/x-shockwave-flash" width="640" height="26" allowfullscreen="true" allowscriptaccess="always" cachebusting="true" bgcolor="#000000" quality="high" flashvars="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'JoeyChainsaw-spaceDisco-extract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/JoeyChainsaw-spaceDisco-extract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}"&gt; &lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-999790975438055349?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/999790975438055349/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2011/02/fns058-joey-chainsaw-haunted-mohawk-3.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/999790975438055349'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/999790975438055349'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2011/02/fns058-joey-chainsaw-haunted-mohawk-3.html' title='fNs058 Joey Chainsaw &quot;Haunted Mohawk&quot; 3&quot; CDR'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-M5IIEu99bRM/TVv6dJFDIUI/AAAAAAAAAHY/84NK5t0_AvE/s72-c/scans-m.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-8184425737747822698</id><published>2011-02-16T09:46:00.000-08:00</published><updated>2011-02-22T04:51:15.518-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='ahno eins'/><category scheme='http://www.blogger.com/atom/ns#' term='Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='Harsh Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='Improv'/><category scheme='http://www.blogger.com/atom/ns#' term='Free Jazz'/><category scheme='http://www.blogger.com/atom/ns#' term='Free Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='Cold Turkey'/><title type='text'>fNs057 Cold Turkey/ahno eins Split C40</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;a href="http://2.bp.blogspot.com/-tHSZoSIy3nM/TVwOarorroI/AAAAAAAAAHk/p3a0b7aqDWc/s1600/scans-m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="220" src="http://2.bp.blogspot.com/-tHSZoSIy3nM/TVwOarorroI/AAAAAAAAAHk/p3a0b7aqDWc/s320/scans-m.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;Cold Turkey / ahno eins&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Split Cassette&lt;/span&gt;&lt;br /&gt;fNs057&lt;br /&gt;5€ g.e.  incl. EU/ppd EU&lt;br /&gt;6€ ppd Rest Of World&lt;br /&gt;&amp;nbsp;--&lt;br /&gt;Cara A: De Michigan (USA) Cold Turkey (Andrew Coltrane) ha venido sacando jazz parra y electrónica en su propio Hermitagetapes y en sellos como MJC, Blackest Rainbow... Para esta cinta, sopla y escupe un &lt;br /&gt;impresionante coctail cabreado de saxo solo crudo, electronica, cintas y ruido, con inquietantes silencios para respirar en medio.&lt;br /&gt;Cara B: nueva encarnación de ahno eins esta vez con Búter (pier, ahno zwei...) a la trompeta. 2 temas grabados en directo en noviembre de 2010, donde se juntan partes melódicas y minimales, con otras más estridentes y complejas, creando una original forma de interpretar la trompeta.&lt;br /&gt;Edición limitada de 25 copias numeradas a mano. Diseño en b/n en papel de color de doble cara, etiquetas de color con impresión en b/n, casete y cajas azules.&lt;br /&gt;--&lt;br /&gt;Side A: Michigan's (USA) Cold Turkey (Andrew Coltrane) has been putting out free-k out jazz and electronics in his own Hermitagetapes and labels like MJC, Blackest Rainbow... For this tape, he blows and spits a breathtaking pissed-off cocktail of raw solo sax, electronics, tapes and noise, with disturbing silences to breathe in between.&lt;br /&gt;Cara B: new incarnation of ahno eins this time with Buter (pier, ahno zwei ...) on trumpet. 2 tracks recorded live in November 2010, in which melodic and minimal sounds alternate with harsh and complex ones, creating a unique way of performing the trumpet.&lt;br /&gt;Limited edition of 25 hand numbered copies. B/W design on double-sided color j-card,&amp;nbsp; color labels with b/w print, blue tape and cases.&lt;br /&gt;--&lt;br /&gt;&lt;b&gt;Cold Turkey&lt;/b&gt;&lt;br /&gt;&lt;object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" height="26" width="640"&gt;&lt;param value="true" name="allowfullscreen"/&gt;&lt;param value="always" name="allowscriptaccess"/&gt;&lt;param value="high" name="quality"/&gt;&lt;param value="true" name="cachebusting"/&gt;&lt;param value="#000000" name="bgcolor"/&gt;&lt;param name="movie" value="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" /&gt;&lt;param value="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'ColdTurkey-Extractions-extract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/ColdTurkey-Extractions-extract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}" name="flashvars"/&gt;&lt;embed src="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" type="application/x-shockwave-flash" width="640" height="26" allowfullscreen="true" allowscriptaccess="always" cachebusting="true" bgcolor="#000000" quality="high" flashvars="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'ColdTurkey-Extractions-extract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/ColdTurkey-Extractions-extract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}"&gt; &lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;b&gt;ahno eins&lt;/b&gt;&lt;br /&gt;&lt;object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" height="26" width="640"&gt;&lt;param value="true" name="allowfullscreen"/&gt;&lt;param value="always" name="allowscriptaccess"/&gt;&lt;param value="high" name="quality"/&gt;&lt;param value="true" name="cachebusting"/&gt;&lt;param value="#000000" name="bgcolor"/&gt;&lt;param name="movie" value="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" /&gt;&lt;param value="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'AhnoEins-blasdruck-extract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/AhnoEins-blasdruck-extract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}" name="flashvars"/&gt;&lt;embed src="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" type="application/x-shockwave-flash" width="640" height="26" allowfullscreen="true" allowscriptaccess="always" cachebusting="true" bgcolor="#000000" quality="high" flashvars="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'AhnoEins-blasdruck-extract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/AhnoEins-blasdruck-extract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}"&gt; &lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-8184425737747822698?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/8184425737747822698/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2011/02/fns057-cold-turkeyahno-eins-split-c40.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/8184425737747822698'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/8184425737747822698'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2011/02/fns057-cold-turkeyahno-eins-split-c40.html' title='fNs057 Cold Turkey/ahno eins Split C40'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-tHSZoSIy3nM/TVwOarorroI/AAAAAAAAAHk/p3a0b7aqDWc/s72-c/scans-m.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-7570889662716386979</id><published>2011-02-16T09:44:00.000-08:00</published><updated>2011-02-22T04:30:29.026-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Musique Concrete'/><category scheme='http://www.blogger.com/atom/ns#' term='Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='Lo-Fi'/><category scheme='http://www.blogger.com/atom/ns#' term='AAMQ'/><category scheme='http://www.blogger.com/atom/ns#' term='shalocins'/><category scheme='http://www.blogger.com/atom/ns#' term='Drone'/><title type='text'>fNs053 AAMQ / shalocins Split C40</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;a href="http://4.bp.blogspot.com/-U_xP5Pi3ijE/TVQldXiiYAI/AAAAAAAAAHQ/8L-jOoisFwo/s1600/scans-m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="224" src="http://4.bp.blogspot.com/-U_xP5Pi3ijE/TVQldXiiYAI/AAAAAAAAAHQ/8L-jOoisFwo/s320/scans-m.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;AAMQ / shalocins &lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Split Cassette&lt;/span&gt;&lt;br /&gt;fNs053&lt;br /&gt;5€ g.e.  incl. EU/ppd EU&lt;br /&gt;6€ ppd Rest Of World&lt;br /&gt;-- &lt;br /&gt;Cara A: Otra nueva formación, AAMQ is una colaboración entre el dúo marital de Illinois, USA, Mavis y Andrew Quitter (Regosphere, Suburbia Melting...). Grabado en el invierno de 2008 en su cocina y vecindario de Portland, "Portland Is Dead" son 20 minutos de fascinante colisión de ambient, drone, electroacustic, colages de cinta y ruido.&lt;br /&gt;Cara B: 2 temas grabados en Madrid en 2010. Dos collages de sonidos electroacústicos, música concreta, electrónica lofi, voces tratadas y deformadas, y ruido.&lt;br /&gt;Edición limitada de 25 copias numeradas a mano. Diseño a color en portada cartulina de dos caras, etiquetas de color en b/n, casete y cajas rojas. Diseño por Andrew Quiiter.&lt;br /&gt;--&lt;br /&gt;Side A:Another new unit, AAMQ is a collaboration album between Illinois, USA, marital duo of Mavis and Andrew Quitter (Regosphere, Suburbia Melting...). Recorded in the winter of 2008 on their kitchen table and neighborhood in Portland, "Portland Is Dead" is 20 mintues of fascinating clash of ambient, drone, electroacustic, tape collage and noise.&lt;br /&gt;Side B: 2 tracks recorded in Madrid in 2010. Two collages of electroacoustic sounds, musique concrete, lofi electronics, treated and distorted vocals, and noise.&lt;br /&gt;Limited edition of 25 hand numbered copies. Color design on double-sided j-card,&amp;nbsp; red labels with b/w print, red tape and cases. Artwork by Andrew Quitter.&lt;br /&gt;--&lt;br /&gt;&lt;b&gt;AAMQ&lt;/b&gt;&lt;br /&gt;&lt;object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" height="26" width="640"&gt;&lt;param value="true" name="allowfullscreen"/&gt;&lt;param value="always" name="allowscriptaccess"/&gt;&lt;param value="high" name="quality"/&gt;&lt;param value="true" name="cachebusting"/&gt;&lt;param value="#000000" name="bgcolor"/&gt;&lt;param name="movie" value="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" /&gt;&lt;param value="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'Aamq-portlandIsDead-extract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/Aamq-portlandIsDead-extract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}" name="flashvars"/&gt;&lt;embed src="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" type="application/x-shockwave-flash" width="640" height="26" allowfullscreen="true" allowscriptaccess="always" cachebusting="true" bgcolor="#000000" quality="high" flashvars="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'Aamq-portlandIsDead-extract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/Aamq-portlandIsDead-extract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}"&gt; &lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;b&gt;shalocins&lt;/b&gt;&lt;br /&gt;&lt;object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" height="26" width="640"&gt;&lt;param value="true" name="allowfullscreen"/&gt;&lt;param value="always" name="allowscriptaccess"/&gt;&lt;param value="high" name="quality"/&gt;&lt;param value="true" name="cachebusting"/&gt;&lt;param value="#000000" name="bgcolor"/&gt;&lt;param name="movie" value="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" /&gt;&lt;param value="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'shalocins-..xx..-extract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/shalocins-..xx..-extract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}" name="flashvars"/&gt;&lt;embed src="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" type="application/x-shockwave-flash" width="640" height="26" allowfullscreen="true" allowscriptaccess="always" cachebusting="true" bgcolor="#000000" quality="high" flashvars="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'shalocins-..xx..-extract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/shalocins-..xx..-extract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}"&gt; &lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-7570889662716386979?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/7570889662716386979/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2011/02/fns053-aamq-shalocins-split-c40.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/7570889662716386979'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/7570889662716386979'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2011/02/fns053-aamq-shalocins-split-c40.html' title='fNs053 AAMQ / shalocins Split C40'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-U_xP5Pi3ijE/TVQldXiiYAI/AAAAAAAAAHQ/8L-jOoisFwo/s72-c/scans-m.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-5776663444211877372</id><published>2011-02-16T09:42:00.001-08:00</published><updated>2011-02-22T04:16:39.083-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Improv'/><category scheme='http://www.blogger.com/atom/ns#' term='Aldous W. Baxter and Joseph J. Squider'/><title type='text'>fNs038 Aldous W. Baxter &amp; Joseph J. Squider "The Corcoflour" CDR</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;img border="0" height="285" src="http://4.bp.blogspot.com/-2cdSdA6KWsA/TVQMYWz0AXI/AAAAAAAAAHM/0qJJplxVC18/s320/scans-m.jpg" width="320" /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;Aldous W. Baxter &amp;amp; Joseph J. Squider&lt;/span&gt;&lt;br /&gt;&lt;i&gt;The Corcoflour&lt;/i&gt;&lt;br /&gt;fNs038&lt;br /&gt;5€      g.e.     incl. EU/ppd  EU&lt;br /&gt;6€ ppd Rest Of World&lt;br /&gt;-- &lt;br /&gt;De ??? vienen esta pareja de improvisadores minimalistas, que en su ???º disco de 40 min. de duración, usan guitarra eléctrica y percusión variada para crear nueve temas más o menos cortos de improvisación en minúsculas sin efectos, llevando la influencia del dúo de Derek Bailey y Cyro Baptista un paso más allá.&lt;br /&gt;Edición limitada de 20 copias numeradas a mano. Portada, encarte e impresión en disco a color, en fundas de plástico y empaquetados en envoltorios plásticos autoadhesivos.&lt;br /&gt;--&lt;br /&gt;From ??? come this duo of minimalist improvisers, who in its ???th disc lasting 40 min., use electric guitar and percussion to create nine more or less short tracks of no-effects lowercase improv, taking the influence of the duo of Derek Bailey and Cyro Baptista one step further.&lt;br /&gt;Limited edition of 20 hand numbered copies. Cover, insert and disc printed in color, housed in plastic sleeves and packaged in self-adhesive seal plastic bags.&lt;br /&gt;&lt;object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" height="26" width="640"&gt;&lt;param value="true" name="allowfullscreen"/&gt;&lt;param value="always" name="allowscriptaccess"/&gt;&lt;param value="high" name="quality"/&gt;&lt;param value="true" name="cachebusting"/&gt;&lt;param value="#000000" name="bgcolor"/&gt;&lt;param name="movie" value="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" /&gt;&lt;param value="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'AldusWBaxterJosephJeffreySquider03.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/AldousW.BaxterJosephJ.Squider-untitled3-extract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}" name="flashvars"/&gt;&lt;embed src="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" type="application/x-shockwave-flash" width="640" height="26" allowfullscreen="true" allowscriptaccess="always" cachebusting="true" bgcolor="#000000" quality="high" flashvars="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'AldusWBaxterJosephJeffreySquider03.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/AldousW.BaxterJosephJ.Squider-untitled3-extract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}"&gt; &lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-5776663444211877372?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/5776663444211877372/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2011/02/fns038-aldous-w-baxter-joseph-j-squider.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/5776663444211877372'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/5776663444211877372'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2011/02/fns038-aldous-w-baxter-joseph-j-squider.html' title='fNs038 Aldous W. Baxter &amp; Joseph J. Squider &quot;The Corcoflour&quot; CDR'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-2cdSdA6KWsA/TVQMYWz0AXI/AAAAAAAAAHM/0qJJplxVC18/s72-c/scans-m.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-6698149945337589723</id><published>2011-02-16T09:42:00.000-08:00</published><updated>2011-02-22T04:11:39.836-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='dohince'/><category scheme='http://www.blogger.com/atom/ns#' term='Free Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='ahno zwei'/><category scheme='http://www.blogger.com/atom/ns#' term='Noise Techno'/><title type='text'>fNs022 dohince / ahno zwei Split C40</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;a href="http://3.bp.blogspot.com/_UapmpMFLq30/TVLAmol-2KI/AAAAAAAAAHI/zsAv5gQBvhc/s1600/scans-m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="221" src="http://3.bp.blogspot.com/_UapmpMFLq30/TVLAmol-2KI/AAAAAAAAAHI/zsAv5gQBvhc/s320/scans-m.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;dohince / ahno zwei &lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Split Cassette&lt;/span&gt;&lt;br /&gt;fNs022&lt;br /&gt;5€ g.e.  incl. EU/ppd EU&lt;br /&gt;6€ ppd Rest Of World&lt;br /&gt;-- &lt;br /&gt;Casete compartida con dos concepciones de ruido completamente distintas. Cara A: dohince escupe machacones y turbios ritmos tecno y big beat, voces ocasionales, y ruido. Cara B: ahno zwei vomita abstracto y perturbador ruido arítmico de vientos (trompeta y saxo). Extraña pareja. Extraña cinta.&lt;br /&gt;Portadas y etiquetas en b/n en papel de color. Casetes y cajas verdes. 15 copias numeradas a mano.&lt;br /&gt;--&lt;br /&gt;Split cassette with two completely different conceptions of noise. Side A: dohince spits insistent and murky techno and big beat rhythms, occasional voices, and noise. Side B: ahno zwei vomits abstract and disturbing arhythmic noise from winds (trumpet and sax). Odd Couple. Strange tape.&lt;br /&gt;Covers and labels in b/w on colored paper. Green cassettes and cases. 15 hand numbered copies.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;dohince&lt;/b&gt;&lt;br /&gt;&lt;object width="640" height="26" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000"&gt;&lt;param value="true" name="allowfullscreen"/&gt;&lt;param value="always" name="allowscriptaccess"/&gt;&lt;param value="high" name="quality"/&gt;&lt;param value="true" name="cachebusting"/&gt;&lt;param value="#000000" name="bgcolor"/&gt;&lt;param name="movie" value="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" /&gt;&lt;param value="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'Dohince-forATimeItWasGood-extract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/Dohince-forATimeItWasGood-extract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}" name="flashvars"/&gt;&lt;embed src="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" type="application/x-shockwave-flash" width="640" height="26" allowfullscreen="true" allowscriptaccess="always" cachebusting="true" bgcolor="#000000" quality="high" flashvars="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'Dohince-forATimeItWasGood-extract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/Dohince-forATimeItWasGood-extract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}"&gt; &lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;b&gt;ahno zwei&lt;/b&gt;&lt;br /&gt;&lt;object width="640" height="26" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000"&gt;&lt;param value="true" name="allowfullscreen"/&gt;&lt;param value="always" name="allowscriptaccess"/&gt;&lt;param value="high" name="quality"/&gt;&lt;param value="true" name="cachebusting"/&gt;&lt;param value="#000000" name="bgcolor"/&gt;&lt;param name="movie" value="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" /&gt;&lt;param value="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'AhnoZwei-althremMeeting-extract.mp3','autoPlay':false},'AhnoZwei-althremMeetingextract.mp3'],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/AhnoZwei-althremMeeting-extract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':true,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}" name="flashvars"/&gt;&lt;embed src="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" type="application/x-shockwave-flash" width="640" height="26" allowfullscreen="true" allowscriptaccess="always" cachebusting="true" bgcolor="#000000" quality="high" flashvars="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'AhnoZwei-althremMeeting-extract.mp3','autoPlay':false},'AhnoZwei-althremMeetingextract.mp3'],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/AhnoZwei-althremMeeting-extract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':true,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}"&gt; &lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-6698149945337589723?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/6698149945337589723/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2011/02/fns022-dohince-ahno-zwei-split-c40.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/6698149945337589723'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/6698149945337589723'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2011/02/fns022-dohince-ahno-zwei-split-c40.html' title='fNs022 dohince / ahno zwei Split C40'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_UapmpMFLq30/TVLAmol-2KI/AAAAAAAAAHI/zsAv5gQBvhc/s72-c/scans-m.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-4117929224287362133</id><published>2011-02-16T09:41:00.001-08:00</published><updated>2011-03-06T11:12:26.181-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Experimental Rock'/><category scheme='http://www.blogger.com/atom/ns#' term='Free Rock'/><category scheme='http://www.blogger.com/atom/ns#' term='Improv'/><category scheme='http://www.blogger.com/atom/ns#' term='Les Yeux Sans Visage'/><title type='text'>fNs021 Les Yeux Sans Visage "Este Hastío" CDR</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;a href="http://3.bp.blogspot.com/_UapmpMFLq30/TVJ-eNyI7iI/AAAAAAAAAHE/S_YhE8McTpI/s1600/scans.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/_UapmpMFLq30/TVJ-eNyI7iI/AAAAAAAAAHE/S_YhE8McTpI/s320/scans.jpg" width="310" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-weight: bold;"&gt;Les Yeux Sans Visage&lt;/span&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; font-family: inherit; text-align: left;"&gt;&lt;span style="font-style: italic;"&gt;Este Hastío&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: 100%;"&gt;fNs021&lt;/span&gt;&lt;span style="font-size: 100%;"&gt;&lt;br /&gt;&lt;/span&gt;5€ g.e. incl. EU/ppd EU&lt;br /&gt;6€ ppd Rest Of World&lt;br /&gt;--&lt;br /&gt;De Barcelona (España) vienen el trio Les Yeux Sans Visage, y su primer CDR para fNs es un compendio de lo mejor de su improvisación, en la que caben free rock, psicodelia, percusiones tribales, vientos, voces lunáticas de ultratumba, cuerdas metálicas, samplers, que forman un aquelarre fascinante y absorvente donde se pueden escuchar ecos de la vanguardia de los 60.&lt;br /&gt;Edición limitada de 30 copias numeradas a mano, en fundas de cartón, con etiquetas e impresión en disco a color, encarte en b/n, en fundas de plástico y empaquetados en envoltorios de plástico autoadhesivos.&lt;br /&gt;--&lt;br /&gt;Les Yeux Sans Visage are a trio from Barcelona (Spain), and their first CDR for fNs is a compendium of the best of their improvisation, in which fit free rock, psychedelic, tribal percussion, winds, lunatic voices from beyond the grave, metal strings, samplers, which form a fascinating and absorbing coven where you can hear echoes of the 60's avant garde.&lt;br /&gt;Limited edition of 30 hand numbered copies, in cardboard sleeves, color print on lables and disc, b/w insert, housed in plastic sleeves and packaged in self-adhesive seal plastic bags.&lt;br /&gt;&lt;object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" height="26" width="640"&gt;&lt;param value="true" name="allowfullscreen"/&gt;&lt;param value="always" name="allowscriptaccess"/&gt;&lt;param value="high" name="quality"/&gt;&lt;param value="true" name="cachebusting"/&gt;&lt;param value="#000000" name="bgcolor"/&gt;&lt;param name="movie" value="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" /&gt;&lt;param value="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'lesyeuxsansvisage-NoFitzextract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/LesYeuxSansVisage-NoFitz-extract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}" name="flashvars"/&gt;&lt;embed src="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" type="application/x-shockwave-flash" width="640" height="26" allowfullscreen="true" allowscriptaccess="always" cachebusting="true" bgcolor="#000000" quality="high" flashvars="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'lesyeuxsansvisage-NoFitzextract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/LesYeuxSansVisage-NoFitz-extract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}"&gt; &lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-4117929224287362133?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/4117929224287362133/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2011/02/fns021-les-yeux-sans-visage-este-hastio.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/4117929224287362133'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/4117929224287362133'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2011/02/fns021-les-yeux-sans-visage-este-hastio.html' title='fNs021 Les Yeux Sans Visage &quot;Este Hastío&quot; CDR'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_UapmpMFLq30/TVJ-eNyI7iI/AAAAAAAAAHE/S_YhE8McTpI/s72-c/scans.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-301699313406727728</id><published>2011-02-16T09:41:00.000-08:00</published><updated>2011-02-22T03:45:57.415-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='Free Rock'/><category scheme='http://www.blogger.com/atom/ns#' term='No Wave'/><category scheme='http://www.blogger.com/atom/ns#' term='The Murders In the Rue Morgue'/><title type='text'>fNs016 The Murders in the Rue Morgue "Voladura" CDR</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-CB3UOTXWrY4/TVzzBrLk7EI/AAAAAAAAAHo/xoui03HQ42k/s1600/cdr+scans2-m.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://1.bp.blogspot.com/-CB3UOTXWrY4/TVzzBrLk7EI/AAAAAAAAAHo/xoui03HQ42k/s320/cdr+scans2-m.jpg" width="283" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-weight: bold;"&gt;fNs016 The Murders in the Rue Morgue "Voladura"&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: 100%;"&gt; &lt;/span&gt;5€ g.e. incl. EU/ppd EU&lt;br /&gt;6€ ppd Rest Of World&lt;br /&gt;---&lt;br /&gt;&lt;div style="text-align: justify;"&gt;En su segundo CDR para fNs, The Murders in the Rue Morgue amplían y  enriquecen su espectro sonoro lofi, con el uso de nuevos instrumentos  (vientos, teclados, samplers...) e introduciendo diversos estilos  (psicoledlia, nowave, spoken word) en su personal estilo de rock crudo y  primitivo, creando un inquietante monstruo de free rock de 60 minutos  que crece, se desarrolla y muta en cada escucha.&lt;br /&gt;Edición limitada de 30 copias numeradas a mano, portadas a color e  impresión en blanco y negro en el disco, con insert, en fundas de plástico y  empaquetados en envoltorios plásticos autoadhesivos.&lt;br /&gt;---&lt;br /&gt;In their second CDR for fNs, The Murders in the Rue Morgue expand and  enrich their lofi sound spectrum, with the use of new instruments  (winds, keyboards, samplers...) and introducing different styles  (psicoledlia, nowave, spoken word) into its own brand of raw and  primitive rock, creating an eerie monster of free rock lasting 60 minute  that grows, develops and mutates in each listening.&lt;br /&gt;Limited edition of 30 hand numbered copies, covers printed in color,  black &amp;amp; white printed on disc, with insert, housed in plastic sleeves and  packaged in self-adhesive seal plastic bags.&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;object width="640" height="26" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000"&gt;&lt;param value="true" name="allowfullscreen"/&gt;&lt;param value="always" name="allowscriptaccess"/&gt;&lt;param value="high" name="quality"/&gt;&lt;param value="true" name="cachebusting"/&gt;&lt;param value="#000000" name="bgcolor"/&gt;&lt;param name="movie" value="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" /&gt;&lt;param value="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'themurdersintheruemorgue-amoresbaadosenoxidoextract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/TheMurdersInTheRueMorgue-AmoresBanadosEnOxidoextract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}" name="flashvars"/&gt;&lt;embed src="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" type="application/x-shockwave-flash" width="640" height="26" allowfullscreen="true" allowscriptaccess="always" cachebusting="true" bgcolor="#000000" quality="high" flashvars="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'themurdersintheruemorgue-amoresbaadosenoxidoextract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/TheMurdersInTheRueMorgue-AmoresBanadosEnOxidoextract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}"&gt; &lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-301699313406727728?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/301699313406727728/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2011/02/fns016-murders-in-rue-morgue-voladura.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/301699313406727728'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/301699313406727728'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2011/02/fns016-murders-in-rue-morgue-voladura.html' title='fNs016 The Murders in the Rue Morgue &quot;Voladura&quot; CDR'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-CB3UOTXWrY4/TVzzBrLk7EI/AAAAAAAAAHo/xoui03HQ42k/s72-c/cdr+scans2-m.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-2101929712748253868</id><published>2010-11-24T10:34:00.000-08:00</published><updated>2010-12-13T09:20:02.080-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Musique Concrete'/><category scheme='http://www.blogger.com/atom/ns#' term='Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='Dreamcatcher'/><category scheme='http://www.blogger.com/atom/ns#' term='Industrial'/><category scheme='http://www.blogger.com/atom/ns#' term='shalocins'/><category scheme='http://www.blogger.com/atom/ns#' term='Experimental Electronica'/><title type='text'>fNs056 Dreamcatcher / shalocins Split CDR</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;a href="http://1.bp.blogspot.com/_UapmpMFLq30/TO1P921spAI/AAAAAAAAAGs/_bFhYUcirVw/s1600/fNs056-s.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://1.bp.blogspot.com/_UapmpMFLq30/TO1P921spAI/AAAAAAAAAGs/_bFhYUcirVw/s320/fNs056-s.jpg" width="318" /&gt;&amp;nbsp;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-weight: bold;"&gt;Dreamcatcher / shalocins&lt;/span&gt;&lt;span style="font-style: italic;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; font-family: inherit; text-align: left;"&gt;&lt;span style="font-style: italic;"&gt;Split&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: 100%;"&gt;fNs056&lt;/span&gt;&lt;span style="font-size: 100%;"&gt;&lt;br /&gt;&lt;/span&gt;5€ g.e. incl. EU/ppd EU&lt;br /&gt;6€ ppd Rest Of World&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;--&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;CDR compartido de los canadienses Dreamcatcher y el español shalocins. Primer disco de Dreamcatcher (Blake Hargreaves-Cousins of Reggae- y Katherine Kline-The You Me Colour Band) desde 2008, grabación en directo en radio hecha en junio de 2010. Un tema de más de 23 minutos dividido en cuatro secciones de electrónica experimental, con sintes siniestros, ritmos electrónicos balbuceantes y ecos de Throbbing Gristle, todo lo cual te lleva a un estado de inconsciencia placentero y asombroso en cada escucha.&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;shalocins ofrece un tema de 14 minutos donde se funden electrónica lo-fi, vientos deformados, música concreta, melodías y ritmos dantescos escondidos bajo un manto de reverberación y ruido, y forman su tema más psicodélico y melódico hasta la fecha.&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;Edición limitada de 50 copias numeradas a mano, en fundas de cartón, con etiquetas y encarte a color, impresión en disco, en fundas de plástico.&lt;/div&gt;----&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;Split CDR with Canadians Dreamcatcher and Spanish shalocins. First Dreamcatcher recording since 2008, radio play that took place on june 2010. 23 plus minutes of intriguing experimental electronica, sinister synths, spluttering drum machines and echoes of Throbbing Gristle, all of which takes you to an amazing and pleasurable unconciousness state in each listening.&lt;/div&gt;shalocins offers a 14 minute track where lo-fi electronics, distorted winds, musique concrete, Dante's like melodies and rhythms hidden under a blanket of reverb and noise melt and form his most psychedelic and melodic track to date.&lt;br /&gt;Limited edition of 50 hand numbered copies. It comes in cardboard sleeves with colored labels and inserts, b/w print on disc, inside a plastic sleeve.&lt;br /&gt;---&lt;br /&gt;&lt;a href="http://www.normanrecords.com/artists/21237-dreamcatcher--shalocins"&gt;Reseña/Review&lt;/a&gt;&lt;br /&gt;&lt;i&gt;"I feel like I'm in a dark place musically today. The best thing I've   heard all week is by the Swedish sludgecore legends Brainbombs and my   first two reviews have imposed the combined effect of a debauched   nightmare &amp;amp; the essence of a scary crumbling mental hospital on my   psyche. The first act on this rather terrific split CD has been compared   loosely to Throbbing Gristle &amp;amp; I can hear why. Juddering mangled   retro-electronic weirdness, stealthily monged rhythms, deviant sounds,   creepy lyrics, druggy bloopy atmospherics from the first lot. Frightful   dark ambiance &amp;amp; sludgy, treacly apocalyptic sound-scapery from the   other ones. It sounds a little like early V/VM (particularly the  initial  The Stranger &amp;amp; Caretaker gear before he got a better  computer &amp;amp;  imbued his music with his contempt for this beautiful  isle). I love the  decayed synth sounds &amp;amp; muffled industrialisms  that leech horribly  onto your mind. I ultimately feel like I'm on a the  ghost of a rotting  slave ship with a steaming drunk Daniel Lopatin as  the black-toothed  pirate whipping the groaning tatters of his  disenfranchised skeletal  crew. Cool!".- Brian (Norman Records)&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Dreamcatcher&lt;/b&gt; &lt;br /&gt;&lt;object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" height="26" width="640"&gt;&lt;param value="true" name="allowfullscreen"/&gt;&lt;param value="always" name="allowscriptaccess"/&gt;&lt;param value="high" name="quality"/&gt;&lt;param value="true" name="cachebusting"/&gt;&lt;param value="#000000" name="bgcolor"/&gt;&lt;param name="movie" value="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" /&gt;&lt;param value="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'Dreamcatcher-radioPlayJune5201090.3FmMontrealextract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/Dreamcatcher-radioPlayJune5201090.3FmMontrealextract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}" name="flashvars"/&gt;&lt;embed src="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" type="application/x-shockwave-flash" width="640" height="26" allowfullscreen="true" allowscriptaccess="always" cachebusting="true" bgcolor="#000000" quality="high" flashvars="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'Dreamcatcher-radioPlayJune5201090.3FmMontrealextract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/Dreamcatcher-radioPlayJune5201090.3FmMontrealextract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}"&gt; 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&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-2101929712748253868?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/2101929712748253868/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2010/11/fns056-dreamcatcher-shalocins-split-cdr.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/2101929712748253868'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/2101929712748253868'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2010/11/fns056-dreamcatcher-shalocins-split-cdr.html' title='fNs056 Dreamcatcher / shalocins Split CDR'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_UapmpMFLq30/TO1P921spAI/AAAAAAAAAGs/_bFhYUcirVw/s72-c/fNs056-s.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-209991544136692107</id><published>2010-11-24T10:29:00.000-08:00</published><updated>2010-11-26T03:41:02.260-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='ahno eins'/><category scheme='http://www.blogger.com/atom/ns#' term='Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='Improv'/><category scheme='http://www.blogger.com/atom/ns#' term='Free Jazz'/><category scheme='http://www.blogger.com/atom/ns#' term='Free Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='ahno drei'/><title type='text'>fNs055 ahno eins / ahno drei Split C50</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_UapmpMFLq30/TO1RXcxdw0I/AAAAAAAAAGw/m3isa_Tg6wc/s1600/fNs055-s.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="220" src="http://4.bp.blogspot.com/_UapmpMFLq30/TO1RXcxdw0I/AAAAAAAAAGw/m3isa_Tg6wc/s320/fNs055-s.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div style="font-family: inherit;"&gt;&lt;span style="font-weight: bold;"&gt;ahno eins / ahno drei &lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: inherit;"&gt;&lt;i&gt;Split&lt;/i&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: inherit;"&gt;&lt;span style="font-size: 100%;"&gt;fNs055&lt;/span&gt;&lt;span style="font-size: 100%;"&gt;&lt;br /&gt;&lt;/span&gt;5€ g.e. incl. EU/ppd EU&lt;/div&gt;&lt;div style="font-family: inherit;"&gt;6€ ppd Rest Of World&lt;/div&gt;--&lt;br /&gt;Cinta compartida de dos variaciones de ahno zwei. ahno eins es un proyecto de un solo miembro rotativo, en esta ocasión RN Juristo maltrata el saxo alto: saxos percusivos, acoples, crujidos y chirridos.&lt;br /&gt;ahno drei es la ampliación de ahno zwei a tres miembros. A Búter (trompeta) y RN Juristo (saxo alto) se une O. Barras (Au, Plonk Moist...) con la trompeta. Grabado en directo en Barcelona en julio de 2010, los tres forman una amalgama sonora de vientos resquebrajados, acoples, graznidos y melodías interrumpidas, en la línea de unos Borbetomagus con más matices y melódicos.&lt;br /&gt;Edición limitada de 25 copias numeradas a mano. Diseño a color en papel de color, casete y cajas negras.&lt;br /&gt;----&lt;br /&gt;Split tape of two ahno zwei variations. ahno eins is a rotating solo member project, in this ocassion RN Juristo abusing the alto sax: percussive saxs, feedbacks, creaks and squeaks. &lt;br /&gt;ahno drei is the extension of ahno zwei to three members. To Buter (amplified trumpet and effects) and RN Juristo (amplified alto sax and effects) joins O. Barras (Au, Plonk Moist ...) with amplified trumpet and effects. Recorded live in Barcelona in july 2010, the three form an amalgam sound of cracked winds, feedbacks, squawks and interrupted melodies, in a more melodic and nuanced Borbetomagus way.&lt;br /&gt;Limited edition of 25 hand numbered copies. Color artwork on colored paper, black cassettes and cases.&lt;br /&gt;&lt;b&gt;ahno eins&lt;/b&gt;&lt;br /&gt;&lt;object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" height="26" width="640"&gt;&lt;param value="true" name="allowfullscreen"/&gt;&lt;param value="always" name="allowscriptaccess"/&gt;&lt;param value="high" name="quality"/&gt;&lt;param value="true" name="cachebusting"/&gt;&lt;param value="#000000" name="bgcolor"/&gt;&lt;param name="movie" value="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" /&gt;&lt;param value="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'AhnoEins-untitled-i-extract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/AhnoEins-untitled-i-extract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}" name="flashvars"/&gt;&lt;embed src="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" type="application/x-shockwave-flash" width="640" height="26" allowfullscreen="true" allowscriptaccess="always" cachebusting="true" bgcolor="#000000" quality="high" flashvars="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'AhnoEins-untitled-i-extract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/AhnoEins-untitled-i-extract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}"&gt; 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&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-209991544136692107?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/209991544136692107/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2010/11/fns055-ahno-eins-ahno-drei-split.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/209991544136692107'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/209991544136692107'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2010/11/fns055-ahno-eins-ahno-drei-split.html' title='fNs055 ahno eins / ahno drei Split C50'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_UapmpMFLq30/TO1RXcxdw0I/AAAAAAAAAGw/m3isa_Tg6wc/s72-c/fNs055-s.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-8692037683915310576</id><published>2010-11-24T08:55:00.000-08:00</published><updated>2010-11-26T02:44:24.700-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Free Rock'/><category scheme='http://www.blogger.com/atom/ns#' term='Free Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='Au'/><category scheme='http://www.blogger.com/atom/ns#' term='Aupier'/><category scheme='http://www.blogger.com/atom/ns#' term='Noise Rock'/><category scheme='http://www.blogger.com/atom/ns#' term='pier'/><title type='text'>fNs040 Aupier "Attila" CDR</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;a href="http://3.bp.blogspot.com/_UapmpMFLq30/TO1C2KHpZ3I/AAAAAAAAAGo/x_aXGk02lT8/s1600/fNs040-s.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="316" src="http://3.bp.blogspot.com/_UapmpMFLq30/TO1C2KHpZ3I/AAAAAAAAAGo/x_aXGk02lT8/s320/fNs040-s.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;Aupier&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Attila&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: 100%;"&gt;fNs040&lt;/span&gt;&lt;span style="font-size: 100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;5€ g.e. incl. EU/ppd EU&lt;br /&gt;6€ ppd Rest Of World&lt;br /&gt;---&lt;br /&gt;De las mismas sesiones que el primer disco "No Is" sale esta grabación, fruto de la colaboración de las bandas madrileñas Au y pier. Un único tema de 35 minutos, donde guitarras, bajos, saxos, trompetas, vientos, voces y baterías forman una bola de noise rock y free rock que muta, se tranforma, te envuelve y atrapa, para luego escupirte sin compasión.&lt;br /&gt;Edición limitada de 30 copias numeradas a mano. Diseño a color sobre papel de color doblado, impresión en disco, en fundas de plástico.&lt;br /&gt;----&lt;br /&gt;From the same sessions as the first album "No Is" comes this recording, a collaboration of Madrid bands Au and pier. A single 35 minute track where guitars, basses, saxs, trumpets, winds, voices and drums form a ball of noise-rock and free-rock that mutates, it transforms, envelops and traps you, and then spit you without mercy.&lt;br /&gt;Limited edition of 30 hand numbered copies. Color design on colored folded paper, b/w print on disc, housed in plastic sleeves.&lt;br /&gt;&lt;object width="640" height="26" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000"&gt;&lt;param value="true" name="allowfullscreen"/&gt;&lt;param value="always" name="allowscriptaccess"/&gt;&lt;param value="high" name="quality"/&gt;&lt;param value="true" name="cachebusting"/&gt;&lt;param value="#000000" name="bgcolor"/&gt;&lt;param name="movie" value="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" /&gt;&lt;param value="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'Aupier-Attilaextract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/Aupier-Attila-extract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}" name="flashvars"/&gt;&lt;embed src="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" type="application/x-shockwave-flash" width="640" height="26" allowfullscreen="true" allowscriptaccess="always" cachebusting="true" bgcolor="#000000" quality="high" flashvars="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'Aupier-Attilaextract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/Aupier-Attila-extract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}"&gt; &lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-8692037683915310576?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/8692037683915310576/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2010/11/fns040-aupier-attila-cdr.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/8692037683915310576'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/8692037683915310576'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2010/11/fns040-aupier-attila-cdr.html' title='fNs040 Aupier &quot;Attila&quot; CDR'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_UapmpMFLq30/TO1C2KHpZ3I/AAAAAAAAAGo/x_aXGk02lT8/s72-c/fNs040-s.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-1763446806940631596</id><published>2010-11-24T08:34:00.000-08:00</published><updated>2010-11-26T03:15:26.117-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Experimental Rock'/><category scheme='http://www.blogger.com/atom/ns#' term='Improv'/><category scheme='http://www.blogger.com/atom/ns#' term='Free Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='Lysergic Farmers of the West'/><category scheme='http://www.blogger.com/atom/ns#' term='Experimental'/><category scheme='http://www.blogger.com/atom/ns#' term='bazvotni'/><category scheme='http://www.blogger.com/atom/ns#' term='Weird Folk'/><title type='text'>fNs050 bazvotni / Lysergic Farmers of the West C40</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;a href="http://1.bp.blogspot.com/_UapmpMFLq30/TO0KhXs99PI/AAAAAAAAAGk/yl1lXjtnJMs/s1600/fNs050-s.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="220" src="http://1.bp.blogspot.com/_UapmpMFLq30/TO0KhXs99PI/AAAAAAAAAGk/yl1lXjtnJMs/s320/fNs050-s.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;bazvotni / Lysergic Farmers of the West&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Split Cassette&lt;/span&gt;&lt;br /&gt;fNs050&lt;br /&gt;5€ g.e.  incl. EU/ppd EU&lt;br /&gt;6€ ppd Rest Of World&lt;/div&gt;&lt;div style="text-align: left;"&gt;---&lt;/div&gt;&lt;div style="text-align: left;"&gt;Lysergic Farmers of the West son de la Costa Este de España (Barcelona), odian las granjas, y puede que consuman lisérgicos. Esta es su primera grabación para fNs. 18 minutos de locura acústica psicodélica, melodías folk raras y lo-fi, voces alucinógenas, percusiones de cuerpo seniles... la perfecta música de fondo para cualquier hospital psiquiátrico.&lt;/div&gt;&lt;div style="text-align: left;"&gt;La cara de bazvotni contiene la segunda grabación para fNs. Nada más que voces y baterías free primitvas, con un montón de acoples, que destrozan cualquier atisbo de ritmo o melodía. 9 temas cortos de no más de 3 minutos que añaden un toque de locura a esta cinta demente. &lt;/div&gt;&lt;div style="text-align: left;"&gt;Diseño en b/n en cartulina de color y en etiquetas. Casetes y cajas verdes. Edición limitada de 20 copias numeradas a mano.&lt;br /&gt;----&lt;br /&gt;Lysergic Farmers of the West come from the East Coast of Spain (Barcelona), they hate farms, and they might do lysergic. This is their first recording for fNs. 18 minutes of psychodelic acoustic madness, lo-fi weird folk tunes, hallucinogetic vocals, senile body percussions... the perfect background music for any psychiatric hospital.&lt;br /&gt;bazvotni side is the second recording for fNs. Nothing but primitve free drums &amp;amp; vocals, with lots of feedback, that shred any hint of rhythm or melody. 9 short tracks no longer than 3 min. that add a touch of crazyness to this insane tape.&lt;br /&gt;B/W artwork on colored cardstock and on labels. Green cassettes and cases. Limited edition of 20 hand numbered copies.&lt;br /&gt;&lt;b&gt;bazvotni&lt;/b&gt;&lt;br /&gt;&lt;object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" height="26" width="640"&gt;&lt;param value="true" name="allowfullscreen"/&gt;&lt;param value="always" name="allowscriptaccess"/&gt;&lt;param value="high" name="quality"/&gt;&lt;param value="true" name="cachebusting"/&gt;&lt;param value="#000000" name="bgcolor"/&gt;&lt;param name="movie" value="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" /&gt;&lt;param value="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'bazvotni-cheeruheshextract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/bazvotni-cheeruhesh-extract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}" name="flashvars"/&gt;&lt;embed src="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" type="application/x-shockwave-flash" width="640" height="26" allowfullscreen="true" allowscriptaccess="always" cachebusting="true" bgcolor="#000000" quality="high" flashvars="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'bazvotni-cheeruheshextract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/bazvotni-cheeruhesh-extract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}"&gt; 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&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-1763446806940631596?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/1763446806940631596/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2010/11/fns050-bazvotni-lysergic-farmers-of.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/1763446806940631596'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/1763446806940631596'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2010/11/fns050-bazvotni-lysergic-farmers-of.html' title='fNs050 bazvotni / Lysergic Farmers of the West C40'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_UapmpMFLq30/TO0KhXs99PI/AAAAAAAAAGk/yl1lXjtnJMs/s72-c/fNs050-s.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-8889200292064567564</id><published>2010-11-24T04:24:00.000-08:00</published><updated>2010-11-26T02:15:12.405-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='Free Jazz'/><category scheme='http://www.blogger.com/atom/ns#' term='Free Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='ahno zwei'/><category scheme='http://www.blogger.com/atom/ns#' term='James Fella'/><title type='text'>fNs036 James Fella / ahno zwei CDR</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;a href="http://3.bp.blogspot.com/_UapmpMFLq30/TOz9vp8hzVI/AAAAAAAAAGc/pZs2iBK1-Wo/s1600/fNs036-s.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/_UapmpMFLq30/TOz9vp8hzVI/AAAAAAAAAGc/pZs2iBK1-Wo/s320/fNs036-s.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;James Fella / ahno zwei&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Split&lt;/span&gt;&lt;br /&gt;fNs036&lt;br /&gt;5€ g.e.  incl. EU/ppd EU&lt;br /&gt;6€ ppd Rest Of World&lt;br /&gt;--- &lt;br /&gt;Locura de saxo compartida. James fella ha editado excelentes sonidos desde 2006 en su propio sello Gilgongo Records y otros como 905tapes, Isolated Now Waves, DNT... Su tema tiene saxos raros, electronica, musica concreta fundida sublimemente en estos magníficos 9 minutos y medio.&lt;br /&gt;ahno zwei arroja tres pistas de explosiones de trompeta y saxo, acoples, gritos e incluso alguna melodía de fanfarria demente.&lt;br /&gt;Edición limitada de 30 copias numeradas a mano, portadas a doble cara a color, e impresión en blanco y negro en el disco, en fundas de plástico.&lt;br /&gt;----&lt;br /&gt;Sax madness split. James Fella has released some outstanding sounds since 2006 in his own inprint Gilgongo Records and some others like 905tapes, Isolated Now waves, DNT... His track has weird saxs, electronics, musique concrete melted sublimely in this superb nine and a half minutes.&lt;br /&gt;ahno zwei throws three tracks of trumpet and sax blasts, feedback, cries and even some demented fanfare melodies. &lt;br /&gt;Limited edition of 30 hand numbered copies, full color double-sided covers, b&amp;amp;w print on disc, housed in plastic sleeves.&lt;br /&gt;&lt;b&gt;James Fella&lt;/b&gt; &lt;br /&gt;&lt;object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" height="26" width="640"&gt;&lt;param value="true" name="allowfullscreen"/&gt;&lt;param value="always" name="allowscriptaccess"/&gt;&lt;param value="high" name="quality"/&gt;&lt;param value="true" name="cachebusting"/&gt;&lt;param value="#000000" name="bgcolor"/&gt;&lt;param name="movie" value="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" /&gt;&lt;param value="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'JamesFella-untitled-editedextract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/JamesFella-Untitled-editextract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}" name="flashvars"/&gt;&lt;embed src="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" type="application/x-shockwave-flash" width="640" height="26" allowfullscreen="true" allowscriptaccess="always" cachebusting="true" bgcolor="#000000" quality="high" flashvars="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'JamesFella-untitled-editedextract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/JamesFella-Untitled-editextract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}"&gt; &lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;b&gt;ahno zwei&lt;/b&gt;&lt;br /&gt;&lt;object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" height="26" width="640"&gt;&lt;param value="true" name="allowfullscreen"/&gt;&lt;param value="always" name="allowscriptaccess"/&gt;&lt;param value="high" name="quality"/&gt;&lt;param value="true" name="cachebusting"/&gt;&lt;param value="#000000" name="bgcolor"/&gt;&lt;param name="movie" value="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" /&gt;&lt;param value="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'AhnoZwei-Clondomy-extract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/AhnoZwei-Clondomy-extract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}" name="flashvars"/&gt;&lt;embed src="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" type="application/x-shockwave-flash" width="640" height="26" allowfullscreen="true" allowscriptaccess="always" cachebusting="true" bgcolor="#000000" quality="high" flashvars="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'AhnoZwei-Clondomy-extract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/AhnoZwei-Clondomy-extract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}"&gt; &lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-8889200292064567564?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/8889200292064567564/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2010/11/fns036-james-fella-ahno-zwei-cdr.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/8889200292064567564'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/8889200292064567564'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2010/11/fns036-james-fella-ahno-zwei-cdr.html' title='fNs036 James Fella / ahno zwei CDR'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_UapmpMFLq30/TOz9vp8hzVI/AAAAAAAAAGc/pZs2iBK1-Wo/s72-c/fNs036-s.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-6881094088869260817</id><published>2010-11-24T01:25:00.000-08:00</published><updated>2010-11-26T01:21:06.595-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Noise Blues'/><category scheme='http://www.blogger.com/atom/ns#' term='Improv'/><category scheme='http://www.blogger.com/atom/ns#' term='Plonk Moist'/><title type='text'>fNs030 Plonk Moist "Nuaka I Praca" CDR/CS</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;img border="0" height="205" src="http://2.bp.blogspot.com/_UapmpMFLq30/TOzYpo5Q0HI/AAAAAAAAAGY/mvSLlyS72HI/s320/fNs030-CDR%2526CS.jpg" width="320" /&gt;&amp;nbsp;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-weight: bold;"&gt;Plonk Moist&lt;/span&gt;&lt;span style="font-style: italic;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-style: italic;"&gt;Nauka I Praca&lt;/span&gt;&lt;/div&gt;fNs030&lt;br /&gt;5€ g.e.  incl. EU/ppd EU&lt;br /&gt;6€ ppd Rest Of World &lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;Segundo asalto de Plonk Moist al noise blues. Esta vez más denso, intenso, hardcore, extenuante y aditivo. 40 min.&lt;/div&gt;Doble edición limitada y numerada a mano en CDR y Casete. 20 copias en CDR con portada a doble cara a color e impresión en disco, en cajas finas de plástico transparente. 15 copias en Casete de 44 min. con portada en cartulina a color. Diseño de Aleksandra Waliszewska.&lt;br /&gt;-------&lt;br /&gt;Second assault from Plonk Moist to noise blues. This time more intense, dense, hardcore, exhausting and additive. 40 min.&lt;br /&gt;Double limited edition, on hand numbered CDR and cassette. 20 copies on CDR with 2-sided color cover and print on disc, in transparent plastic slim jewelboxes. 15 copies on C44, color J-car, black tapes and cases. Artwork by Aleksandra Waliszewska.&lt;br /&gt;&lt;object width="640" height="26" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000"&gt;&lt;param value="true" name="allowfullscreen"/&gt;&lt;param value="always" name="allowscriptaccess"/&gt;&lt;param value="high" name="quality"/&gt;&lt;param value="true" name="cachebusting"/&gt;&lt;param value="#000000" name="bgcolor"/&gt;&lt;param name="movie" value="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" /&gt;&lt;param value="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'PlonkMoist-Ikonaextract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/PlonkMoist-Ikonaextract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}" name="flashvars"/&gt;&lt;embed src="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" type="application/x-shockwave-flash" width="640" height="26" allowfullscreen="true" allowscriptaccess="always" cachebusting="true" bgcolor="#000000" quality="high" flashvars="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'PlonkMoist-Ikonaextract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/PlonkMoist-Ikonaextract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}"&gt; &lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-6881094088869260817?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/6881094088869260817/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2010/11/fns030-plonk-moist-nuaka-i-praca-cdrcs.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/6881094088869260817'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/6881094088869260817'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2010/11/fns030-plonk-moist-nuaka-i-praca-cdrcs.html' title='fNs030 Plonk Moist &quot;Nuaka I Praca&quot; CDR/CS'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_UapmpMFLq30/TOzYpo5Q0HI/AAAAAAAAAGY/mvSLlyS72HI/s72-c/fNs030-CDR%2526CS.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-5740487388928511568</id><published>2010-09-09T07:07:00.000-07:00</published><updated>2010-11-24T04:46:38.800-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='Rusted Wreck'/><title type='text'>fNs054 Rusted Wreck "Dead Metals" CDR</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_UapmpMFLq30/TIjqdgn0HII/AAAAAAAAAF4/O-NJBQWHgI4/s1600/cdrs-f%26b%26d.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5514915536409205890" src="http://1.bp.blogspot.com/_UapmpMFLq30/TIjqdgn0HII/AAAAAAAAAF4/O-NJBQWHgI4/s320/cdrs-f%26b%26d.jpg" style="cursor: pointer; height: 320px; width: 313px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Rusted Wreck&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Dead Metals&lt;/span&gt;&lt;br /&gt;fNs054&lt;br /&gt;5€      g.e.     incl. EU/ppd  EU&lt;br /&gt;6€ ppd Rest Of World&lt;br /&gt;---&lt;br /&gt;Edición en CDR de la segunda colaboración entre Andrew Coltrane (Michigan) y R.N. Juristo (Madrid) editada también en casete por Hermitagetapes. En Madrid se grabaron metales ritmicos y artimicos de un cacharro casero bautizado como "ironoiser", una plancha de acero con diversos artilugios de metal pegados y amplificada. En Michigan se grabarÓ electrónica minimalista. El resultado es una amalgama de restos oxidados de 28 minutos divididos en 2 temas.&lt;br /&gt;Edición limitada de 30 copias numeradas a mano, portadas a color e impresión en blanco y negro en el disco, en fundas de plástico y empaquetados en envoltorios plásticos autoadhesivos.&lt;br /&gt;---&lt;br /&gt;CDR edition of the second collaboration between Andrew Coltrane (Michigan) and R.N. Juristo (Madrid) also released on cassette by Hermitagetapes. In Madrid, were recorded rhythmic and unrhythmic metals from a homemade device named "ironoiser", a steel sheet with various metal gadgets attached and amplified. In Michigan minimalist electronic was recorded. The result is an amalgam of rusted wrecks lasting 28 minutes split in 2 tracks.&lt;br /&gt;Limited edition of 30 hand numbered copies, covers printed in color, black &amp;amp; white printed on disc, housed in plastic sleeves and packaged in self-adhesive seal plastic bags.&lt;br /&gt;&lt;object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" height="26" width="640"&gt;&lt;param value="true" name="allowfullscreen"/&gt;&lt;param value="always" name="allowscriptaccess"/&gt;&lt;param value="high" name="quality"/&gt;&lt;param value="true" name="cachebusting"/&gt;&lt;param value="#000000" name="bgcolor"/&gt;&lt;param name="movie" value="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" /&gt;&lt;param value="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'RustedWreck-DeafMetalsextract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/RustedWreck-DeafMetals-extract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}" name="flashvars"/&gt;&lt;embed src="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" type="application/x-shockwave-flash" width="640" height="26" allowfullscreen="true" allowscriptaccess="always" cachebusting="true" bgcolor="#000000" quality="high" flashvars="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'RustedWreck-DeafMetalsextract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/RustedWreck-DeafMetals-extract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}"&gt; &lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-5740487388928511568?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/5740487388928511568/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2010/09/fns054-rusted-wreck-dead-metals-cdr.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/5740487388928511568'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/5740487388928511568'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2010/09/fns054-rusted-wreck-dead-metals-cdr.html' title='fNs054 Rusted Wreck &quot;Dead Metals&quot; CDR'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_UapmpMFLq30/TIjqdgn0HII/AAAAAAAAAF4/O-NJBQWHgI4/s72-c/cdrs-f%26b%26d.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-9091818326557783315</id><published>2010-09-09T06:52:00.000-07:00</published><updated>2010-12-16T01:10:52.427-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='Harsh Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='shalocins'/><category scheme='http://www.blogger.com/atom/ns#' term='ponzoña'/><title type='text'>fNs052 shalocins/ponzoña Split C30</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_UapmpMFLq30/TIjnCJ1Z8lI/AAAAAAAAAFw/yJHQdpwkpPo/s1600/casete-front%26back%26side.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5514911767900844626" src="http://4.bp.blogspot.com/_UapmpMFLq30/TIjnCJ1Z8lI/AAAAAAAAAFw/yJHQdpwkpPo/s320/casete-front%26back%26side.jpg" style="cursor: pointer; height: 222px; width: 320px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;shalocins/ponzoña&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Split cassette&lt;/span&gt;&lt;br /&gt;fNs052&lt;br /&gt;&lt;i&gt;&lt;span style="color: #cc0000;"&gt;(Agotado/Sold Out&lt;/span&gt;&lt;span style="color: #cc0000;"&gt;)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;---&lt;br /&gt;Cara A: shalocins, un tema de 15 minutos construido con osciladores, grabaciones tratadas y percusión de metal casera.&lt;br /&gt;Cara B: Ponzoña (Guadalajara, España) es Jorge Vicario, proyecto de improvisación de ruido libre, afectado, entre otros, por el Accionismo Vienés, el mal funcionamiento, Dadá y Nihilist Spasm Band. Ocho temas, voces cabreadas, procesadores analógicos, metales, sonidos encontrados... extenuante y gratificante ruido abstracto y concreto.&lt;br /&gt;Diseño a color, collage por Erik Hurtado. Casetes blancas con diseño a color. 25 copias numeradas a mano.&lt;br /&gt;---&lt;br /&gt;Side A is shalocins, one track constructed from oscillators, treated found sounds and metal junk percussion.&lt;br /&gt;Side B is Ponzoña (Guadalajara, Spain) is Jorge Vicario free noise improv project affected by, among others, Vienese Actionism, malfunctions, Dadá and Nihilist Spasm Band. Eight tracks, angry voices, analog processors, metals, found sounds... exhausting and rewarding abstract and concrete noise.&lt;br /&gt;Color artwork, collage by Erik Hurtado. White cassettes with color artwork. 25 hand numbered copies.&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;shalocins&lt;/span&gt;&lt;br /&gt;&lt;object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" height="26" width="640"&gt;&lt;param value="true" name="allowfullscreen"&gt;&lt;param value="always" name="allowscriptaccess"&gt;&lt;param value="high" name="quality"&gt;&lt;param value="true" name="cachebusting"&gt;&lt;param value="#000000" name="bgcolor"&gt;&lt;param name="movie" value="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf"&gt;&lt;param value="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'Shalocins-FoldedRockextract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/Shalocins-FoldedRock-extract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}" name="flashvars"&gt;&lt;embed src="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" cachebusting="true" bgcolor="#000000" quality="high" flashvars="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'Shalocins-FoldedRockextract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/Shalocins-FoldedRock-extract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}" height="26" width="640"&gt;&lt;/embed&gt; &lt;/object&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;ponzoña&lt;/span&gt;&lt;br /&gt;&lt;object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" height="26" width="640"&gt;&lt;param value="true" name="allowfullscreen"&gt;&lt;param value="always" name="allowscriptaccess"&gt;&lt;param value="high" name="quality"&gt;&lt;param value="true" name="cachebusting"&gt;&lt;param value="#000000" name="bgcolor"&gt;&lt;param name="movie" value="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf"&gt;&lt;param value="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'Ponzoa-6extract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/Ponzoa-6extract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}" name="flashvars"&gt;&lt;embed src="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" cachebusting="true" bgcolor="#000000" quality="high" flashvars="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'Ponzoa-6extract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/Ponzoa-6extract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}" height="26" width="640"&gt;&lt;/embed&gt; &lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-9091818326557783315?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/9091818326557783315/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2010/09/fns052-shalocinsponzona-split-c30.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/9091818326557783315'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/9091818326557783315'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2010/09/fns052-shalocinsponzona-split-c30.html' title='fNs052 shalocins/ponzoña Split C30'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_UapmpMFLq30/TIjnCJ1Z8lI/AAAAAAAAAFw/yJHQdpwkpPo/s72-c/casete-front%26back%26side.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-5375381908645426766</id><published>2010-09-09T06:40:00.000-07:00</published><updated>2010-11-24T07:44:54.534-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='La Muer Blandenga'/><category scheme='http://www.blogger.com/atom/ns#' term='fuguh'/><category scheme='http://www.blogger.com/atom/ns#' term='Experimental Electronica'/><title type='text'>fNs051 fuguh/La Mujer Blandenga Split C30</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_UapmpMFLq30/TIjkRfIFaYI/AAAAAAAAAFo/o5r1OpVFMfE/s1600/casete-front%26back%26side.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5514908732779489666" src="http://1.bp.blogspot.com/_UapmpMFLq30/TIjkRfIFaYI/AAAAAAAAAFo/o5r1OpVFMfE/s320/casete-front%26back%26side.jpg" style="cursor: pointer; height: 226px; width: 320px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;fuguh/La Mujer Blandenga&lt;/span&gt;&lt;br /&gt;Split cassette&lt;br /&gt;fNs051&lt;br /&gt;&lt;i&gt;&lt;span style="color: #cc0000;"&gt;(Agotado/Sold Out&lt;/span&gt;&lt;span style="color: #cc0000;"&gt;)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="color: #cc0000;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/i&gt;---&lt;br /&gt;Split casete de fuguh (Krapoola + R.N. Juristo) y La Mujer Blandenga. LMB es el proyecto de Nestor (Alicante), donde mezcla breakbeats, ruido y voces de manera única. Esta vez es un tema más pausado y psicodélico, menos agresivo que los editados en los alucinantes CDRs "Gentuza" y "La Mujer Blandenga". El tema de fuguh se grabó en "El Desván de la Vigila", sede central de Krapoola hasta hace poco, lugar único que ha acogido acontecimientos únicos. Krapoola utilizó su clásico artilugio "espesódromo", R.N. Juristo osciladores, voces y vientos. Sonidos etéreos, deformes y caústicos. 30 minutos.&lt;br /&gt;Diseño a color. Casetes negras. 25 copias numeradas a mano.&lt;br /&gt;---&lt;br /&gt;Split cassette of fuguh (Krapoola + R.N. Juristo) and La Mujer Blandenga. LMB is the project of Nestor (Alicante, Spain), where he mixes breakbeats, noise and voices in a unique way. This time is more psychedelic and slower track, less aggressive than those edited in the stunning CDRs "Gentuza" and "La Muer Blandenga". fuguh's track was recorded at "El Desván de la Vigilia", headquarters of Krapoola until recently, an unique space that has hosted unique events. Krapoola used his classic device "espesódromo", R.N. Juristo oscillators, voices and winds. Ethereal sounds, distorted and caustics. 30 minutes.&lt;br /&gt;Color artwork. Black cassettes. 25 hand numbered copies.&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;fuguh&lt;/span&gt;&lt;br /&gt;&lt;object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" height="26" width="640"&gt;&lt;param value="true" name="allowfullscreen"&gt;&lt;param value="always" name="allowscriptaccess"&gt;&lt;param value="high" name="quality"&gt;&lt;param value="true" name="cachebusting"&gt;&lt;param value="#000000" name="bgcolor"&gt;&lt;param name="movie" value="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf"&gt;&lt;param value="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'Fuguh-Untitledextract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/Fuguh-Picatoxtexextract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}" name="flashvars"&gt;&lt;embed src="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" cachebusting="true" bgcolor="#000000" quality="high" flashvars="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'Fuguh-Untitledextract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/Fuguh-Picatoxtexextract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}" height="26" width="640"&gt;&lt;/embed&gt; &lt;/object&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;La Mujer Blandenga&lt;/span&gt;&lt;br /&gt;&lt;object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" height="26" width="640"&gt;&lt;param value="true" name="allowfullscreen"&gt;&lt;param value="always" name="allowscriptaccess"&gt;&lt;param value="high" name="quality"&gt;&lt;param value="true" name="cachebusting"&gt;&lt;param value="#000000" name="bgcolor"&gt;&lt;param name="movie" value="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf"&gt;&lt;param value="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'LaMujerBlandenga-ElMesQueVieneextract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/LaMujerBlandenga-ElMesQueViene-extract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}" name="flashvars"&gt;&lt;embed src="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" cachebusting="true" bgcolor="#000000" quality="high" flashvars="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'LaMujerBlandenga-ElMesQueVieneextract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/LaMujerBlandenga-ElMesQueViene-extract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}" height="26" width="640"&gt;&lt;/embed&gt; &lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-5375381908645426766?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/5375381908645426766/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2010/09/fns051-fuguhla-mujer-blandenga-split.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/5375381908645426766'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/5375381908645426766'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2010/09/fns051-fuguhla-mujer-blandenga-split.html' title='fNs051 fuguh/La Mujer Blandenga Split C30'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_UapmpMFLq30/TIjkRfIFaYI/AAAAAAAAAFo/o5r1OpVFMfE/s72-c/casete-front%26back%26side.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-5120842308060430253</id><published>2010-09-09T06:36:00.001-07:00</published><updated>2010-11-24T04:49:55.360-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Musique Concrete'/><category scheme='http://www.blogger.com/atom/ns#' term='Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='Industrial'/><category scheme='http://www.blogger.com/atom/ns#' term='Harsh Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='shalocins'/><title type='text'>fNs049 shalocins "abortion survivor" C40</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_UapmpMFLq30/TIjjJlegrYI/AAAAAAAAAFg/uUSbrjZX9PU/s1600/casete-front%26back%26side.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5514907497533582722" src="http://1.bp.blogspot.com/_UapmpMFLq30/TIjjJlegrYI/AAAAAAAAAFg/uUSbrjZX9PU/s320/casete-front%26back%26side.jpg" style="cursor: pointer; height: 225px; width: 320px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;shalocins&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;abortion survivor&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;fNs049&lt;br /&gt;&lt;i&gt;&lt;span style="color: #cc0000;"&gt;(Agotado/Sold Out&lt;/span&gt;&lt;span style="color: #cc0000;"&gt;)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;---&lt;br /&gt;40 minutos de soeces osciladores de ruido, vientos de madera, efectos, latas, sonidos encontrados tratados, voces, barbas y agitadores.&lt;br /&gt;Diseño a color. Casetes negras. 20 copias numeradas a mano.&lt;br /&gt;---&lt;br /&gt;40 minutes of filthy noise oscillators, wood winds, effects, cans, treated found sounds, voices, beards and shakers.&lt;br /&gt;Color artwork. Black cassettes. 20 hand numbered copies.&lt;br /&gt;&lt;object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" height="26" width="640"&gt;&lt;param value="true" name="allowfullscreen"&gt;&lt;param value="always" name="allowscriptaccess"&gt;&lt;param value="high" name="quality"&gt;&lt;param value="true" name="cachebusting"&gt;&lt;param value="#000000" name="bgcolor"&gt;&lt;param name="movie" value="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf"&gt;&lt;param value="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'Shalocins-AbortionSurvivor-B1-extract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/Shalocins-AbortionSurvivor-B1extract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}" name="flashvars"&gt;&lt;embed src="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" cachebusting="true" bgcolor="#000000" quality="high" flashvars="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'Shalocins-AbortionSurvivor-B1-extract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/Shalocins-AbortionSurvivor-B1extract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}" height="26" width="640"&gt;&lt;/embed&gt; &lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-5120842308060430253?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/5120842308060430253/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2010/09/fns049-shalocins-abortion-survivor-c40.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/5120842308060430253'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/5120842308060430253'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2010/09/fns049-shalocins-abortion-survivor-c40.html' title='fNs049 shalocins &quot;abortion survivor&quot; C40'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_UapmpMFLq30/TIjjJlegrYI/AAAAAAAAAFg/uUSbrjZX9PU/s72-c/casete-front%26back%26side.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-1114164307145795696</id><published>2010-09-09T06:12:00.000-07:00</published><updated>2011-04-22T03:55:25.456-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Experimental Rock'/><category scheme='http://www.blogger.com/atom/ns#' term='Avant Rock'/><category scheme='http://www.blogger.com/atom/ns#' term='Scissor Shock'/><category scheme='http://www.blogger.com/atom/ns#' term='Avant-Garde'/><category scheme='http://www.blogger.com/atom/ns#' term='Noise Rock'/><title type='text'>fNs048 Scissor Shock "Psychic Existentialist" CDR</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_UapmpMFLq30/TIjeBlUhDhI/AAAAAAAAAFY/uu_Ful5dPyA/s1600/cdrs-f%26b%26d.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5514901862494572050" src="http://2.bp.blogspot.com/_UapmpMFLq30/TIjeBlUhDhI/AAAAAAAAAFY/uu_Ful5dPyA/s320/cdrs-f%26b%26d.jpg" style="cursor: pointer; height: 320px; width: 317px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Scissor Shock&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Psychic Existentialist&lt;/span&gt;&lt;br /&gt;fNs048&lt;br /&gt;&lt;span style="color: #990000;"&gt;Agotado/&lt;/span&gt;&lt;span style="color: #cc0000;"&gt;Sold Out &lt;/span&gt;&lt;br /&gt;---&lt;br /&gt;La primera vez que escuché a Scissor Shock fue la cinta "Shrine To Salvaged Junk", que me pareció (y aún lo hace) una de las mejores cosas que he escuchado en el último año. Estaba tan emocionado con la cinta que propuse al hombre detrás de S.S., Adam, sacar algo en fNs, por lo que cuando declinó la oferta debido a asuntos relacionados con el cine que le tenían ocupados me quedé un poco decepcionado. Meses más tarde me escribió diciendo que quería hacerlo. Bien!. Y unos meses más tarde viene con la más fantástica mierda weird-free-rock. Con ecos de bandas clásicas como The Residentes y Captain Beefheart, "Psychic Existentialist" es un viaje asombrosamente extraño por los reinos de rock y sonidos electrónicos. 32 minutos de gloriosas guitarras afiladas, ritmos estrambóticos y maravillosos vetetuasaberqué sonidos. Avant rock raro. Diseño de portada por Adam Cooley.&lt;br /&gt;Edición limitada de 50 copias numeradas a mano, impresión a color en portadas, disco impreso en blanco y negro, en fundas de plástico, empaquetados en fundas de plástico selladas.&lt;br /&gt;---&lt;br /&gt;I first listened to Scissor Shock was to the "Shrine To Salvaged Junk" tape, which I thought (and still do) it's one of the best things I've listened to in the past year. I was so excited with that tape that I proposed S.S. main man Adam to do a release on fNs, so when he declined the offer due to film making issues that kept him busy I was a little bit bumped. Months later he emailed me saying he wanted to do it. Yes! And some more months later he comes up with the greatest weird-free-rock shit ever. With echoes of classic bands like The Residentes and Captain Beefheart, "Psychic Existentialist" is an awesomely strange voyage by the realms of rock and electronic sounds. 32 minutes of glorious edgy guitars, odd rhythms and marvellous whoknowswhat sounds. Avantweirdrock. Cover design by Adam Cooley.&lt;br /&gt;Limited edition of 50 hand numbered copies, color printing on covers, b&amp;amp;w print on disc, housed in plastic sleeves, packed in sealed plastic bags.&lt;br /&gt;---&lt;br /&gt;&lt;b&gt;Reseña/Review Vital Week #753 (Oct. 26, 2010)&lt;/b&gt; &lt;br /&gt;&lt;i&gt;Scissor Shock is a project of Adam Cooley from Columbus, Indiana and releases  music since 2003. The music on the album "Psychic Existentialist" can be  described as Frank Zappa full speed forward. Thirteen songs, varying from  extremely short (twenty-three seconds) to about nine minutes fill the album. The  musician experiments a lot with guitar, voice, synthesizer, drummachine and  more. It is a kind of free-jazz, rock with weirdo combinations and structures,  humor and an excellent feeling of timing. For me this album is a great surprise!.- (JKH)&lt;/i&gt;&lt;br /&gt;&lt;object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" height="26" width="640"&gt;&lt;param value="true" name="allowfullscreen"&gt;&lt;param value="always" name="allowscriptaccess"&gt;&lt;param value="high" name="quality"&gt;&lt;param value="true" name="cachebusting"&gt;&lt;param value="#000000" name="bgcolor"&gt;&lt;param name="movie" value="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf"&gt;&lt;param value="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'13-ScissorShock-JohnnyMerzbowPsychicContact.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/ScissorShock-JohnnyMerzbowPsychicContact/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}" name="flashvars"&gt;&lt;embed src="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" cachebusting="true" bgcolor="#000000" quality="high" flashvars="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'13-ScissorShock-JohnnyMerzbowPsychicContact.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/ScissorShock-JohnnyMerzbowPsychicContact/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}" height="26" width="640"&gt;&lt;/embed&gt; &lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-1114164307145795696?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/1114164307145795696/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2010/09/fns048-scissor-shock-psychic.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/1114164307145795696'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/1114164307145795696'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2010/09/fns048-scissor-shock-psychic.html' title='fNs048 Scissor Shock &quot;Psychic Existentialist&quot; CDR'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_UapmpMFLq30/TIjeBlUhDhI/AAAAAAAAAFY/uu_Ful5dPyA/s72-c/cdrs-f%26b%26d.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-5467311628328878311</id><published>2010-09-09T06:04:00.000-07:00</published><updated>2010-09-09T06:22:52.093-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Electro-Acustic Improvisation'/><category scheme='http://www.blogger.com/atom/ns#' term='Xedh/Imbernon'/><category scheme='http://www.blogger.com/atom/ns#' term='Experimental Electronica'/><title type='text'>fNs047 Xedh/Imbernon "Turku" CDR</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_UapmpMFLq30/TIjc1T9KiEI/AAAAAAAAAFQ/8CRt3EDNL-4/s1600/cdrs-M.jpg"&gt;&lt;img style="cursor: pointer; width: 320px; height: 314px;" src="http://2.bp.blogspot.com/_UapmpMFLq30/TIjc1T9KiEI/AAAAAAAAAFQ/8CRt3EDNL-4/s320/cdrs-M.jpg" alt="" id="BLOGGER_PHOTO_ID_5514900552163166274" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Xedh/Imbernon &lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Turku&lt;/span&gt;&lt;br /&gt;fNs047&lt;br /&gt;5€      g.e.     incl. EU/ppd  EU&lt;br /&gt;6€ ppd Rest Of World&lt;br /&gt;---&lt;br /&gt;"Turku" es la primera colaboración que se edita de los vascos Miguel A. Garcia (Xedh) y Jon Imbernon (Fallen, Ximel, Le Noise y Ura). Desde 2006 se reunen para llevar a cabo intensas y ambientales improvisaciones electro-acústicas con osciladores, no-input mixer, guitarra y efectos. Atrayentes y sugestivas conversaciones entre lo electrónico y acústico, que demuestran que Xedh e Imbernon tienen mucho de que hablar, y los demás mucho que escuchar.&lt;br /&gt;Edición limitada de 40 copias numeradas a mano, impresión a color en portadas y disco, en fundas de plástico, empaquetados en fundas de plástico selladas.&lt;br /&gt;------------&lt;br /&gt;"Turku is the first collaboration edited of Basque Miguel A. Garcia (Xedh) and Jon Imbernon (Fallen, Ximel, Le Noise and Ura). Since 2006 they gather to carry out intensive and environmental electro-acoustic improvisations with oscillators, no-input mixer, guitar and effects. Attractive and suggestive conversations between electronic and acoustic, which show that Xedh and Imbernon have a lot to talk about, and the other lot to listen to.&lt;br /&gt;Limited edition of 40 hand numbered copies, color printing on covers and disc, housed in plastic sleeves, packed in sealed plastic bags.&lt;br /&gt;&lt;object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" height="26" width="640"&gt;&lt;param value="true" name="allowfullscreen"&gt;&lt;param value="always" name="allowscriptaccess"&gt;&lt;param value="high" name="quality"&gt;&lt;param value="true" name="cachebusting"&gt;&lt;param value="#000000" name="bgcolor"&gt;&lt;param name="movie" value="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf"&gt;&lt;param value="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'Xedh-imbernon-RaskasTuomioextract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/Xedhimbernon-RaskasTuomio-extract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}" name="flashvars"&gt;&lt;embed src="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" cachebusting="true" bgcolor="#000000" quality="high" flashvars="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'Xedh-imbernon-RaskasTuomioextract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/Xedhimbernon-RaskasTuomio-extract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}" height="26" width="640"&gt;&lt;/embed&gt; &lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-5467311628328878311?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/5467311628328878311/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2010/09/fns047-xedhimbernon-turku-cdr.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/5467311628328878311'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/5467311628328878311'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2010/09/fns047-xedhimbernon-turku-cdr.html' title='fNs047 Xedh/Imbernon &quot;Turku&quot; CDR'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_UapmpMFLq30/TIjc1T9KiEI/AAAAAAAAAFQ/8CRt3EDNL-4/s72-c/cdrs-M.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-797643787643600843</id><published>2010-09-09T05:56:00.001-07:00</published><updated>2010-09-09T06:04:19.724-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='Harsh Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='Psychedelic Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='O. Barras'/><category scheme='http://www.blogger.com/atom/ns#' term='3501'/><title type='text'>fNs046 O. Barras &amp; 3501 "O. Barras &amp; 3501" CDR</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_UapmpMFLq30/TIjau8cnRmI/AAAAAAAAAFI/3MeLivd2PN0/s1600/cdrs-front%26back%26disc-m.jpg"&gt;&lt;img style="cursor: pointer; width: 314px; height: 320px;" src="http://1.bp.blogspot.com/_UapmpMFLq30/TIjau8cnRmI/AAAAAAAAAFI/3MeLivd2PN0/s320/cdrs-front%26back%26disc-m.jpg" alt="" id="BLOGGER_PHOTO_ID_5514898243750151778" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;O. Barras &amp;amp; 3501 &lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;O. Barras &amp;amp; 3501&lt;/span&gt;&lt;br /&gt;fNs046&lt;br /&gt;5€      g.e.     incl. EU/ppd  EU&lt;br /&gt;6€ ppd Rest Of World&lt;br /&gt;---&lt;br /&gt;6 temas improvisados grabados en el verano de 2009 por O. Barras (Au, Indhecenter, Plonk Moist) y 3501 (Tubular Balls). 28 minutos de ruido psicodélico, percusiones de metal, ritmos y melodías saturadas poperas, y una especie de versión de la intro de "Sweet Jane" de la Velvet Underground. Herramientas: generadores de ruido, omnichords, percusiones varias, guitarras y voces. Aditivo, refrescante y soleado como el verano. Diseño por 3501.&lt;br /&gt;Edición limitada de 30 copias numeradas a mano, impresión a color en portadas, disco impreso en blanco y negro, en fundas de plástico, empaquetados en fundas de plástico selladas.&lt;br /&gt;---&lt;br /&gt;Six improvised tracks recorded in the summer of 2009 by O. Barras (Au, Indhecenter, Plonk Moist) and 3501 (Tubular Balls). 28 minutes of psychedelic noise, metal percussion, popish rhythms and melodies saturated, and a kind of version of the intro to "Sweet Jane" by Velvet Underground. Tools: noise generators, omnichords, assorted percussion, guitars and vocals. Additive, refreshing and sunny as the summer.Artwork by 3501&lt;br /&gt;Limited edition of 30 hand numbered copies, covers printed in color, disc printed in b&amp;amp;w, housed in plastic sleeves, packaged in sealed plastic sleeves.&lt;br /&gt;&lt;object width="640" height="26" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000"&gt;&lt;param value="true" name="allowfullscreen"/&gt;&lt;param value="always" name="allowscriptaccess"/&gt;&lt;param value="high" name="quality"/&gt;&lt;param value="true" name="cachebusting"/&gt;&lt;param value="#000000" name="bgcolor"/&gt;&lt;param name="movie" value="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" /&gt;&lt;param value="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'O.Barras3501-2extract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/O.Barras3501-2extract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}" name="flashvars"/&gt;&lt;embed src="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" type="application/x-shockwave-flash" width="640" height="26" allowfullscreen="true" allowscriptaccess="always" cachebusting="true" bgcolor="#000000" quality="high" flashvars="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'O.Barras3501-2extract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/O.Barras3501-2extract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}"&gt; &lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-797643787643600843?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/797643787643600843/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2010/09/fns046-o-barras-3501-o-barras-3501-cdr.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/797643787643600843'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/797643787643600843'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2010/09/fns046-o-barras-3501-o-barras-3501-cdr.html' title='fNs046 O. Barras &amp; 3501 &quot;O. Barras &amp; 3501&quot; CDR'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_UapmpMFLq30/TIjau8cnRmI/AAAAAAAAAFI/3MeLivd2PN0/s72-c/cdrs-front%26back%26disc-m.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-3305084591868614708</id><published>2010-09-09T05:43:00.000-07:00</published><updated>2010-09-09T05:54:33.587-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='Al Qaeda'/><category scheme='http://www.blogger.com/atom/ns#' term='Ambient'/><category scheme='http://www.blogger.com/atom/ns#' term='Drone'/><title type='text'>fNs045 Al Qaeda "Econo" CDR</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_UapmpMFLq30/TIjW6BmlsPI/AAAAAAAAAFA/xsr7uOC6oNc/s1600/Al+Qaeda+-+Econo+-+cdrs-s.jpg"&gt;&lt;img style="cursor: pointer; width: 320px; height: 286px;" src="http://4.bp.blogspot.com/_UapmpMFLq30/TIjW6BmlsPI/AAAAAAAAAFA/xsr7uOC6oNc/s320/Al+Qaeda+-+Econo+-+cdrs-s.jpg" alt="" id="BLOGGER_PHOTO_ID_5514894036066218226" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Al Qaeda&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Econo&lt;/span&gt;&lt;br /&gt;fNs045&lt;br /&gt;5€      g.e.     incl. EU/ppd  EU&lt;br /&gt;6€ ppd Rest Of World&lt;br /&gt;Después de un montón de lanzamientos noise, iba siendo hora de sacar algo más tranquilo en la fNs, y el momento es ahora. Y la banda es Al Qaeda, y el álbum es "Econo". Si ya has escuchado a Al Qaeda, esto es otra cosa. Enviaron sus probablemente menos ruidosos sonidos a un supuesto sello de ruido. Ja ja. "Econo" son dos temas que duran en total 25 minutos. Sin batería, bajo, sólo Scott Miller, Eric Sánchez y el Erin Love con guitarras, voces, cintas, sintetizadores y osciladores. Sonidos psicodélicos ambient suaves que realmente te llevan a otros lugares donde sólo puedes sentir la piel cayendo lentamente sobre tu cuerpo. Impresionante diseño por Demian Johnston.&lt;br /&gt;Edición limitada de 50 copias numeradas a mano, impresión a color en el CDR y sobre cartón cubiertas laminadas, empaquetado en fundas de plástico sellada.&lt;br /&gt;---&lt;br /&gt;After a bunch of noisy releases, it was getting time to put out something quieter on fNs, and the moment is now. And the band is Al Qaeda, and the album is "Econo". If you've already listened to Al Qaeda, this is something else. They sent their probably less noisy sounds to a supposedly noise oriented label. Ha ha. "Econo" is two tracks, lasting 25 minutes. Drumless, bassless, just Scott Miller, Eric Sanchez and Erin Love playing guitars, vocals, tapes, synths and oscillators. Smooth ambient psychedelic sounds that really take you to other places where you can't feel but the skin falling slowly on your body. Awesome artwork by Demian Johnston.&lt;br /&gt;Limited edition of 50 hand numbered copies, color printing on CDR and on laminated cardboard covers, packaged in sealed plastic sleeves.&lt;br /&gt;&lt;object width="640" height="26" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000"&gt;&lt;param value="true" name="allowfullscreen"/&gt;&lt;param value="always" name="allowscriptaccess"/&gt;&lt;param value="high" name="quality"/&gt;&lt;param value="true" name="cachebusting"/&gt;&lt;param value="#000000" name="bgcolor"/&gt;&lt;param name="movie" value="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" /&gt;&lt;param value="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'AlQaeda-YellowJacketextract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/AlQaeda-YellowJacket-Extract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}" name="flashvars"/&gt;&lt;embed src="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" type="application/x-shockwave-flash" width="640" height="26" allowfullscreen="true" allowscriptaccess="always" cachebusting="true" bgcolor="#000000" quality="high" flashvars="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'AlQaeda-YellowJacketextract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/AlQaeda-YellowJacket-Extract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}"&gt; &lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-3305084591868614708?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/3305084591868614708/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2010/09/fns045-al-qaeda-econo-cdr.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/3305084591868614708'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/3305084591868614708'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2010/09/fns045-al-qaeda-econo-cdr.html' title='fNs045 Al Qaeda &quot;Econo&quot; CDR'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_UapmpMFLq30/TIjW6BmlsPI/AAAAAAAAAFA/xsr7uOC6oNc/s72-c/Al+Qaeda+-+Econo+-+cdrs-s.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-1839948868845527374</id><published>2010-09-09T05:32:00.000-07:00</published><updated>2010-10-26T02:34:12.931-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='dohince'/><category scheme='http://www.blogger.com/atom/ns#' term='Noise Big Beat'/><category scheme='http://www.blogger.com/atom/ns#' term='Noise Dance'/><category scheme='http://www.blogger.com/atom/ns#' term='Noise Techno'/><title type='text'>fNs039 dohince "critical beats on the head" CDR</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_UapmpMFLq30/TIjWDmbFiMI/AAAAAAAAAE4/DBNZJYISSLI/s1600/cdrs-f%26b%26d.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5514893101057280194" src="http://2.bp.blogspot.com/_UapmpMFLq30/TIjWDmbFiMI/AAAAAAAAAE4/DBNZJYISSLI/s320/cdrs-f%26b%26d.jpg" style="cursor: pointer; height: 305px; width: 320px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;dohince&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;critical beats on the head&lt;/span&gt;&lt;br /&gt;fNs039&lt;br /&gt;5€      g.e.     incl. EU/ppd  EU&lt;br /&gt;6€ ppd Rest Of World&lt;br /&gt;---&lt;br /&gt;Ruido + Big Beat + ritmos Techno = RUIDO DE BAILE!!. 34 minutos.&lt;br /&gt;Edición limitada de 44 copias numeradas a mano, impresión a color en portadas, disco impreso en blanco y negro, en fundas de plástico, empaquetados en fundas de plástico selladas.&lt;br /&gt;---&lt;br /&gt;Noise + Big Beats + Techno Beats = NOISE DANCE!!. 34 minutes.&lt;br /&gt;Limited edition of 44 hand numbered copies, covers printed in color, disc printed in b&amp;amp;w, housed in plastic sleeves, packaged in sealed plastic sleeves.&lt;br /&gt;---&lt;br /&gt;&lt;b&gt;Reseña/Review Vital Week #753 (Oct. 26, 2010)&lt;/b&gt;&lt;br /&gt;&lt;i&gt;And for now something completely different? Donhince is also located at Madrid  and combines noise with techno and big beats. Five compositions will fill the  experimental dance floor and you can flow on the mighty beats, strong noises and  well-structure wall of dancenoise. Really a good album.- (JKH)&lt;/i&gt;&lt;object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" height="26" width="640"&gt;&lt;param value="true" name="allowfullscreen"&gt;&lt;param value="always" name="allowscriptaccess"&gt;&lt;param value="high" name="quality"&gt;&lt;param value="true" name="cachebusting"&gt;&lt;param value="#000000" name="bgcolor"&gt;&lt;param name="movie" value="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf"&gt;&lt;param value="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'Dohince-ThePornFrogextract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/Dohince-ThePornFrogextract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}" name="flashvars"&gt;&lt;embed src="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" cachebusting="true" bgcolor="#000000" quality="high" flashvars="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'Dohince-ThePornFrogextract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/Dohince-ThePornFrogextract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}" height="26" width="640"&gt;&lt;/embed&gt; &lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-1839948868845527374?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/1839948868845527374/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2010/09/fns039-dohince-critical-beats-on-head.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/1839948868845527374'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/1839948868845527374'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2010/09/fns039-dohince-critical-beats-on-head.html' title='fNs039 dohince &quot;critical beats on the head&quot; CDR'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_UapmpMFLq30/TIjWDmbFiMI/AAAAAAAAAE4/DBNZJYISSLI/s72-c/cdrs-f%26b%26d.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-5385377942620243255</id><published>2010-09-09T04:16:00.000-07:00</published><updated>2010-09-09T07:36:36.783-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='Harsh Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='Au'/><category scheme='http://www.blogger.com/atom/ns#' term='Indhecenter'/><title type='text'>fNs011 Indhecenter/Au Split CDR</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_UapmpMFLq30/TIjJHBKItII/AAAAAAAAAEw/gLRIa4tBuh4/s1600/cdrs-front%26back%26disc-m.jpg"&gt;&lt;img style="cursor: pointer; width: 314px; height: 320px;" src="http://3.bp.blogspot.com/_UapmpMFLq30/TIjJHBKItII/AAAAAAAAAEw/gLRIa4tBuh4/s320/cdrs-front%26back%26disc-m.jpg" alt="" id="BLOGGER_PHOTO_ID_5514878866122388610" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Indhecenter/Au&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Split&lt;/span&gt;&lt;br /&gt;fNs011&lt;br /&gt;5€      g.e.     incl. EU/ppd  EU&lt;br /&gt;6€ ppd Rest Of World&lt;br /&gt;---&lt;br /&gt;Reedición doble de Indhecenter y Au, editados originalmente por Grand Moffworks. 6 temas del disco "Indhecenter", creado por Krapoola y O. Barras: ruido crudo multiforme amasado y cocinado para comensales con hambre de follón. 4 temas de "El Rosario de la Aurora" de Au: tsunamis de ruido, ritmos destartalados y voces de purgatorio. Te deja como nuevo después de un día duro. 30 minutos.&lt;br /&gt;Edición limitada de 30 copias numeradas a mano, diseño en blanco y negro en disco y portada de pegatinas en color pegadas a fundas de cartón, con insert a color, en fundas de plástico empaquetado en fundas de plástico selladas.&lt;br /&gt;---&lt;br /&gt;Double reissue of Indhecenter and Au, originally edited by Grand Moffworks. 6 tracks from the album "Indhecenter" created by Krapoola and O. Bars: harsh multiform noise kneaded and cooked for diners hungry of stink. 4 tracks of "El Rosario de la Aurora" by Au: tsunami of noise, ramshackle rhythms and voices from purgatory. The ideal pick-me-up after a hard day. 30 minutes.&lt;br /&gt;Limited edition of 30 hand numbered copies, black and white design on disc, cover color stickers glued to cardboard sleeves, color insert, housed in plastic bags, packed in sealed plastic bags.&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Indhecenter&lt;/span&gt;&lt;br /&gt;&lt;object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" height="26" width="640"&gt;&lt;param value="true" name="allowfullscreen"&gt;&lt;param value="always" name="allowscriptaccess"&gt;&lt;param value="high" name="quality"&gt;&lt;param value="true" name="cachebusting"&gt;&lt;param value="#000000" name="bgcolor"&gt;&lt;param name="movie" value="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf"&gt;&lt;param value="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'Indhecenter-1extract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/Indhecenter1extract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}" name="flashvars"&gt;&lt;embed src="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" cachebusting="true" bgcolor="#000000" quality="high" flashvars="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'Indhecenter-1extract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/Indhecenter1extract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}" height="26" width="640"&gt;&lt;/embed&gt; &lt;/object&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Au&lt;/span&gt;&lt;br /&gt;&lt;object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" height="26" width="640"&gt;&lt;param value="true" name="allowfullscreen"&gt;&lt;param value="always" name="allowscriptaccess"&gt;&lt;param value="high" name="quality"&gt;&lt;param value="true" name="cachebusting"&gt;&lt;param value="#000000" name="bgcolor"&gt;&lt;param name="movie" value="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf"&gt;&lt;param value="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'Au-7extract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/Au-1extract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}" name="flashvars"&gt;&lt;embed src="http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" cachebusting="true" bgcolor="#000000" quality="high" flashvars="config={'key':'#$aa4baff94a9bdcafce8','playlist':[{'url':'Au-7extract.mp3','autoPlay':false}],'clip':{'autoPlay':true,'baseUrl':'http://www.archive.org/download/Au-1extract/'},'canvas':{'backgroundColor':'#000000','backgroundGradient':'none'},'plugins':{'audio':{'url':'http://www.archive.org/flow/flowplayer.audio-3.2.1-dev.swf'},'controls':{'playlist':false,'fullscreen':false,'height':26,'backgroundColor':'#000000','autoHide':{'fullscreenOnly':true},'scrubberHeightRatio':0.6,'timeFontSize':9,'mute':false,'top':0}},'contextMenu':[{},'-','Flowplayer v3.2.1']}" height="26" width="640"&gt;&lt;/embed&gt; &lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-5385377942620243255?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/5385377942620243255/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2010/09/fns011-indhecenterau-split-cdr.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/5385377942620243255'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/5385377942620243255'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2010/09/fns011-indhecenterau-split-cdr.html' title='fNs011 Indhecenter/Au Split CDR'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_UapmpMFLq30/TIjJHBKItII/AAAAAAAAAEw/gLRIa4tBuh4/s72-c/cdrs-front%26back%26disc-m.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-6145948030480201837</id><published>2010-05-17T06:54:00.000-07:00</published><updated>2010-12-10T01:58:15.407-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Musique Concrete'/><category scheme='http://www.blogger.com/atom/ns#' term='Lattume Muto'/><category scheme='http://www.blogger.com/atom/ns#' term='Experimental'/><title type='text'>fNs044 Lattume Muto "Sokeré" CDR</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_UapmpMFLq30/S_FSGh_KAQI/AAAAAAAAAEg/LL7uAZ-JS1k/s1600/Lattume+Muto+-+Soker%C3%A9+-+cdr-front%26back%26cd.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5472245294387822850" src="http://4.bp.blogspot.com/_UapmpMFLq30/S_FSGh_KAQI/AAAAAAAAAEg/LL7uAZ-JS1k/s320/Lattume+Muto+-+Soker%C3%A9+-+cdr-front%26back%26cd.jpg" style="cursor: pointer; height: 315px; width: 320px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Lattume Muto&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Sokeré&lt;/span&gt;&lt;br /&gt;fNs044&lt;br /&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: 100%;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #990000;"&gt;Agotado&lt;/span&gt;&lt;span style="color: #990000;"&gt;/Sold Out&lt;/span&gt;&lt;br /&gt;---&lt;br /&gt;Lattume Muto es el nombre italiano elegido por el siciliano (Italia) Piero La Rocca (oper'azione nafta) y Rafa Juristo para su colaboración por correo. Cintas, juguetes, objetos, guitarras, saxos, clarinete, violín, electrónica, armónica, voz, metales y manipulación del sonido se usan para formar esta alegoría sónica, donde se pueden encontrar trazos de vanguardistas europeos como Luigi Russolo, Pierre Schaeffer y Luc Ferrari. 19 minutos.&lt;br /&gt;Edición limitada de 30 copias numeradas a mano, impresión a color en portadas y disco, empaquetadas en fundas de plástico.&lt;br /&gt;---&lt;br /&gt;Lattume Muto is the italian name chosen by Sicilian (Italy) Piero La Rocca (oper'azione nafta) and Rafa Juristo for his mail collaboration. Tapes, toys, objects, guitars, saxs, clarinet, violin, electronics, harmonica, voice, metals and sound manipulation are used to form this sonic alegory, where traces of european avantgarders such as Luigi Russolo, Pierre Schaeffer and Luc Ferrari can be found. 19 minutes.&lt;br /&gt;Limited edition of 30 hand numbered copies, covers and disc printed in color, packaged in plastic sleeves.&lt;br /&gt;&lt;br /&gt;&lt;embed allowfullscreen="true" allowscriptaccess="always" flashvars="config={&amp;quot;key&amp;quot;:&amp;quot;#$b6eb72a0f2f1e29f3d4&amp;quot;,&amp;quot;playlist&amp;quot;:[{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/download/LattumeMut-Sokereextract/LattumeMuto-Sokereextract.mp3&amp;quot;,&amp;quot;autoPlay&amp;quot;:false}],&amp;quot;clip&amp;quot;:{&amp;quot;autoPlay&amp;quot;:true},&amp;quot;canvas&amp;quot;:{&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;none&amp;quot;},&amp;quot;plugins&amp;quot;:{&amp;quot;audio&amp;quot;:{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/flow/flowplayer.audio-3.0.3-dev.swf&amp;quot;},&amp;quot;controls&amp;quot;:{&amp;quot;playlist&amp;quot;:false,&amp;quot;fullscreen&amp;quot;:false,&amp;quot;gloss&amp;quot;:&amp;quot;high&amp;quot;,&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;medium&amp;quot;,&amp;quot;sliderColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;progressColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;timeColor&amp;quot;:&amp;quot;0xeeeeee&amp;quot;,&amp;quot;durationColor&amp;quot;:&amp;quot;0x01DAFF&amp;quot;,&amp;quot;buttonColor&amp;quot;:&amp;quot;0x333333&amp;quot;,&amp;quot;buttonOverColor&amp;quot;:&amp;quot;0x505050&amp;quot;}},&amp;quot;contextMenu&amp;quot;:[{&amp;quot;Listen+to+LattumeMut-Sokereextract+at+archive.org&amp;quot;:&amp;quot;function()&amp;quot;},&amp;quot;-&amp;quot;,&amp;quot;Flowplayer 3.0.5&amp;quot;]}" height="24" src="http://www.archive.org/flow/flowplayer.commercial-3.0.5.swf" type="application/x-shockwave-flash" w3c="true" width="350"&gt;&lt;/embed&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-6145948030480201837?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/6145948030480201837/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2010/05/fns044-lattume-muto-sokere.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/6145948030480201837'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/6145948030480201837'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2010/05/fns044-lattume-muto-sokere.html' title='fNs044 Lattume Muto &quot;Sokeré&quot; CDR'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_UapmpMFLq30/S_FSGh_KAQI/AAAAAAAAAEg/LL7uAZ-JS1k/s72-c/Lattume+Muto+-+Soker%C3%A9+-+cdr-front%26back%26cd.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-1331066934352086977</id><published>2010-05-17T06:51:00.000-07:00</published><updated>2010-11-24T04:49:05.822-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Noise Blues'/><category scheme='http://www.blogger.com/atom/ns#' term='Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='Harsh Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='Free Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='No Wave'/><title type='text'>fNs043 V/A "no es fest" CDR</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_UapmpMFLq30/S_FKNebpdoI/AAAAAAAAAEY/xQ1PibJqyWE/s1600/v.a.+-+no+es+fest+recop+-+cdr-front%26back%26cd.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5472236617599645314" src="http://2.bp.blogspot.com/_UapmpMFLq30/S_FKNebpdoI/AAAAAAAAAEY/xQ1PibJqyWE/s320/v.a.+-+no+es+fest+recop+-+cdr-front%26back%26cd.jpg" style="cursor: pointer; height: 312px; width: 320px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;V/A&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;no es fest&lt;/span&gt;&lt;br /&gt;fNs043&lt;br /&gt;5€      g.e.     incl. EU/ppd  EU&lt;br /&gt;6€ ppd Rest Of World&lt;br /&gt;---&lt;br /&gt;Primer recopilatorio de grupos y artistas españoles relacionados con fNs, editado con ocasión del "no es fest", concierto de un día en el que tocaron la mayoría de los grupos. 48 minutos. 13 temas de 13 grupos: ahno zwei, gRBtt, shalocins, krapoola, Plonk Moist, chien!, baalte, Au, pier, Telehpones Rouges, Indigents, The Murders in the Rue Morgue y Les Yeux Sans Visage.&lt;br /&gt;Edición limitada de 50 copias numeradas a mano, impresión en color en disco y portadas de pegatinas pegadas a fundas de cartón, empaquetado en fundas de plástico.&lt;br /&gt;---&lt;br /&gt;First compilation of fNs related spanish bands &amp;amp; artists, edited on the occasion of the "no is fest", a one day long concert in which most of the groups played. 48 minutes. 13 tracks of 13 groups: ahno zwei, gRBtt, shalocins, krapoola, Plonk Moist, chien!, Baalte, Au, pier, Telehpones Rouges, Indigents, The Murders in the Rue Morgue and Les Yeux Sans Visage.&lt;br /&gt;Limited edition of 50 hand numbered copies, color printed artwork on disc and color printed sticker cover on cardboard sleeves, packaged in plastic sleeves.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-1331066934352086977?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/1331066934352086977/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2010/05/fns043-va-no-es-fest-cdr.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/1331066934352086977'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/1331066934352086977'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2010/05/fns043-va-no-es-fest-cdr.html' title='fNs043 V/A &quot;no es fest&quot; CDR'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_UapmpMFLq30/S_FKNebpdoI/AAAAAAAAAEY/xQ1PibJqyWE/s72-c/v.a.+-+no+es+fest+recop+-+cdr-front%26back%26cd.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-6013307659767588319</id><published>2010-05-17T06:44:00.000-07:00</published><updated>2010-12-10T01:57:17.721-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='Rusted Wreck'/><title type='text'>fNs042 Rusted Wreck "Concrete Now" CDR</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_UapmpMFLq30/S_FIrpVWPGI/AAAAAAAAAEQ/gjvdRCCba88/s1600/Rusted+Wreck+-+Concrete+Now+-+cdr-front%26back%26cd.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5472234936898829410" src="http://4.bp.blogspot.com/_UapmpMFLq30/S_FIrpVWPGI/AAAAAAAAAEQ/gjvdRCCba88/s320/Rusted+Wreck+-+Concrete+Now+-+cdr-front%26back%26cd.jpg" style="cursor: pointer; height: 318px; width: 320px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;Rusted Wreck&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Concret Now&lt;/span&gt;&lt;br /&gt;fNs042&lt;br /&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: 100%;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #990000;"&gt;Agotado&lt;/span&gt;&lt;span style="color: #990000;"&gt;/Sold Out&lt;/span&gt;&lt;br /&gt;---&lt;br /&gt;"Concrete Now" es el deshecho y oxidado resultado de la colaboración en cinta por correo entre Andrew Coltrane y Rafa Juristo. 2 temas que duran 24 minutos de locura de ruido crujiente. Sonidos de terremotos y de toneladas de tierra en movimiento. Voces dantescas directas del purgatorio. El sonido agradable y confortable de la devastación. Un cojín de ruido crudo.&lt;br /&gt;Edición limitada de 30 copias numeradas a mano, impresión a color en portadas y disco, empaquetadas en fundas de plástico.&lt;br /&gt;---&lt;br /&gt;"Concrete Now" is the wrecked and rusted result of mail tape collaboration between Andrew Coltrane and Rafa Juristo. 2 tracks lasting 24 minutes of crunchy noise madness. Earthquakes and tons of moving earth sounds. Dante voices direct from purgatory. The pleasant and confortable sound of devastation. Harsh noise cushion.&lt;br /&gt;Limited edition of 30 hand numbered copies, covers and disc printed in color, packaged in plastic sleeves. &lt;br /&gt;&lt;br /&gt;&lt;embed allowfullscreen="true" allowscriptaccess="always" flashvars="config={&amp;quot;key&amp;quot;:&amp;quot;#$b6eb72a0f2f1e29f3d4&amp;quot;,&amp;quot;playlist&amp;quot;:[{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/download/RustedWreck-ConcreteNowextract/RustedWreck-ConcreteNowextract.mp3&amp;quot;,&amp;quot;autoPlay&amp;quot;:false}],&amp;quot;clip&amp;quot;:{&amp;quot;autoPlay&amp;quot;:true},&amp;quot;canvas&amp;quot;:{&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;none&amp;quot;},&amp;quot;plugins&amp;quot;:{&amp;quot;audio&amp;quot;:{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/flow/flowplayer.audio-3.0.3-dev.swf&amp;quot;},&amp;quot;controls&amp;quot;:{&amp;quot;playlist&amp;quot;:false,&amp;quot;fullscreen&amp;quot;:false,&amp;quot;gloss&amp;quot;:&amp;quot;high&amp;quot;,&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;medium&amp;quot;,&amp;quot;sliderColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;progressColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;timeColor&amp;quot;:&amp;quot;0xeeeeee&amp;quot;,&amp;quot;durationColor&amp;quot;:&amp;quot;0x01DAFF&amp;quot;,&amp;quot;buttonColor&amp;quot;:&amp;quot;0x333333&amp;quot;,&amp;quot;buttonOverColor&amp;quot;:&amp;quot;0x505050&amp;quot;}},&amp;quot;contextMenu&amp;quot;:[{&amp;quot;Listen+to+RustedWreck-ConcreteNowextract+at+archive.org&amp;quot;:&amp;quot;function()&amp;quot;},&amp;quot;-&amp;quot;,&amp;quot;Flowplayer 3.0.5&amp;quot;]}" height="24" src="http://www.archive.org/flow/flowplayer.commercial-3.0.5.swf" type="application/x-shockwave-flash" w3c="true" width="350"&gt;&lt;/embed&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-6013307659767588319?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/6013307659767588319/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2010/05/fns042-rusted-wreck-concrete-now-cdr.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/6013307659767588319'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/6013307659767588319'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2010/05/fns042-rusted-wreck-concrete-now-cdr.html' title='fNs042 Rusted Wreck &quot;Concrete Now&quot; CDR'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_UapmpMFLq30/S_FIrpVWPGI/AAAAAAAAAEQ/gjvdRCCba88/s72-c/Rusted+Wreck+-+Concrete+Now+-+cdr-front%26back%26cd.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-5278643812940648257</id><published>2010-05-17T06:14:00.000-07:00</published><updated>2010-05-17T06:44:31.416-07:00</updated><title type='text'>fNs041 Indigents "Factory Disease" CDR</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_UapmpMFLq30/S_FBoG97qJI/AAAAAAAAAEI/rOyOfC0QReI/s1600/Indigents+-+Factory+Disease+-+cdr-front%26back%26cd.jpg"&gt;&lt;img style="cursor: pointer; width: 317px; height: 320px;" src="http://3.bp.blogspot.com/_UapmpMFLq30/S_FBoG97qJI/AAAAAAAAAEI/rOyOfC0QReI/s320/Indigents+-+Factory+Disease+-+cdr-front%26back%26cd.jpg" alt="" id="BLOGGER_PHOTO_ID_5472227179552811154" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Indigents&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Factory Disease&lt;/span&gt;&lt;br /&gt;fNs041&lt;br /&gt;5€     g.e.    incl. EU/ppd  EU&lt;br /&gt;6€ ppd Rest Of World&lt;br /&gt;---&lt;br /&gt;Con sede en Barcelona (España), Indigents son Stéphane K. y Héctor O. "Factory Disease" es un tema de 28 minutos, con sonidos metalúrgicos, voces demenciales y metales rasgados y goteantes, de estos trabajadores aplicados que quieren compartir y difundir su contagiosa enfermedad de fábrica.&lt;br /&gt;Edición limitada de 30 copias numeradas a mano, impresión a color en portadas y disco, empaquetadas en fundas de plástico.&lt;br /&gt;---&lt;br /&gt;Indigents are Barcelona (Spain) based Stephane K. and Hector O. "Factory Disease" is one track lasting 28 minutes, with metallurgic sounds, demential voices and scraping and dropping metals from these hard-workers who want to share and spread their contagious factory disease.&lt;br /&gt;Limited edition of 30 hand numbered copies, covers and disc printed in color, packaged in plastic sleeves. &lt;br /&gt;&lt;br /&gt;&lt;embed type="application/x-shockwave-flash" width="350"  height="24"  allowfullscreen="true"  allowscriptaccess="always"  src="http://www.archive.org/flow/flowplayer.commercial-3.0.5.swf"  w3c="true"  flashvars='config={"key":"#$b6eb72a0f2f1e29f3d4","playlist":[{"url":"http://www.archive.org/download/Indigents-FactoryDiseaseextract/Indigents-FactoryDiseaseextract.mp3","autoPlay":false}],"clip":{"autoPlay":true},"canvas":{"backgroundColor":"0x000000","backgroundGradient":"none"},"plugins":{"audio":{"url":"http://www.archive.org/flow/flowplayer.audio-3.0.3-dev.swf"},"controls":{"playlist":false,"fullscreen":false,"gloss":"high","backgroundColor":"0x000000","backgroundGradient":"medium","sliderColor":"0x777777","progressColor":"0x777777","timeColor":"0xeeeeee","durationColor":"0x01DAFF","buttonColor":"0x333333","buttonOverColor":"0x505050"}},"contextMenu":[{"Listen+to+Indigents-FactoryDiseaseextract+at+archive.org":"function()"},"-","Flowplayer 3.0.5"]}'&gt; &lt;/embed&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-5278643812940648257?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/5278643812940648257/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2010/05/fns041-indigents-factory-disease-cdr.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/5278643812940648257'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/5278643812940648257'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2010/05/fns041-indigents-factory-disease-cdr.html' title='fNs041 Indigents &quot;Factory Disease&quot; CDR'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_UapmpMFLq30/S_FBoG97qJI/AAAAAAAAAEI/rOyOfC0QReI/s72-c/Indigents+-+Factory+Disease+-+cdr-front%26back%26cd.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-307010380280804396</id><published>2010-05-17T05:56:00.000-07:00</published><updated>2010-05-24T07:03:54.156-07:00</updated><title type='text'>fNs035 interstates (etc.) "Goodbye Blue Monday" CDR</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_UapmpMFLq30/S_E9_ynxCgI/AAAAAAAAAEA/V-zxfm5pG00/s1600/interstates+%28etc.%29+-+goodbye+blue+monday+-+cdrscan-front%26back%26cd.jpg"&gt;&lt;img style="cursor: pointer; width: 314px; height: 320px;" src="http://4.bp.blogspot.com/_UapmpMFLq30/S_E9_ynxCgI/AAAAAAAAAEA/V-zxfm5pG00/s320/interstates+%28etc.%29+-+goodbye+blue+monday+-+cdrscan-front%26back%26cd.jpg" alt="" id="BLOGGER_PHOTO_ID_5472223188361480706" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;interstates (etc.)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Goodbye Blue Monday&lt;/span&gt;&lt;br /&gt;fNs035&lt;br /&gt;5€    g.e.    incl. EU/ppd  EU&lt;br /&gt;6€ ppd Rest Of World&lt;br /&gt;---&lt;br /&gt;"Goodbye Blue Monday" es el más nuevo y arriesgado esfuerzo de insterstate (etc.) de Mansfield (Ohio, USA). 31 minutos de magnificos sonidos encontrados y manipulados, musica concreta y electronica arenosa, que crea atmosferas absorbentes y envolventes. Una escucha obligatoria para cada puto triste lunes.&lt;br /&gt;Edición limitada de 30 copias numeradas a mano, impresión a color en portadas y disco, empaquetadas en fundas de plástico.&lt;br /&gt;---&lt;br /&gt;"Goodbye Blue Monday" is Mansfield (Ohio, USA) based interstates (etc.) new and most risky effort. 31 minutes of magnificent found and manipulated sounds, musique concrete, gritty electronics, that creates enveloping and absorving atmospheres. A mandatory listening for every fucking blue monday.&lt;br /&gt;Limited edition of 30 hand numbered copies, covers and disc printed in color, packaged in plastic sleeves.&lt;br /&gt;&lt;br /&gt;&lt;embed type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" src="http://www.archive.org/flow/flowplayer.commercial-3.0.5.swf" w3c="true" flashvars="config={&amp;quot;key&amp;quot;:&amp;quot;#$b6eb72a0f2f1e29f3d4&amp;quot;,&amp;quot;playlist&amp;quot;:[{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/download/Interstatesetc.-GoodbyeBlueMondayextract/Interstatesetc.-GoodbyeBlueMondayextract.mp3&amp;quot;,&amp;quot;autoPlay&amp;quot;:false}],&amp;quot;clip&amp;quot;:{&amp;quot;autoPlay&amp;quot;:true},&amp;quot;canvas&amp;quot;:{&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;none&amp;quot;},&amp;quot;plugins&amp;quot;:{&amp;quot;audio&amp;quot;:{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/flow/flowplayer.audio-3.0.3-dev.swf&amp;quot;},&amp;quot;controls&amp;quot;:{&amp;quot;playlist&amp;quot;:false,&amp;quot;fullscreen&amp;quot;:false,&amp;quot;gloss&amp;quot;:&amp;quot;high&amp;quot;,&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;medium&amp;quot;,&amp;quot;sliderColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;progressColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;timeColor&amp;quot;:&amp;quot;0xeeeeee&amp;quot;,&amp;quot;durationColor&amp;quot;:&amp;quot;0x01DAFF&amp;quot;,&amp;quot;buttonColor&amp;quot;:&amp;quot;0x333333&amp;quot;,&amp;quot;buttonOverColor&amp;quot;:&amp;quot;0x505050&amp;quot;}},&amp;quot;contextMenu&amp;quot;:[{&amp;quot;Listen+to+Interstatesetc.-GoodbyeBlueMondayextract+at+archive.org&amp;quot;:&amp;quot;function()&amp;quot;},&amp;quot;-&amp;quot;,&amp;quot;Flowplayer 3.0.5&amp;quot;]}" width="350" height="24"&gt;&lt;/embed&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-307010380280804396?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/307010380280804396/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2010/05/fns035-interstates-etc-goodbye-blue.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/307010380280804396'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/307010380280804396'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2010/05/fns035-interstates-etc-goodbye-blue.html' title='fNs035 interstates (etc.) &quot;Goodbye Blue Monday&quot; CDR'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_UapmpMFLq30/S_E9_ynxCgI/AAAAAAAAAEA/V-zxfm5pG00/s72-c/interstates+%28etc.%29+-+goodbye+blue+monday+-+cdrscan-front%26back%26cd.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-4604287926895600643</id><published>2010-05-17T05:44:00.000-07:00</published><updated>2010-05-17T05:55:56.628-07:00</updated><title type='text'>fNs037 Andrew Coltrane "Vice&amp;Virtue" CDR</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_UapmpMFLq30/S_E6mo831AI/AAAAAAAAAD4/K9HcJy-qQ7A/s1600/Andrew+Coltrane+-+Vice%26Virtue+-+cdr-front%26back%26cd.jpg"&gt;&lt;img style="cursor: pointer; width: 320px; height: 303px;" src="http://1.bp.blogspot.com/_UapmpMFLq30/S_E6mo831AI/AAAAAAAAAD4/K9HcJy-qQ7A/s320/Andrew+Coltrane+-+Vice%26Virtue+-+cdr-front%26back%26cd.jpg" alt="" id="BLOGGER_PHOTO_ID_5472219457734038530" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Andrew Coltrane&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Vice &amp;amp; Virtue&lt;/span&gt;&lt;br /&gt;fNs037&lt;br /&gt;5€   g.e.    incl. EU/ppd  EU&lt;br /&gt;6€ ppd Rest Of World&lt;br /&gt;---&lt;br /&gt;Hace unas semanas entró en erupción en Islandia el volcan Eyjafjalla, creando nubes de cenizas y provocando que la mayor parte de los aeropuertos de Europa cerraran, porque si los motores de los aviones atravesasen esas nubes de cenizas se quedarían sin oxígeno y se colapsarían. El maestro de las jams de sintes Andrew Coltrane recrea durante 47 minutos lo que podría ser el sonido de esos motores a 10.000 revoluciones por minuto, volando a 900 km/h y luchando por seguir funcionando mientras las cenizas tratan de asfixiarlos y colapsarlos. Vuelo de ruido crudo.&lt;br /&gt;Edición limitada de 30 copias numeradas a mano, impresión a color en disco y portadas de cartulina plastificadas, empaquetados en envoltorios plásticos autoadhesivos.&lt;br /&gt;---&lt;br /&gt;A few weeks ago in Iceland erupted the volcano Eyjafjall, creating clouds of ash and causing most of Europe's airports closed, because if the  airplanes engines would fly through those clouds of ash, they'd run out oxygen and collapse. For 47 minutes, synthjammaster Andrew Coltrane recreates what might be the sound of the engines at 10,000 revolutions per minute, flying at 900 km/h and fighting for keep on running while the ashes try to suffocate and make them collapse. Harsh noise fly.&lt;br /&gt;Limited edition of 30 hand numbered copies, color printing on disc and cardboard covers laminated, packaged in self-adhesive plastic sleeves.&lt;br /&gt;&lt;br /&gt;&lt;embed type="application/x-shockwave-flash" width="350"  height="24"  allowfullscreen="true"  allowscriptaccess="always"  src="http://www.archive.org/flow/flowplayer.commercial-3.0.5.swf"  w3c="true"  flashvars='config={"key":"#$b6eb72a0f2f1e29f3d4","playlist":[{"url":"http://www.archive.org/download/AndrewColtrane-Vicevirtueextract/AndrewColtrane-ViceVirtue-SideA.mp3","autoPlay":false}],"clip":{"autoPlay":true},"canvas":{"backgroundColor":"0x000000","backgroundGradient":"none"},"plugins":{"audio":{"url":"http://www.archive.org/flow/flowplayer.audio-3.0.3-dev.swf"},"controls":{"playlist":false,"fullscreen":false,"gloss":"high","backgroundColor":"0x000000","backgroundGradient":"medium","sliderColor":"0x777777","progressColor":"0x777777","timeColor":"0xeeeeee","durationColor":"0x01DAFF","buttonColor":"0x333333","buttonOverColor":"0x505050"}},"contextMenu":[{"Listen+to+AndrewColtrane-Vicevirtueextract+at+archive.org":"function()"},"-","Flowplayer 3.0.5"]}'&gt; &lt;/embed&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-4604287926895600643?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/4604287926895600643/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2010/05/fns037-andrew-coltrane-vice-cdr.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/4604287926895600643'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/4604287926895600643'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2010/05/fns037-andrew-coltrane-vice-cdr.html' title='fNs037 Andrew Coltrane &quot;Vice&amp;Virtue&quot; CDR'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_UapmpMFLq30/S_E6mo831AI/AAAAAAAAAD4/K9HcJy-qQ7A/s72-c/Andrew+Coltrane+-+Vice%26Virtue+-+cdr-front%26back%26cd.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-4432760350419381788</id><published>2010-05-17T05:36:00.000-07:00</published><updated>2010-05-17T05:44:53.559-07:00</updated><title type='text'>fNs034 Slut Mouth "Double Penetration" CDR</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_UapmpMFLq30/S_E5hDLqVGI/AAAAAAAAADw/JTHZ-rAxJSo/s1600/Slut+Mouth+-+Double+Penetration+-+cdrs-front%26back%26cd.jpg"&gt;&lt;img style="cursor: pointer; width: 320px; height: 314px;" src="http://2.bp.blogspot.com/_UapmpMFLq30/S_E5hDLqVGI/AAAAAAAAADw/JTHZ-rAxJSo/s320/Slut+Mouth+-+Double+Penetration+-+cdrs-front%26back%26cd.jpg" alt="" id="BLOGGER_PHOTO_ID_5472218262184547426" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Slut Mouth&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Double Penetration&lt;/span&gt;&lt;br /&gt;fNs034&lt;br /&gt;5€  g.e.    incl. EU/ppd  EU&lt;br /&gt;6€ ppd Rest Of World&lt;br /&gt;---&lt;br /&gt;Improv en minúsculas casera y lo-fi con guitarra/batería de la banda más zorra del mundo. David Payne Payne (Fossils) y Dan Farr (The Living Stump) durante 28 minutos penetran doblemente tus oidos con 7 temas destartalados que te dejarán pidiendo máaaas sexo.&lt;br /&gt;Edición limitada de 30 copias numeradas a mano, diseño en blanco y negro en disco y portada de pegatinas en color pegadas a fundas de cartón, empaquetado en fundas de plástico. Viene con una pegatina de la portada frontal de 12x12cm.&lt;br /&gt;---&lt;br /&gt;Lo-Fi, home made lower case improv guitar/drums from the sluttiest band in the world. David Payne (Fossils) and Dan Farr (The Living Stump) for 28 minutes double penetrate your ears with 7 deranged tracks that'll leave you asking for mooore sex.&lt;br /&gt;Limited edition of 30 hand numbered copies, b&amp;amp;w artwork on disc, color printed sticker cover on cardboard sleeves, packaged in plastic sleeves. It comes with a 12x12cm front cover sticker.&lt;br /&gt;&lt;br /&gt;&lt;embed type="application/x-shockwave-flash" width="350"  height="24"  allowfullscreen="true"  allowscriptaccess="always"  src="http://www.archive.org/flow/flowplayer.commercial-3.0.5.swf"  w3c="true"  flashvars='config={"key":"#$b6eb72a0f2f1e29f3d4","playlist":[{"url":"http://www.archive.org/download/SlutMouth-DoublePenetrationextract/SlutMouth-DoublePenetrationextract.mp3","autoPlay":false}],"clip":{"autoPlay":true},"canvas":{"backgroundColor":"0x000000","backgroundGradient":"none"},"plugins":{"audio":{"url":"http://www.archive.org/flow/flowplayer.audio-3.0.3-dev.swf"},"controls":{"playlist":false,"fullscreen":false,"gloss":"high","backgroundColor":"0x000000","backgroundGradient":"medium","sliderColor":"0x777777","progressColor":"0x777777","timeColor":"0xeeeeee","durationColor":"0x01DAFF","buttonColor":"0x333333","buttonOverColor":"0x505050"}},"contextMenu":[{"Listen+to+SlutMouth-DoublePenetrationextract+at+archive.org":"function()"},"-","Flowplayer 3.0.5"]}'&gt; &lt;/embed&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-4432760350419381788?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/4432760350419381788/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2010/05/slut-mouth-double-penetration-fns034-5.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/4432760350419381788'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/4432760350419381788'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2010/05/slut-mouth-double-penetration-fns034-5.html' title='fNs034 Slut Mouth &quot;Double Penetration&quot; CDR'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_UapmpMFLq30/S_E5hDLqVGI/AAAAAAAAADw/JTHZ-rAxJSo/s72-c/Slut+Mouth+-+Double+Penetration+-+cdrs-front%26back%26cd.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-5521963940771591899</id><published>2010-05-17T05:32:00.000-07:00</published><updated>2010-10-26T02:33:21.343-07:00</updated><title type='text'>fNs023 Expensive Shit "ATX Ghosts and Flowers" CDR</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_UapmpMFLq30/S_E3smQQ6HI/AAAAAAAAADo/rtuyxHNdJ4U/s1600/Expensive+Shit+-+Atx+Ghosts+and+Flowers+-+cdrs-front%26back%26cd.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5472216261554399346" src="http://2.bp.blogspot.com/_UapmpMFLq30/S_E3smQQ6HI/AAAAAAAAADo/rtuyxHNdJ4U/s320/Expensive+Shit+-+Atx+Ghosts+and+Flowers+-+cdrs-front%26back%26cd.jpg" style="cursor: pointer; height: 316px; width: 320px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Expensive Shit&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;ATX Ghosts and Flowers&lt;/span&gt;&lt;br /&gt;fNs023&lt;br /&gt;5€ g.e.    incl. EU/ppd  EU&lt;br /&gt;6€ ppd Rest Of World&lt;br /&gt;---&lt;br /&gt;Noise rock jammers de Austin (Texas, USA), Expensive Shit nos ofrecen un intenso tema de 19 minutos, que supera en ruido demente a su anterior casete editada en el psicodelico sello Not Not Fun. "ATX Ghosts and Flowers" es una jam de noise rock improvisado que te pellizca y hacer sentir vivo de cojones, un festín de ruido petado.&lt;br /&gt;Edición limitada de 88 copias numeradas a mano, diseño por Ben Snakepit, con impresión a color, empaquetado en bolsas con cierre zip.&lt;br /&gt;---&lt;br /&gt;Noise rock jammers from Austin (Texas, USA), Expensive Shit offer a 19 minutes long intense track, which surpasses in demented noise to their previous tape released in the psychedelic label Not Not Fun. "ATX Ghosts and Flowers" is an improvised noise rock jam that tweaks you off and makes you feeling fucking alive, a feast of damaged noise.&lt;br /&gt;Limited edition of 88 hand numbered copies, artwork by Ben Snakepit, printed in color and packaged in ziplock bags.&lt;br /&gt;---&lt;br /&gt;&lt;b&gt;Reseña/Review Vital Week #753 (Oct. 26, 2010)&lt;/b&gt;&lt;br /&gt;&lt;i&gt;Expensive Shit is a band from Austin, Texas and consists of five members and a  guest musician. They do not practice and play anywhere they want. A previous  jam-session was already released by Not for Fun. The session exists of lots of  feedback sounds which are created by guitars and far away in the background you  can hear some drums. After a while there is more variety in sounds and the beats  became stronger. On this record a lot of guitar noise and if you like it - just  go for it in this 19 minutes long session.- (JKH)&lt;/i&gt;&lt;br /&gt;&lt;embed allowfullscreen="true" allowscriptaccess="always" flashvars="config={&amp;quot;key&amp;quot;:&amp;quot;#$b6eb72a0f2f1e29f3d4&amp;quot;,&amp;quot;playlist&amp;quot;:[{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/download/ExpensiveShit-AtxGhostsAndFlowersextract/ExpensiveShit-AtxGhostsAndFlowersextract.mp3&amp;quot;,&amp;quot;autoPlay&amp;quot;:false}],&amp;quot;clip&amp;quot;:{&amp;quot;autoPlay&amp;quot;:true},&amp;quot;canvas&amp;quot;:{&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;none&amp;quot;},&amp;quot;plugins&amp;quot;:{&amp;quot;audio&amp;quot;:{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/flow/flowplayer.audio-3.0.3-dev.swf&amp;quot;},&amp;quot;controls&amp;quot;:{&amp;quot;playlist&amp;quot;:false,&amp;quot;fullscreen&amp;quot;:false,&amp;quot;gloss&amp;quot;:&amp;quot;high&amp;quot;,&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;medium&amp;quot;,&amp;quot;sliderColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;progressColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;timeColor&amp;quot;:&amp;quot;0xeeeeee&amp;quot;,&amp;quot;durationColor&amp;quot;:&amp;quot;0x01DAFF&amp;quot;,&amp;quot;buttonColor&amp;quot;:&amp;quot;0x333333&amp;quot;,&amp;quot;buttonOverColor&amp;quot;:&amp;quot;0x505050&amp;quot;}},&amp;quot;contextMenu&amp;quot;:[{&amp;quot;Listen+to+ExpensiveShit-AtxGhostsAndFlowersextract+at+archive.org&amp;quot;:&amp;quot;function()&amp;quot;},&amp;quot;-&amp;quot;,&amp;quot;Flowplayer 3.0.5&amp;quot;]}" height="24" src="http://www.archive.org/flow/flowplayer.commercial-3.0.5.swf" type="application/x-shockwave-flash" w3c="true" width="350"&gt;&lt;/embed&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-5521963940771591899?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/5521963940771591899/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2010/05/fns023-expensive-shit-atx-ghosts-and.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/5521963940771591899'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/5521963940771591899'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2010/05/fns023-expensive-shit-atx-ghosts-and.html' title='fNs023 Expensive Shit &quot;ATX Ghosts and Flowers&quot; CDR'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_UapmpMFLq30/S_E3smQQ6HI/AAAAAAAAADo/rtuyxHNdJ4U/s72-c/Expensive+Shit+-+Atx+Ghosts+and+Flowers+-+cdrs-front%26back%26cd.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-7721192184960067149</id><published>2010-05-17T05:18:00.000-07:00</published><updated>2010-05-17T05:31:58.275-07:00</updated><title type='text'>fNs020 Wretched Worst "Frozen in Vomit" CDR</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_UapmpMFLq30/S_E1MOekgdI/AAAAAAAAADg/zqmeQd-6oHI/s1600/Wretched+Worst+-+Frozen+in+Vomit+-+cdrs-front%26back%26cd.jpg"&gt;&lt;img style="cursor: pointer; width: 315px; height: 320px;" src="http://4.bp.blogspot.com/_UapmpMFLq30/S_E1MOekgdI/AAAAAAAAADg/zqmeQd-6oHI/s320/Wretched+Worst+-+Frozen+in+Vomit+-+cdrs-front%26back%26cd.jpg" alt="" id="BLOGGER_PHOTO_ID_5472213506392883666" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Wretched Worst&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Frozen in Vomit&lt;/span&gt;&lt;br /&gt;fNs020&lt;br /&gt;5€ g.e.   incl. EU/ppd  EU&lt;br /&gt;6€ ppd Rest Of World&lt;br /&gt;---&lt;br /&gt;Con sede en Lexington (Kentucky, USA) Wretched Worst es el grupo de trash/hardcore/metal liderado por Matt Minter (ex Hair Police), que con una formación clásica (voz, guitarra, bajo y batería), destrozan el hardcore, el trash y el metal, y lo reinventan en clave noise. 31 minutos en 4 temas de free-noise-rock miserable, voces metal murmurantes y ritmos heavy saturados. Noise trash total!&lt;br /&gt;Edición limitada de 75 copias numeradas a mano, diseño por Matt Minter con impresión a color, empaquetado en bolsas con cierre zip.&lt;br /&gt;---&lt;br /&gt;Lexington (Kentucky, USA) based Wretched Worst is the trash/hardcore/metal group led by Matt Minter (ex Hair Police), which with a classic formation (vocals, guitar, bass and drums), destroy hardcore, trash &amp;amp; metal and reinvent in a noise key. 31 minutes in 4 tracks of wretched free-noise-rock, metal mubling voices and saturated heavy rhythms. Total noise trash!&lt;br /&gt;Limited edition of 75 hand numbered copies, artwork by Matt Minter, printed in color and packaged in ziplock bags.&lt;br /&gt;&lt;br /&gt;&lt;embed type="application/x-shockwave-flash" width="350" height="24" allowfullscreen="true" allowscriptaccess="always" src="http://www.archive.org/flow/flowplayer.commercial-3.0.5.swf" w3c="true" flashvars="'config="{"&gt;&lt;/embed&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-7721192184960067149?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/7721192184960067149/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2010/05/fns020-wretched-worst-frozen-in-vomit.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/7721192184960067149'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/7721192184960067149'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2010/05/fns020-wretched-worst-frozen-in-vomit.html' title='fNs020 Wretched Worst &quot;Frozen in Vomit&quot; CDR'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_UapmpMFLq30/S_E1MOekgdI/AAAAAAAAADg/zqmeQd-6oHI/s72-c/Wretched+Worst+-+Frozen+in+Vomit+-+cdrs-front%26back%26cd.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-3218781367078206589</id><published>2010-05-17T05:11:00.000-07:00</published><updated>2010-05-17T05:18:02.805-07:00</updated><title type='text'>fNs012 Au "Medianoche en Aspen" CDR</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_UapmpMFLq30/S_EypszbFTI/AAAAAAAAADY/U6eMfQpYpDE/s1600/Au+-+Medianoche+en+Aspen+-+cdrs-front%26back%26cd.jpg"&gt;&lt;img style="cursor: pointer; width: 320px; height: 320px;" src="http://1.bp.blogspot.com/_UapmpMFLq30/S_EypszbFTI/AAAAAAAAADY/U6eMfQpYpDE/s320/Au+-+Medianoche+en+Aspen+-+cdrs-front%26back%26cd.jpg" alt="" id="BLOGGER_PHOTO_ID_5472210714214733106" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Au&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Medianoche en Aspen&lt;/span&gt;&lt;br /&gt;fNs012&lt;br /&gt;5€ g.e.   incl. EU/ppd EU&lt;br /&gt;6€ ppd Rest Of World&lt;br /&gt;---&lt;br /&gt;Segundo disco de Au para fNs, Medianoche en Aspen consiste en siete distintas versiones/remezclas del tema que da titulo al disco. 24 minutos de ruido sucio, ritmos destartalados, saxos grasiento, grindnoise, bigbeat noise... un barrizal sonoro del que es difícil salir sin pringarse. Porn groove!&lt;br /&gt;Edición limitada de 40 copias numeradas a mano, impresión a color en disco y en portadas de cartulina plastificadas, empaquetados en envoltorios plásticos autoadhesivos.&lt;br /&gt;---&lt;br /&gt;Au second record for fNs, Midnight in Aspen consists of seven different versions/remixes of the album's title track. 24 minutes of dirty sound noise, ramshackle rhythms, greasy saxophones, grindnoise, bigbeat noise... a muddy sound that is difficult to leave without dripping. Porn groove!&lt;br /&gt;Limited edition of 40 hand numbered copies, color printing on disc and cardboard covers laminated, packaged in self-adhesive plastic sleeves.&lt;br /&gt;&lt;br /&gt;&lt;embed type="application/x-shockwave-flash" width="350"  height="24"  allowfullscreen="true"  allowscriptaccess="always"  src="http://www.archive.org/flow/flowplayer.commercial-3.0.5.swf"  w3c="true"  flashvars='config={"key":"#$b6eb72a0f2f1e29f3d4","playlist":[{"url":"http://www.archive.org/download/Au-medianocheEnAspenIiiextract/Au-MedianocheEnAspenIii-extract.mp3","autoPlay":false}],"clip":{"autoPlay":true},"canvas":{"backgroundColor":"0x000000","backgroundGradient":"none"},"plugins":{"audio":{"url":"http://www.archive.org/flow/flowplayer.audio-3.0.3-dev.swf"},"controls":{"playlist":false,"fullscreen":false,"gloss":"high","backgroundColor":"0x000000","backgroundGradient":"medium","sliderColor":"0x777777","progressColor":"0x777777","timeColor":"0xeeeeee","durationColor":"0x01DAFF","buttonColor":"0x333333","buttonOverColor":"0x505050"}},"contextMenu":[{"Listen+to+Au-medianocheEnAspenIiiextract+at+archive.org":"function()"},"-","Flowplayer 3.0.5"]}'&gt; &lt;/embed&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-3218781367078206589?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/3218781367078206589/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2010/05/fns012-au-medianoche-en-aspen-cdr.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/3218781367078206589'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/3218781367078206589'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2010/05/fns012-au-medianoche-en-aspen-cdr.html' title='fNs012 Au &quot;Medianoche en Aspen&quot; CDR'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_UapmpMFLq30/S_EypszbFTI/AAAAAAAAADY/U6eMfQpYpDE/s72-c/Au+-+Medianoche+en+Aspen+-+cdrs-front%26back%26cd.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-6155987339739410665</id><published>2010-03-23T11:31:00.001-07:00</published><updated>2010-09-23T05:33:49.230-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Musique Concrete'/><category scheme='http://www.blogger.com/atom/ns#' term='Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='Found Sounds'/><category scheme='http://www.blogger.com/atom/ns#' term='shalocins'/><title type='text'>fNs027 shalocins "trains going by" CDR</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_UapmpMFLq30/S6kJ7Fd-7xI/AAAAAAAAADQ/tdxLbqwNvxs/s1600-h/cdrs.jpg"&gt;&lt;img style="cursor: pointer; width: 320px; height: 294px;" src="http://2.bp.blogspot.com/_UapmpMFLq30/S6kJ7Fd-7xI/AAAAAAAAADQ/tdxLbqwNvxs/s320/cdrs.jpg" alt="" id="BLOGGER_PHOTO_ID_5451899734593564434" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;shalocins&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;trains going by&lt;/span&gt;&lt;br /&gt;fNs027&lt;br /&gt;&lt;span style="color: rgb(153, 0, 0);"&gt;Agotado/&lt;/span&gt;&lt;span style="color: rgb(153, 0, 0);"&gt;Sold Out&lt;/span&gt;&lt;br /&gt;Sintetizadores analógicos, found sounds tratados, voces fracturadas, percusión de metal y de juguete forman este CDR de 35 minutos. "Trains going by" es una banda sonora imaginaria de una noche en cada casa próxima a vías de ferrocarril, con trenes retorcidos, torturados, exprimidos, deformados, chirreantes y humeantes directamente del infierno pasando toda la noche. Un infierno de paseo.&lt;br /&gt;Edición limitada de 18 copias numeradas a mano, diseño en blanco y negro en el CDR, empaquetados en cajas de concha de seis colores diferentes con diseños en color pegado en ellas.&lt;br /&gt;-------&lt;br /&gt;Analogue synths, treated found sounds, fractured voices, metal and toy percussion form this 35 minutes long CDR. "Trains going by" is a imaginary soundtrack of a night at every house next to railroads with twisted, tortured, squeezed, squeaking, deformed and smoked trains straight from hell going by all night long. A hell of a ride.&lt;br /&gt;Limited edition of 18 hand numbered copies, b&amp;amp;w artwork on CDR, packaged in six different colored shell-boxes with color artwork sticked on it.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Escuchar/Listen&lt;/span&gt;&lt;br /&gt;&lt;embed type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" src="http://www.archive.org/flow/flowplayer.commercial-3.0.5.swf" w3c="true" flashvars="config={&amp;quot;key&amp;quot;:&amp;quot;#$b6eb72a0f2f1e29f3d4&amp;quot;,&amp;quot;playlist&amp;quot;:[{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/download/Shalocins-trainsGoingBy1extract/TrainsGoingBy1extract.mp3&amp;quot;,&amp;quot;autoPlay&amp;quot;:false}],&amp;quot;clip&amp;quot;:{&amp;quot;autoPlay&amp;quot;:true},&amp;quot;canvas&amp;quot;:{&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;none&amp;quot;},&amp;quot;plugins&amp;quot;:{&amp;quot;audio&amp;quot;:{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/flow/flowplayer.audio-3.0.3-dev.swf&amp;quot;},&amp;quot;controls&amp;quot;:{&amp;quot;playlist&amp;quot;:false,&amp;quot;fullscreen&amp;quot;:false,&amp;quot;gloss&amp;quot;:&amp;quot;high&amp;quot;,&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;medium&amp;quot;,&amp;quot;sliderColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;progressColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;timeColor&amp;quot;:&amp;quot;0xeeeeee&amp;quot;,&amp;quot;durationColor&amp;quot;:&amp;quot;0x01DAFF&amp;quot;,&amp;quot;buttonColor&amp;quot;:&amp;quot;0x333333&amp;quot;,&amp;quot;buttonOverColor&amp;quot;:&amp;quot;0x505050&amp;quot;}},&amp;quot;contextMenu&amp;quot;:[{&amp;quot;Listen+to+Shalocins-trainsGoingBy1extract+at+archive.org&amp;quot;:&amp;quot;function()&amp;quot;},&amp;quot;-&amp;quot;,&amp;quot;Flowplayer 3.0.5&amp;quot;]}" width="350" height="24"&gt;&lt;/embed&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-6155987339739410665?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/6155987339739410665/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2010/03/fns027-shalocins-trains-going-by-cdr.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/6155987339739410665'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/6155987339739410665'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2010/03/fns027-shalocins-trains-going-by-cdr.html' title='fNs027 shalocins &quot;trains going by&quot; CDR'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_UapmpMFLq30/S6kJ7Fd-7xI/AAAAAAAAADQ/tdxLbqwNvxs/s72-c/cdrs.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-229248645005265115</id><published>2010-03-23T08:38:00.000-07:00</published><updated>2010-03-23T11:36:57.116-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='Industrial'/><category scheme='http://www.blogger.com/atom/ns#' term='Wicked Rot'/><category scheme='http://www.blogger.com/atom/ns#' term='Drone'/><title type='text'>fNs032 Wicked Rot "The Rotten Flute" CDR</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_UapmpMFLq30/S6jznPby9DI/AAAAAAAAADI/B70TS4CBMEM/s1600-h/cdrs.jpg"&gt;&lt;img style="cursor: pointer; width: 320px; height: 306px;" src="http://1.bp.blogspot.com/_UapmpMFLq30/S6jznPby9DI/AAAAAAAAADI/B70TS4CBMEM/s320/cdrs.jpg" alt="" id="BLOGGER_PHOTO_ID_5451875204415550514" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Wicked Rot&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;The Rotten Flute&lt;/span&gt;&lt;br /&gt;fNs032&lt;br /&gt;5€ g.e.  incl. EU/ppd EU&lt;br /&gt;6€ ppd Rest Of World&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Otro nueva formación integrada por Isa Christ (Underground Idiot) y Nathaniel Brennan (que también toca en el alucinante Cruudeuces). Grabado en un día a finales de noviembre de 2009, con violín, guitarra, sintetizador, clarinete, bajo, tocadiscos preparado y micrófonos de contacto. Esto me suena como un Big Band dentro de un confesionario de una catedral tocando sierras eléctricas, gaviotas cabreadas, motores viejos gordos y monjas rezando el rosario bajo una tormenta. Dura menos que una misa (26 minutos), pero si los curas lo utilizaran como música de fondo, o incluso como una banda sonora, la Biblia sería mucho más divertida. Amén.&lt;br /&gt;&lt;/div&gt;Edición limitada de 30 copias numeradas a mano, impresión a color en el CDR y en portadas de papel plastificadas, empaquetadas en fundas de plástico.&lt;br /&gt;-------&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Another new outfit comprising Isa Christ (Idiot Underground) and Nathaniel Brennan (which also plays as the amazing Cruudeuces). Recorded whithin a day late november 2009 with violin, guitar, synth, clarinet, bass, prepared turn table and contact mics. This sounds to me like a Big Band inside a confessional of a cathedral playing electric saws, angry seagulls, fat old engine motors and nuns saying one's rosary under a storm. It lasts less than a church service (26 minutes) but if pastors would use it as background music or even as a soundtrack, the Bible would be lots more fun. Amen.&lt;br /&gt;&lt;/div&gt;Limited edition of 30 hand numbered copies, color printing on CDR and on laminated paper covers, packaged in plastic sleeves.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Escuchar/Listen&lt;/span&gt;&lt;br /&gt;&lt;embed type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" src="http://www.archive.org/flow/flowplayer.commercial-3.0.5.swf" w3c="true" flashvars="config={&amp;quot;key&amp;quot;:&amp;quot;#$b6eb72a0f2f1e29f3d4&amp;quot;,&amp;quot;playlist&amp;quot;:[{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/download/WickedRot-CastAndBurnsextract/CastAndBurnextract.mp3&amp;quot;,&amp;quot;autoPlay&amp;quot;:false}],&amp;quot;clip&amp;quot;:{&amp;quot;autoPlay&amp;quot;:true},&amp;quot;canvas&amp;quot;:{&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;none&amp;quot;},&amp;quot;plugins&amp;quot;:{&amp;quot;audio&amp;quot;:{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/flow/flowplayer.audio-3.0.3-dev.swf&amp;quot;},&amp;quot;controls&amp;quot;:{&amp;quot;playlist&amp;quot;:false,&amp;quot;fullscreen&amp;quot;:false,&amp;quot;gloss&amp;quot;:&amp;quot;high&amp;quot;,&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;medium&amp;quot;,&amp;quot;sliderColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;progressColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;timeColor&amp;quot;:&amp;quot;0xeeeeee&amp;quot;,&amp;quot;durationColor&amp;quot;:&amp;quot;0x01DAFF&amp;quot;,&amp;quot;buttonColor&amp;quot;:&amp;quot;0x333333&amp;quot;,&amp;quot;buttonOverColor&amp;quot;:&amp;quot;0x505050&amp;quot;}},&amp;quot;contextMenu&amp;quot;:[{&amp;quot;Listen+to+WickedRot-CastAndBurnsextract+at+archive.org&amp;quot;:&amp;quot;function()&amp;quot;},&amp;quot;-&amp;quot;,&amp;quot;Flowplayer 3.0.5&amp;quot;]}" height="24" width="350"&gt;&lt;/embed&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-229248645005265115?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/229248645005265115/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2010/03/fns032-wicked-rot-rotten-flute-cdr.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/229248645005265115'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/229248645005265115'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2010/03/fns032-wicked-rot-rotten-flute-cdr.html' title='fNs032 Wicked Rot &quot;The Rotten Flute&quot; CDR'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_UapmpMFLq30/S6jznPby9DI/AAAAAAAAADI/B70TS4CBMEM/s72-c/cdrs.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-5091595920321384285</id><published>2010-03-23T07:38:00.000-07:00</published><updated>2010-03-23T10:18:06.009-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='Industrial'/><category scheme='http://www.blogger.com/atom/ns#' term='Avant-Garde'/><category scheme='http://www.blogger.com/atom/ns#' term='Isolationism'/><category scheme='http://www.blogger.com/atom/ns#' term='Teeth Collection'/><title type='text'>fNs031 Teeth Collection "fNs031" CDR</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_UapmpMFLq30/S6jfh6bxnrI/AAAAAAAAADA/uyjhwG_08Cc/s1600-h/cdrs.jpg"&gt;&lt;img style="cursor: pointer; width: 320px; height: 286px;" src="http://3.bp.blogspot.com/_UapmpMFLq30/S6jfh6bxnrI/AAAAAAAAADA/uyjhwG_08Cc/s320/cdrs.jpg" alt="" id="BLOGGER_PHOTO_ID_5451853122646417074" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;Teeth Collection&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;"fNs031"&lt;/span&gt;&lt;br /&gt;fNs031&lt;br /&gt;5€ g.e.  incl. EU/ppd EU&lt;br /&gt;6€ ppd Rest Of World&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Teeth Collection es el vehículo de Matt Reis para esparcir su personal visión de electro-acústica, improvisación y ruido, con un profundo fondo industrial, y en forma de "aislamiento" ambiental. Usa para ello de manera magistral theremin, varios efectos y loops de realimentación. Los sonidos se dividen en tres pistas, duran 36 minutos, que te dejan completamente desarmado, con el espacio a tu alrededor en expansión y haciendo que te preguntes si las paredes que te rodean son reales o sólo una ilusión, y que sientas de todo, menos aislados. Enorme.&lt;br /&gt;&lt;/div&gt;Edición limitada de 50 copias numeradas a mano, impresión a color en el CDR y en portadas de papel plastificadas, empaquetadas en fundas de plástico.&lt;br /&gt;-------&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Teeth Collection is Matt Reis's vehicle to spread his personal vision of electro-acustic, improv and noise, with a deep industrial background, and a "isolationism" ambient form. He uses for it masterfully theremin, various effects and feedback loops. The sounds divide in three tracks, lasting 36 minutes, which leaves you completetly disarmed, with the space around you expanding and making you wonder if the walls around you are real or just an illusion, and making you feel everything but isolated. Huge.&lt;br /&gt;Limited edition of 50 hand numbered copies, color printing on CDR and on laminated paper covers, packaged in plastic sleeves.&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Escuchar/Listen&lt;/span&gt;&lt;br /&gt;&lt;embed type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" src="http://www.archive.org/flow/flowplayer.commercial-3.0.5.swf" w3c="true" flashvars="config={&amp;quot;key&amp;quot;:&amp;quot;#$b6eb72a0f2f1e29f3d4&amp;quot;,&amp;quot;playlist&amp;quot;:[{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/download/TeethCollection-Extract/4._______2extract.mp3&amp;quot;,&amp;quot;autoPlay&amp;quot;:false}],&amp;quot;clip&amp;quot;:{&amp;quot;autoPlay&amp;quot;:true},&amp;quot;canvas&amp;quot;:{&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;none&amp;quot;},&amp;quot;plugins&amp;quot;:{&amp;quot;audio&amp;quot;:{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/flow/flowplayer.audio-3.0.3-dev.swf&amp;quot;},&amp;quot;controls&amp;quot;:{&amp;quot;playlist&amp;quot;:false,&amp;quot;fullscreen&amp;quot;:false,&amp;quot;gloss&amp;quot;:&amp;quot;high&amp;quot;,&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;medium&amp;quot;,&amp;quot;sliderColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;progressColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;timeColor&amp;quot;:&amp;quot;0xeeeeee&amp;quot;,&amp;quot;durationColor&amp;quot;:&amp;quot;0x01DAFF&amp;quot;,&amp;quot;buttonColor&amp;quot;:&amp;quot;0x333333&amp;quot;,&amp;quot;buttonOverColor&amp;quot;:&amp;quot;0x505050&amp;quot;}},&amp;quot;contextMenu&amp;quot;:[{&amp;quot;Listen+to+TeethCollection-Extract+at+archive.org&amp;quot;:&amp;quot;function()&amp;quot;},&amp;quot;-&amp;quot;,&amp;quot;Flowplayer 3.0.5&amp;quot;]}" height="24" width="350"&gt;&lt;/embed&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-5091595920321384285?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/5091595920321384285/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2010/03/fns031-teeth-collection-fns031-cdr.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/5091595920321384285'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/5091595920321384285'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2010/03/fns031-teeth-collection-fns031-cdr.html' title='fNs031 Teeth Collection &quot;fNs031&quot; CDR'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_UapmpMFLq30/S6jfh6bxnrI/AAAAAAAAADA/uyjhwG_08Cc/s72-c/cdrs.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-6018839642450068124</id><published>2010-03-23T06:06:00.000-07:00</published><updated>2010-03-23T11:36:44.473-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Noise Blues'/><category scheme='http://www.blogger.com/atom/ns#' term='Improv'/><category scheme='http://www.blogger.com/atom/ns#' term='Free Blues'/><category scheme='http://www.blogger.com/atom/ns#' term='Plonk Moist'/><title type='text'>fNs024 Plonk Moist "Plonk Moist" CDR</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_UapmpMFLq30/S6jRuqYe-BI/AAAAAAAAAC4/-sTS_mQw2Qg/s1600-h/cdrs.jpg"&gt;&lt;img style="cursor: pointer; width: 320px; height: 282px;" src="http://3.bp.blogspot.com/_UapmpMFLq30/S6jRuqYe-BI/AAAAAAAAAC4/-sTS_mQw2Qg/s320/cdrs.jpg" alt="" id="BLOGGER_PHOTO_ID_5451837948513155090" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Plonk Moist&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Plonk Moist&lt;/span&gt;&lt;br /&gt;fNs024&lt;br /&gt;5€ g.e.  incl. EU/ppd EU&lt;br /&gt;6€ ppd Rest Of World&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Primera grabación de este nuevo equipo formado por O. Barras (Au, Indhecenter...) y R. Juristo (pier, ahno zwei...). 6 pistas que duran en total 25 minutos de free blues, noise blues, blues jodido, con guitarras mantra destrozadas, baterias amorfas y voces dementes. Blues demente para curar tu alma.&lt;br /&gt;Edición limitada de 30 copias numeradas a mano, diseño en blanco y negro en disco y portada de pegatinas en color pegadas a fundas de cartón, en fundas de plástico.&lt;br /&gt;&lt;/div&gt;-------&lt;br /&gt;&lt;div style="text-align: justify;"&gt;First recording from this new outfit from O.Barras (Au, Indhecenter...) and R. Juristo (pier, ahno zwei....). 6 tracks lasting total 25 minutes of free blues, noise blues, fucked up blues, with mantra wrecked guitars, amorphous drums and demented voices. Insane blues to heal your soul.&lt;br /&gt;Limited edition of 30 hand numbered copies, b&amp;amp;w artwork on disc, color printed sticker cover on cardboard sleeves, enveloped in plastic sleeves.&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Escuchar/Listen&lt;/span&gt;&lt;br /&gt;&lt;embed type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" src="http://www.archive.org/flow/flowplayer.commercial-3.0.5.swf" w3c="true" flashvars="config={&amp;quot;key&amp;quot;:&amp;quot;#$b6eb72a0f2f1e29f3d4&amp;quot;,&amp;quot;playlist&amp;quot;:[{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/download/PlonkMoist-ArmiBeter/01ArmiBeter.mp3&amp;quot;,&amp;quot;autoPlay&amp;quot;:false}],&amp;quot;clip&amp;quot;:{&amp;quot;autoPlay&amp;quot;:true},&amp;quot;canvas&amp;quot;:{&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;none&amp;quot;},&amp;quot;plugins&amp;quot;:{&amp;quot;audio&amp;quot;:{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/flow/flowplayer.audio-3.0.3-dev.swf&amp;quot;},&amp;quot;controls&amp;quot;:{&amp;quot;playlist&amp;quot;:false,&amp;quot;fullscreen&amp;quot;:false,&amp;quot;gloss&amp;quot;:&amp;quot;high&amp;quot;,&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;medium&amp;quot;,&amp;quot;sliderColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;progressColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;timeColor&amp;quot;:&amp;quot;0xeeeeee&amp;quot;,&amp;quot;durationColor&amp;quot;:&amp;quot;0x01DAFF&amp;quot;,&amp;quot;buttonColor&amp;quot;:&amp;quot;0x333333&amp;quot;,&amp;quot;buttonOverColor&amp;quot;:&amp;quot;0x505050&amp;quot;}},&amp;quot;contextMenu&amp;quot;:[{&amp;quot;Listen+to+PlonkMoist-ArmiBeter+at+archive.org&amp;quot;:&amp;quot;function()&amp;quot;},&amp;quot;-&amp;quot;,&amp;quot;Flowplayer 3.0.5&amp;quot;]}" height="24" width="350"&gt;&lt;/embed&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-6018839642450068124?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/6018839642450068124/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2010/03/fns024-plonk-moist-plonk-moist-cdr.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/6018839642450068124'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/6018839642450068124'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2010/03/fns024-plonk-moist-plonk-moist-cdr.html' title='fNs024 Plonk Moist &quot;Plonk Moist&quot; CDR'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_UapmpMFLq30/S6jRuqYe-BI/AAAAAAAAAC4/-sTS_mQw2Qg/s72-c/cdrs.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-8023123744376754673</id><published>2010-02-03T08:26:00.000-08:00</published><updated>2010-02-08T04:25:08.481-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='Free Rock'/><category scheme='http://www.blogger.com/atom/ns#' term='Free Jazz'/><category scheme='http://www.blogger.com/atom/ns#' term='Free Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='No Wave'/><category scheme='http://www.blogger.com/atom/ns#' term='pier'/><title type='text'>fNs033 pier "apparently liberatory gestures" CDR</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_UapmpMFLq30/S2mkJOk5o7I/AAAAAAAAACo/emHTgtEvBRw/s1600-h/cdrs.jpg"&gt;&lt;img style="cursor: pointer; width: 311px; height: 320px;" src="http://1.bp.blogspot.com/_UapmpMFLq30/S2mkJOk5o7I/AAAAAAAAACo/emHTgtEvBRw/s320/cdrs.jpg" alt="" id="BLOGGER_PHOTO_ID_5434054903837860786" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;pier&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;apparently liberatory gestures&lt;/span&gt;&lt;br /&gt;fNs033&lt;br /&gt;5€ g.e. incl. EU/ppd EU&lt;br /&gt;6€ ppd Rest Of World&lt;br /&gt;22 minutos de free no-wave improv desde Madrid, en su tercer CDR para fNs (octavo en su discografía). 8 temas cortos, abrasivos y esquizofrénicos donde guitarras, bajos y baterías se suceden sin sentido, junto con saxos y trompetas desquiciadas. Y ya.&lt;br /&gt;Edición limitada de 40 copias numeradas a mano, impresión a color en el CDR y en portadas de cartulina plastificadas.&lt;br /&gt;-------&lt;br /&gt;22 minutes of free no-wave improv from Madrid, this is their third CDR for fNs (eighth in their discography). 8 abrasive and schizophrenic short tracks, where guitars, bass and drums succeed without meaning, with unhinged saxs and trumpets unhinged. And that's it.&lt;br /&gt;Limited edition of 40 hand-numbered copies, color printing on the CDR and laminated cardboard covers.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Escuchar/Listen&lt;/span&gt;&lt;br /&gt;&lt;embed type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" src="http://www.archive.org/flow/flowplayer.commercial-3.0.5.swf" w3c="true" flashvars="config={&amp;quot;key&amp;quot;:&amp;quot;#$b6eb72a0f2f1e29f3d4&amp;quot;,&amp;quot;playlist&amp;quot;:[{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/download/pier-1-5xz/pier-1-5xz.mp3&amp;quot;,&amp;quot;autoPlay&amp;quot;:false}],&amp;quot;clip&amp;quot;:{&amp;quot;autoPlay&amp;quot;:true},&amp;quot;canvas&amp;quot;:{&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;none&amp;quot;},&amp;quot;plugins&amp;quot;:{&amp;quot;audio&amp;quot;:{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/flow/flowplayer.audio-3.0.3-dev.swf&amp;quot;},&amp;quot;controls&amp;quot;:{&amp;quot;playlist&amp;quot;:false,&amp;quot;fullscreen&amp;quot;:false,&amp;quot;gloss&amp;quot;:&amp;quot;high&amp;quot;,&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;medium&amp;quot;,&amp;quot;sliderColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;progressColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;timeColor&amp;quot;:&amp;quot;0xeeeeee&amp;quot;,&amp;quot;durationColor&amp;quot;:&amp;quot;0x01DAFF&amp;quot;,&amp;quot;buttonColor&amp;quot;:&amp;quot;0x333333&amp;quot;,&amp;quot;buttonOverColor&amp;quot;:&amp;quot;0x505050&amp;quot;}},&amp;quot;contextMenu&amp;quot;:[{&amp;quot;Listen+to+pier-1-5xz+at+archive.org&amp;quot;:&amp;quot;function()&amp;quot;},&amp;quot;-&amp;quot;,&amp;quot;Flowplayer 3.0.5&amp;quot;]}" width="350" height="24"&gt;&lt;/embed&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-8023123744376754673?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/8023123744376754673/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2010/02/fns033-pier-apparently-liberatory.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/8023123744376754673'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/8023123744376754673'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2010/02/fns033-pier-apparently-liberatory.html' title='fNs033 pier &quot;apparently liberatory gestures&quot; CDR'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_UapmpMFLq30/S2mkJOk5o7I/AAAAAAAAACo/emHTgtEvBRw/s72-c/cdrs.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-4162660649469737394</id><published>2010-02-03T08:05:00.000-08:00</published><updated>2010-02-04T04:01:46.649-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Musique Concrete'/><category scheme='http://www.blogger.com/atom/ns#' term='Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='Improv'/><category scheme='http://www.blogger.com/atom/ns#' term='Fossils'/><category scheme='http://www.blogger.com/atom/ns#' term='Experimental Electronica'/><title type='text'>fNs026 Fossils "Global Seance" CDR</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_UapmpMFLq30/S2mh4P9cLbI/AAAAAAAAACg/XF8hHjq_E1o/s1600-h/cdrs.jpg"&gt;&lt;img style="cursor: pointer; width: 319px; height: 320px;" src="http://4.bp.blogspot.com/_UapmpMFLq30/S2mh4P9cLbI/AAAAAAAAACg/XF8hHjq_E1o/s320/cdrs.jpg" alt="" id="BLOGGER_PHOTO_ID_5434052413128191410" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Fossils&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Global Seance&lt;/span&gt;&lt;br /&gt;fNs026&lt;br /&gt;5€ g.e. incl. EU/ppd EU&lt;br /&gt;6€ ppd Rest Of World&lt;br /&gt;&lt;br /&gt;Desde 2004 los prolíficos Fossils han creado su propio universo sonoro a lo largo de más de 100 CDRs, casetes y vinilos, mezclando de forma magistral ruido, música concreta e improvisación. "Global Seance" tiene menos música concreta y electrónica que anteriores grabaciones. David Payne y Steve Smith (junto con Rob Michalchuk en algunos temas) se sumergen durante 41 minutos en improvisación electro-acústica en minúsculas, con guitarras y electrónica crujientes, saxos ahogados, todo ello embarrado en un sonido no tan lo-fi como anteriores grabaciones pero igualmente acogedor que permite escuchar las fascinantes partes del asombroso conjunto.&lt;br /&gt;Edición limitada de 50 copias numeradas a mano, impresión a color en el CDR y en portadas dobladas de cartulina plastificadas.&lt;br /&gt;-------&lt;br /&gt;Since 2004 the prolific Fossils have created their own universe of sound along more than 100 CDRs, cassettes and vinyls, masterfully mixing noise, "musique concrete" and improvisation. "Global Seance" is less concrete and electronic music than previous recordings. David Payne and Steve Smith (along with Rob Michalchuk in some subjects) dive for 41 minutes in "lower-case" electro-acoustic improvisation, with crunchy guitars and electronics, drowning saxes, all muddy in a not so lo-fi sound as previous recordings but equally warm that allows to listen the fascinating parts of the whole.&lt;br /&gt;Limited edition of 50 hand-numbered copies, color printing on the CDR and on laminated folded cardboard covers.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Escuchar/Listen&lt;/span&gt;&lt;br /&gt;&lt;embed type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" src="http://www.archive.org/flow/flowplayer.commercial-3.0.5.swf" w3c="true" flashvars="config={&amp;quot;key&amp;quot;:&amp;quot;#$b6eb72a0f2f1e29f3d4&amp;quot;,&amp;quot;playlist&amp;quot;:[{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/download/Fossils-GlobalSeance-Untitled/06-fossils-FNS.mp3&amp;quot;,&amp;quot;autoPlay&amp;quot;:false}],&amp;quot;clip&amp;quot;:{&amp;quot;autoPlay&amp;quot;:true},&amp;quot;canvas&amp;quot;:{&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;none&amp;quot;},&amp;quot;plugins&amp;quot;:{&amp;quot;audio&amp;quot;:{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/flow/flowplayer.audio-3.0.3-dev.swf&amp;quot;},&amp;quot;controls&amp;quot;:{&amp;quot;playlist&amp;quot;:false,&amp;quot;fullscreen&amp;quot;:false,&amp;quot;gloss&amp;quot;:&amp;quot;high&amp;quot;,&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;medium&amp;quot;,&amp;quot;sliderColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;progressColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;timeColor&amp;quot;:&amp;quot;0xeeeeee&amp;quot;,&amp;quot;durationColor&amp;quot;:&amp;quot;0x01DAFF&amp;quot;,&amp;quot;buttonColor&amp;quot;:&amp;quot;0x333333&amp;quot;,&amp;quot;buttonOverColor&amp;quot;:&amp;quot;0x505050&amp;quot;}},&amp;quot;contextMenu&amp;quot;:[{&amp;quot;Listen+to+Fossils-GlobalSeance-Untitled+at+archive.org&amp;quot;:&amp;quot;function()&amp;quot;},&amp;quot;-&amp;quot;,&amp;quot;Flowplayer 3.0.5&amp;quot;]}" width="350" height="24"&gt;&lt;/embed&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-4162660649469737394?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/4162660649469737394/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2010/02/fns026-fossils-global-seance-cdr.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/4162660649469737394'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/4162660649469737394'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2010/02/fns026-fossils-global-seance-cdr.html' title='fNs026 Fossils &quot;Global Seance&quot; CDR'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_UapmpMFLq30/S2mh4P9cLbI/AAAAAAAAACg/XF8hHjq_E1o/s72-c/cdrs.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-4573665231186713627</id><published>2010-02-03T07:10:00.000-08:00</published><updated>2010-02-15T04:17:16.578-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='Free Rock'/><category scheme='http://www.blogger.com/atom/ns#' term='Trash'/><category scheme='http://www.blogger.com/atom/ns#' term='Noise Garage'/><category scheme='http://www.blogger.com/atom/ns#' term='Noise Rock'/><category scheme='http://www.blogger.com/atom/ns#' term='Cousins of Reggae'/><title type='text'>fNs015 Cousins of Reggae "Disuelvos Ensangrentados, Inhalantes Perdidos"</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_UapmpMFLq30/S2mTzZCKz6I/AAAAAAAAACY/t1ZzpuzHbJQ/s1600-h/cdrs.jpg"&gt;&lt;img style="cursor: pointer; width: 320px; height: 305px;" src="http://3.bp.blogspot.com/_UapmpMFLq30/S2mTzZCKz6I/AAAAAAAAACY/t1ZzpuzHbJQ/s320/cdrs.jpg" alt="" id="BLOGGER_PHOTO_ID_5434036936501809058" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Cousins of Reggae&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Disuelvos Ensangrentados, Inhalantes Perdidos&lt;/span&gt;&lt;br /&gt;fNs015&lt;br /&gt;5€ g.e. incl. EU/ppd EU&lt;br /&gt;6€ ppd Rest Of World&lt;br /&gt;&lt;br /&gt;En su noveno album, Cousins of Reggae (Ontario, Canada), reunen 14 temas, algunos editados anteriormente en LPs y Cdr junto con temas nuevos. Más de 70 minutos de increíble noise rock trastornado, rock musculoso abstracto, trash psicodélico, no-rock y free-rock del estilo de Harry Pussy y Trumans Water, cortesía de Blake Hargraves (guitarra, batería, ruido y voces) y Liam Thurston (guitarra, batería y ruido).&lt;br /&gt;Edición limitada de 60 copias numeradas a mano, impresión a color en disco y portada de pegatinas pegadas a fundas de cartón, en fundas de plástico.&lt;br /&gt;&lt;a href="http://www.normanrecords.com/records/114090#normreview"&gt;&lt;span style="font-weight: bold;"&gt;Reseña&lt;/span&gt;&lt;/a&gt; (Norman Records, feb. 2010)&lt;br /&gt;-------&lt;br /&gt;In their nineth album, Cousins of Reggae (Ontario, Canada), gather 14 tracks, some previously released on LP and CDr along with new tracks. Over 70 minutes of amazingly deranged noise rock, abstrackt muscle-rock, psychedelic trash, no-rock and free-rock Harry Pussy and Trumans Water style, courtesy of Blake Hargraves (guitar, drums, noise and vocals) and Liam Thurston (guitar, drums and noise).&lt;br /&gt;Limited edition of 60 hand numbered copies, color printing on the disc and sticker cover  on cardboard sleeves, enveloped in plastic sleeves.&lt;br /&gt;&lt;a href="http://www.normanrecords.com/records/114090#normreview"&gt;&lt;span style="font-weight: bold;"&gt;Review&lt;/span&gt;&lt;/a&gt; (Norman Records, feb. 2010)&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Escuchar/Listen&lt;/span&gt;&lt;br /&gt;&lt;embed type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" src="http://www.archive.org/flow/flowplayer.commercial-3.0.5.swf" w3c="true" flashvars="config={&amp;quot;key&amp;quot;:&amp;quot;#$b6eb72a0f2f1e29f3d4&amp;quot;,&amp;quot;playlist&amp;quot;:[{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/download/CousinsOfReggae-03.ghostor65_/CousinsOfReggae-03.ghostor65_.mp3&amp;quot;,&amp;quot;autoPlay&amp;quot;:false}],&amp;quot;clip&amp;quot;:{&amp;quot;autoPlay&amp;quot;:true},&amp;quot;canvas&amp;quot;:{&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;none&amp;quot;},&amp;quot;plugins&amp;quot;:{&amp;quot;audio&amp;quot;:{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/flow/flowplayer.audio-3.0.3-dev.swf&amp;quot;},&amp;quot;controls&amp;quot;:{&amp;quot;playlist&amp;quot;:false,&amp;quot;fullscreen&amp;quot;:false,&amp;quot;gloss&amp;quot;:&amp;quot;high&amp;quot;,&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;medium&amp;quot;,&amp;quot;sliderColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;progressColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;timeColor&amp;quot;:&amp;quot;0xeeeeee&amp;quot;,&amp;quot;durationColor&amp;quot;:&amp;quot;0x01DAFF&amp;quot;,&amp;quot;buttonColor&amp;quot;:&amp;quot;0x333333&amp;quot;,&amp;quot;buttonOverColor&amp;quot;:&amp;quot;0x505050&amp;quot;}},&amp;quot;contextMenu&amp;quot;:[{&amp;quot;Listen+to+CousinsOfReggae-03.ghostor65_+at+archive.org&amp;quot;:&amp;quot;function()&amp;quot;},&amp;quot;-&amp;quot;,&amp;quot;Flowplayer 3.0.5&amp;quot;]}" width="350" height="24"&gt;&lt;/embed&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-4573665231186713627?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/4573665231186713627/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2010/02/fns015-cousins-of-reggae-disuelvos.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/4573665231186713627'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/4573665231186713627'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2010/02/fns015-cousins-of-reggae-disuelvos.html' title='fNs015 Cousins of Reggae &quot;Disuelvos Ensangrentados, Inhalantes Perdidos&quot;'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_UapmpMFLq30/S2mTzZCKz6I/AAAAAAAAACY/t1ZzpuzHbJQ/s72-c/cdrs.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-7194440109415522208</id><published>2010-02-03T06:34:00.000-08:00</published><updated>2010-12-10T01:56:27.195-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='Noise Punk'/><category scheme='http://www.blogger.com/atom/ns#' term='Noise Hardcore'/><category scheme='http://www.blogger.com/atom/ns#' term='Noisecore'/><category scheme='http://www.blogger.com/atom/ns#' term='O. Barras'/><title type='text'>fNs010 O. Barras "Cabeza de Turco" CDR</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_UapmpMFLq30/S2mKUZWqfdI/AAAAAAAAACQ/CX8Q1rlUiAs/s1600-h/cabeza+de+turco+cdrs.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5434026508407176658" src="http://3.bp.blogspot.com/_UapmpMFLq30/S2mKUZWqfdI/AAAAAAAAACQ/CX8Q1rlUiAs/s320/cabeza+de+turco+cdrs.jpg" style="cursor: pointer; height: 310px; width: 320px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;O. Barras &lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Cabeza de Turco &lt;/span&gt;&lt;br /&gt;fNs010&lt;br /&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: 100%;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #990000;"&gt;Agotado&lt;/span&gt;&lt;span style="color: #990000;"&gt;/Sold Out&lt;/span&gt;&lt;br /&gt;O. Barras (Au, Indhecenter, Plonk Moist...) nos ofrece en 22 minutos 9 trozos de noise sobre ritmos punk/hardcore saltarines, bailables y juguetones, a base de guitarras, ruido, samplers, saxos y ritmos repetitivos. "Cabeza de Turco" es una recopilación de grabaciones que van desde 2004 a 2007, que incluye una peculiar versión de "I Am Damo Suzuki" de The Fall. Una bocanada de aire fresco dentro del a veces serio y estático mundo del ruido.&lt;br /&gt;Edición limitada de 30 copias numeradas a mano, impresión a color en el CDR y en portadas de cartulina plastificadas.&lt;br /&gt;-------&lt;br /&gt;O. Bars (Au, INDHECENTER, Plonk Moist ...) gives us in 22 minutes 9 pieces of noise over playful, jumping, punk/hardcore rhythms, based on guitars, noise, samplers, saxophones and repetitive beats. "Cabeza de Turco" is a compilation of recordings ranging from 2004 to 2007, which includes a rare version of "I Am Damo Suzuki" The Fall. A breath of fresh air into the sometimes serious and static world of noise.&lt;br /&gt;Limited edition of 30 hand numbered copies, color printing on CDR and on laminated cardboard covers, packaged in and plastic sleeves.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Escuchar/Listen&lt;/span&gt;&lt;br /&gt;&lt;embed allowfullscreen="true" allowscriptaccess="always" flashvars="config={&amp;quot;key&amp;quot;:&amp;quot;#$b6eb72a0f2f1e29f3d4&amp;quot;,&amp;quot;playlist&amp;quot;:[{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/download/O.Barras-HVO/o.barras-hvo.mp3&amp;quot;,&amp;quot;autoPlay&amp;quot;:false}],&amp;quot;clip&amp;quot;:{&amp;quot;autoPlay&amp;quot;:true},&amp;quot;canvas&amp;quot;:{&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;none&amp;quot;},&amp;quot;plugins&amp;quot;:{&amp;quot;audio&amp;quot;:{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/flow/flowplayer.audio-3.0.3-dev.swf&amp;quot;},&amp;quot;controls&amp;quot;:{&amp;quot;playlist&amp;quot;:false,&amp;quot;fullscreen&amp;quot;:false,&amp;quot;gloss&amp;quot;:&amp;quot;high&amp;quot;,&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;medium&amp;quot;,&amp;quot;sliderColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;progressColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;timeColor&amp;quot;:&amp;quot;0xeeeeee&amp;quot;,&amp;quot;durationColor&amp;quot;:&amp;quot;0x01DAFF&amp;quot;,&amp;quot;buttonColor&amp;quot;:&amp;quot;0x333333&amp;quot;,&amp;quot;buttonOverColor&amp;quot;:&amp;quot;0x505050&amp;quot;}},&amp;quot;contextMenu&amp;quot;:[{&amp;quot;Listen+to+O.Barras-HVO+at+archive.org&amp;quot;:&amp;quot;function()&amp;quot;},&amp;quot;-&amp;quot;,&amp;quot;Flowplayer 3.0.5&amp;quot;]}" height="24" src="http://www.archive.org/flow/flowplayer.commercial-3.0.5.swf" type="application/x-shockwave-flash" w3c="true" width="350"&gt;&lt;/embed&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-7194440109415522208?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/7194440109415522208/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2010/02/fns010-o-barras-cabeza-de-turco-cdr.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/7194440109415522208'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/7194440109415522208'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2010/02/fns010-o-barras-cabeza-de-turco-cdr.html' title='fNs010 O. Barras &quot;Cabeza de Turco&quot; CDR'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_UapmpMFLq30/S2mKUZWqfdI/AAAAAAAAACQ/CX8Q1rlUiAs/s72-c/cabeza+de+turco+cdrs.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-8503089857916496589</id><published>2009-12-03T09:05:00.000-08:00</published><updated>2010-10-26T14:35:32.343-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='Free Jazz'/><category scheme='http://www.blogger.com/atom/ns#' term='Free Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='ahno zwei'/><title type='text'>fNs019 ahno zwei "stakr l'vond" CDR</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_UapmpMFLq30/SxfwNVmJtJI/AAAAAAAAACE/T1Z3Rw_kp4s/s1600-h/cdrs.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5411057589235070098" src="http://4.bp.blogspot.com/_UapmpMFLq30/SxfwNVmJtJI/AAAAAAAAACE/T1Z3Rw_kp4s/s320/cdrs.jpg" style="cursor: pointer; height: 308px; width: 320px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;ahno zwei&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;stakr l'vond&lt;/span&gt;&lt;br /&gt;fNs019&lt;br /&gt;5€ g.e. incl. EU/ppd EU&lt;br /&gt;6€ ppd Rest Of World&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;ahno zwei es un dúo de trompeta y saxo amplificados y tratados electrónicamente, y en su primer CDR nos ofrecen 20 minutos de free noise al estilo Borbetomagus, pero más melódico, más inteligible, más crudo y más simple, donde implícitamente existe cierto orden o sentido. Aunque parece que este dislocamiento de vientos tiene como objetivo molestar, y hacer que te quites los auriculares, escarbando en la maraña sonora se pueden encontrar melodías, espasmos de música, de jazz primitivo que están encerrados, que quieren salir pero no pueden... pero para eso hay que sumergirse en un mar de acoples y ruidos extremos.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Edición limitada de 40 copias numeradas a mano, CDRs y portadas impresos a color, empaquetados en encuadernación con espiral metálico, tapa transparente y contratapa de cartón semirígida negra.&lt;/div&gt;-------&lt;br /&gt;&lt;div style="text-align: justify;"&gt;ahno zwei is a duo of amplified and electronically treated sax trumpet and sax, and their first CDR give us 20 minutes of free noise Borbetomagus style, but more melodic, more intelligible, cruder and simpler, where there is implicitly a certain order and meaning. Although it appears that this displacement of winds aims annoy, and make you take off your headphones, digging in the sound mess we find melodies, spasms of music, primitive jazz, that are locked, they want to leave but can not ... but for that you have to inmerse yourself into a sea of feedbacks and extreme noise.&lt;/div&gt;Limited edition of 40 hand-numbered copies, CDRs and covers printed in color, packaged in metal spiral binding, semi-rigid transparent front cover and cardboard black back cover.&lt;br /&gt;&lt;a href="http://c3.ac-images.myspacecdn.com/images02/135/l_93236e550420415b88b5a987238ad30e.jpg" style="font-weight: bold;"&gt;Reseña/Review (The Wire, Feb. 2010)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.animalpsi.com/index.php?entry=entry100206-080622"&gt;&lt;span style="font-weight: bold;"&gt;Reseña/Review (Animal Psi, Feb. 2010)&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size: 85%; font-style: italic;"&gt;A step further removed from the Naked City act of Au (itself a jazzier derivation of the Aupier dogpile), amplified brass duo &lt;b&gt;Ahno Zwei&lt;/b&gt; submit ‘Stakr l’vond’ for Spanish label For Noise’s Sake. Hardly the solo biopsy of Greg Kelley, wherein the instrument is perversely dismantled and cataloged, this doubling of instruments in equally a squaring of the sonic dimensions, which sees these figurative blasts resonate and distort in trails of pollution. In actuality a lesser traveled means to Noise, the reverbed channels and throw-away melodies dialog a nice tension with the hard-wrought screams of feedback. This tension is exaggerated over the six tracks/20 minutes, where increasingly the instruments are separated from their effects through emergent harmonies. The status of the noise elements remain in limbo in the end, as the skronky image and staticky afterimage mostly realign in a wall of violent hyperventilation. Numbered to 40 copies, the labeled disc comes in an unusual, spiral-bound booklet with color insert and tab.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Escuchar/Listen&lt;/span&gt;&lt;br /&gt;&lt;embed allowfullscreen="true" allowscriptaccess="always" flashvars="config={&amp;quot;key&amp;quot;:&amp;quot;#$b6eb72a0f2f1e29f3d4&amp;quot;,&amp;quot;playlist&amp;quot;:[{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/download/AhnoZwei-St.Av.2.08A.m/4.St.Av.2.08A.m..mp3&amp;quot;,&amp;quot;autoPlay&amp;quot;:false}],&amp;quot;clip&amp;quot;:{&amp;quot;autoPlay&amp;quot;:true},&amp;quot;canvas&amp;quot;:{&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;none&amp;quot;},&amp;quot;plugins&amp;quot;:{&amp;quot;audio&amp;quot;:{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/flow/flowplayer.audio-3.0.3-dev.swf&amp;quot;},&amp;quot;controls&amp;quot;:{&amp;quot;playlist&amp;quot;:false,&amp;quot;fullscreen&amp;quot;:false,&amp;quot;gloss&amp;quot;:&amp;quot;high&amp;quot;,&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;medium&amp;quot;,&amp;quot;sliderColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;progressColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;timeColor&amp;quot;:&amp;quot;0xeeeeee&amp;quot;,&amp;quot;durationColor&amp;quot;:&amp;quot;0x01DAFF&amp;quot;,&amp;quot;buttonColor&amp;quot;:&amp;quot;0x333333&amp;quot;,&amp;quot;buttonOverColor&amp;quot;:&amp;quot;0x505050&amp;quot;}},&amp;quot;contextMenu&amp;quot;:[{&amp;quot;Item AhnoZwei-St.Av.2.08A.m at archive.org&amp;quot;:&amp;quot;function()&amp;quot;},&amp;quot;-&amp;quot;,&amp;quot;Flowplayer 3.0.5&amp;quot;]}" height="24" src="http://www.archive.org/flow/flowplayer.commercial-3.0.5.swf" type="application/x-shockwave-flash" w3c="true" width="350"&gt;&lt;/embed&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-8503089857916496589?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/8503089857916496589/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2009/12/fns019-ahno-zwei-stakr-lvond-cdr.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/8503089857916496589'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/8503089857916496589'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2009/12/fns019-ahno-zwei-stakr-lvond-cdr.html' title='fNs019 ahno zwei &quot;stakr l&apos;vond&quot; CDR'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_UapmpMFLq30/SxfwNVmJtJI/AAAAAAAAACE/T1Z3Rw_kp4s/s72-c/cdrs.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-5630881063930381507</id><published>2009-12-02T09:24:00.000-08:00</published><updated>2010-06-07T06:42:06.695-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Experimental Rock'/><category scheme='http://www.blogger.com/atom/ns#' term='Improv'/><category scheme='http://www.blogger.com/atom/ns#' term='Free Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='Avant-Garde'/><category scheme='http://www.blogger.com/atom/ns#' term='Hearts of Palm'/><category scheme='http://www.blogger.com/atom/ns#' term='Experimental Electronica'/><title type='text'>fNs017 Hearts of Palm "Earth Headed Heart" CDR</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_UapmpMFLq30/Sxaje5FluHI/AAAAAAAAAB8/LBMLOwOavlE/s1600-h/CDRs-S.jpg"&gt;&lt;img style="cursor: pointer; width: 237px; height: 150px;" src="http://1.bp.blogspot.com/_UapmpMFLq30/Sxaje5FluHI/AAAAAAAAAB8/LBMLOwOavlE/s320/CDRs-S.jpg" alt="" id="BLOGGER_PHOTO_ID_5410691753447897202" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Hearts of Palm&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Earth Headed Heart&lt;/span&gt;&lt;br /&gt;fNs017&lt;br /&gt;5€ g.e. incl. EU/ppd EU&lt;br /&gt;6€ ppd Rest Of World&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;De Cincinnati, Ohio, vienen Hearts of Palm, un trio de improvisación al que en esta ocasión se une el prolífico C. Spenser Yeh al violín (Burning Star Core, Organs y otros, y ha colaborado con artistas y grupos experimentales y noise como Wasteland Jazz Unit, John Wiese, Paul Flaherty, Sick Llama, Aaron Dilloway...). Este es su cuarto CDR en diez años que llevan improvisando. En un solo tema de 31 minutos forman una amalgama sonora unas veces etérea y otras intensa, con sonidos electrónicos, violínes, sintes, pianos percusivos, instrumentos no identificados, y percusión libre al estilo de Harry Partch y Moondog. Añade a esto pasajes de ruido, de psicodelia libre, drones, voces sacadas de un templo budista, que te llevan por distintos escenarios y ambientes imaginarios, desde una jungla llena de monos esquizofrénicos a una red de alcantarillado de ciudad llena de ratas hippie tocando música improvisada libre. Échale imaginación y disfruta.&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Edición limitada de 75 copias numeradas a mano, CDRs y portadas impresos a color, empaquetados en fundas de cartón y plástico.&lt;br /&gt;&lt;br /&gt;&lt;a style="font-weight: bold; color: rgb(0, 0, 102);" href="http://www.animalpsi.com/index.php?entry=entry100206-080622"&gt;Reseña (Animal Psi, Feb. 2010)&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-style: italic;"&gt;"Similar to the recent solo release of Ahno Zwei player Nicolash (released on FNS imprint Fater Disks) for its experiment with sonic field, ‘Earth Headed Heart’ by Cincinnati improv trio &lt;/span&gt;&lt;b style="font-style: italic;"&gt;Hearts of Palm&lt;/b&gt;&lt;span style="font-style: italic;"&gt; relishes in the open physicality of their method, as though they foremost play the space as opposed to make a sound. This immediacy translates surprisingly well, as the depth and separation of this high fidelity recording allows an easy placement of the sonic objects which litter the single, 30 minute track. Here joined by local institution C. Spencer Yeh (Burning Star Core) carving away on violin, the band play with a number of acoustically-mindful devices – some electronic, but mostly otherwise – to produce a cohesive, coherent, yet totally motley sound which writhes aerobically for the duration. Gongs clatter dutifully, throats drone, and radio reports tweak the air pressure in strands. With no harsh cop-outs and no evident stutters, this is a very impressive effort making the most of the improvisational methodology with a maximum of sonic things to get lost among. Handsomely labeled disc comes in a thick, full-color sleeve (design by Aaron Fry). Hand-numbered to 75 copies. Recommended"&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;a style="color: rgb(0, 0, 102); font-weight: bold;" href="http://wonderfulwoodenreasons.co.uk/"&gt;Reseña (&lt;span style="font-style: italic;"&gt;Wonderful Wooden Reasons&lt;/span&gt;&lt;/a&gt;&lt;span class="size10 Helvetica10" style="color: rgb(0, 0, 0);font-family:Helvetica,Arial,sans-serif;" &gt;&lt;span style="color: rgb(0, 0, 102); font-weight: bold;"&gt;)&lt;/span&gt;&lt;br /&gt;"&lt;span style="font-style: italic;"&gt;An always welcome return from  Cincinnati based experi-mentalists HOP who are here joined by C. Spencer  Yeh (Burning Star Core) on violin.  Unlike their previous recordings  this is a solid 30 minute block of unadulterated improv.  It's noisy,  chaotic, anarchic and fun.  HoP are very much of the Faustian school of  improvising and build their music from hard edged shards of metallic  scree. All good improvisation is introspective in that it is reliant on  the participants being fully focussed on their part in the whole but  HoP's brand doesn't promote introspection on the part of the listener,  at least not in this listener. Instead it promotes big cheesy grins as  one becomes gloriously ensnared in their multi-layered tangle of  textures, instruments and sounds."&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;a style="font-weight: bold; color: rgb(0, 0, 102);" href="http://www.thesoundprojector.com/2010/05/"&gt;Reseña (The Sound  Projector, Mayo 2010)&lt;/a&gt;&lt;br /&gt;"&lt;span style="font-style: italic;"&gt;Equally lush in the aural area is the  latest offering from &lt;/span&gt;&lt;strong style="font-style: italic;"&gt;Hearts  Of Palm&lt;/strong&gt;&lt;span style="font-style: italic;"&gt;, Cincinnati’s  best-kept secret of the US underground. &lt;/span&gt;&lt;em style="font-style: italic;"&gt;Earth  Headed Heart&lt;/em&gt;&lt;span style="font-style: italic;"&gt; (FOR NOISES SAKE  FNS 017) can sometimes give you so  much substance and density to listen to that you think your ears are  about to have a heart attack, swimming in golden lard and  diamond-encrusted starch. For this single 31-minute stretch of bleakened  diabolry and mystery sporting-events, the Palmsters are joined by C.  Spencer Yeh, that superb violinist and noise-monger from Burning Star  Core who has yet (in my view) to put a single foot wrong as he paws his  way through the hinterlands. Where previous HOP releases have apparently  comprised edits from longer performances, this time out we get the  whole thing served up in one hefty man-sized dose, a wodge of such  unknown quantity that ingesting it in one sitting could prove fatal. “We  wanted to try something a bit more natural this time out,” blithely  states one band member in the attached letter. Natural? If they call  this natural, I’d certainly hate to go on a ramble in the Blackhand  Gorge State Nature Preserve with these guys!  At 75 copies, this is  another limited-edition gem of completely twisted, kraut-psych noisy  unholiness that wipes the floor with most competitors who aspire to lick  salt from the same rocks…no website for this, mail enquiries to  heartsofpalm@earthlink.net&lt;/span&gt;"&lt;br /&gt;-------&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;From Cincinnati, Ohio, come Hearts of Palm, an improv trio joined in this ocassion by prolific C. Spenser Yeh on violin (Burning Star Core, Organs and others, and has collaborated with experimental and noise artists and bands such a Wasteland Jazz Unit, John Wiese, Paul Flaherty, Sick Llama, Aaron Dilloway...). This is their forth CDR in ten years they've been improvising. In a single track lasting 31 minutes they form an amalgam sound sometimes intense and sometimes ethereal, with electronic sounds, violins, synths, percusive pianos, unidentified instruments, and Harry Partch and Moondog free percussion style. Add to this noise passages, free psychedelia, drones, Buddhist temple's voices, which take you through various imaginary scenarios and environments, from a jungle full of monkeys with schizophrenia to a city sewer full of hippie rats playing free music with leftovers. Let your imagination run away and enjoy.&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Limited edition of 75 hand numbered copies, CDRs and covers printed in color, packaged in board and plastic sleeves.&lt;br /&gt;&lt;br /&gt;&lt;a style="color: rgb(0, 0, 102); font-weight: bold;" href="http://www.animalpsi.com/index.php?entry=entry100206-080622"&gt;Review (Animal Psi, Feb. 2010)&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-style: italic;"&gt;"Similar to the recent solo release of Ahno Zwei player Nicolash (released on FNS imprint Fater Disks) for its experiment with sonic field, ‘Earth Headed Heart’ by Cincinnati improv trio &lt;/span&gt;&lt;b style="font-style: italic;"&gt;Hearts of Palm&lt;/b&gt;&lt;span style="font-style: italic;"&gt; relishes in the open physicality of their method, as though they foremost play the space as opposed to make a sound. This immediacy translates surprisingly well, as the depth and separation of this high fidelity recording allows an easy placement of the sonic objects which litter the single, 30 minute track. Here joined by local institution C. Spencer Yeh (Burning Star Core) carving away on violin, the band play with a number of acoustically-mindful devices – some electronic, but mostly otherwise – to produce a cohesive, coherent, yet totally motley sound which writhes aerobically for the duration. Gongs clatter dutifully, throats drone, and radio reports tweak the air pressure in strands. With no harsh cop-outs and no evident stutters, this is a very impressive effort making the most of the improvisational methodology with a maximum of sonic things to get lost among. Handsomely labeled disc comes in a thick, full-color sleeve (design by Aaron Fry). Hand-numbered to 75 copies. Recommended."&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;a style="font-weight: bold; color: rgb(0, 0, 102);" href="http://wonderfulwoodenreasons.co.uk/"&gt;Review &lt;span style="font-style: italic;"&gt;(Wonderful Wooden Reasons&lt;/span&gt;&lt;/a&gt;&lt;span class="size10 Helvetica10" style="color: rgb(0, 0, 0);font-family:Helvetica,Arial,sans-serif;" &gt;&lt;span style="font-weight: bold; color: rgb(0, 0, 102);"&gt;)&lt;/span&gt;&lt;br /&gt;"&lt;span style="font-style: italic;"&gt;An always welcome return from  Cincinnati based experi-mentalists HOP who are here joined by C. Spencer  Yeh (Burning Star Core) on violin.  Unlike their previous recordings  this is a solid 30 minute block of unadulterated improv.  It's noisy,  chaotic, anarchic and fun.  HoP are very much of the Faustian school of  improvising and build their music from hard edged shards of metallic  scree. All good improvisation is introspective in that it is reliant on  the participants being fully focussed on their part in the whole but  HoP's brand doesn't promote introspection on the part of the listener,  at least not in this listener. Instead it promotes big cheesy grins as  one becomes gloriously ensnared in their multi-layered tangle of  textures, instruments and sounds."&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;a style="font-weight: bold; color: rgb(0, 0, 102);" href="http://www.thesoundprojector.com/2010/05/"&gt;Review (The Sound Projector, May 2010)&lt;/a&gt;&lt;br /&gt;"&lt;span style="font-style: italic;"&gt;Equally lush in the aural area is the latest offering from &lt;/span&gt;&lt;strong style="font-style: italic;"&gt;Hearts  Of Palm&lt;/strong&gt;&lt;span style="font-style: italic;"&gt;, Cincinnati’s best-kept secret of the US underground. &lt;/span&gt;&lt;em style="font-style: italic;"&gt;Earth  Headed Heart&lt;/em&gt;&lt;span style="font-style: italic;"&gt; (FOR NOISES SAKE FNS 017) can sometimes give you so  much substance and density to listen to that you think your ears are  about to have a heart attack, swimming in golden lard and  diamond-encrusted starch. For this single 31-minute stretch of bleakened  diabolry and mystery sporting-events, the Palmsters are joined by C.  Spencer Yeh, that superb violinist and noise-monger from Burning Star  Core who has yet (in my view) to put a single foot wrong as he paws his  way through the hinterlands. Where previous HOP releases have apparently  comprised edits from longer performances, this time out we get the  whole thing served up in one hefty man-sized dose, a wodge of such  unknown quantity that ingesting it in one sitting could prove fatal. “We  wanted to try something a bit more natural this time out,” blithely  states one band member in the attached letter. Natural? If they call  this natural, I’d certainly hate to go on a ramble in the Blackhand  Gorge State Nature Preserve with these guys!  At 75 copies, this is  another limited-edition gem of completely twisted, kraut-psych noisy  unholiness that wipes the floor with most competitors who aspire to lick  salt from the same rocks…no website for this, mail enquiries to  heartsofpalm@earthlink.net&lt;/span&gt;"&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;Escuchar/Listen&lt;/span&gt;&lt;br /&gt;&lt;embed type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" src="http://www.archive.org/flow/flowplayer.commercial-3.0.5.swf" w3c="true" flashvars="config={&amp;quot;key&amp;quot;:&amp;quot;#$b6eb72a0f2f1e29f3d4&amp;quot;,&amp;quot;playlist&amp;quot;:[{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/download/HeartsOfPalm-EarthHeadedHeartextract/EarthHeadedHeartextract.mp3&amp;quot;,&amp;quot;autoPlay&amp;quot;:false}],&amp;quot;clip&amp;quot;:{&amp;quot;autoPlay&amp;quot;:true},&amp;quot;canvas&amp;quot;:{&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;none&amp;quot;},&amp;quot;plugins&amp;quot;:{&amp;quot;audio&amp;quot;:{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/flow/flowplayer.audio-3.0.3-dev.swf&amp;quot;},&amp;quot;controls&amp;quot;:{&amp;quot;playlist&amp;quot;:false,&amp;quot;fullscreen&amp;quot;:false,&amp;quot;gloss&amp;quot;:&amp;quot;high&amp;quot;,&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;medium&amp;quot;,&amp;quot;sliderColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;progressColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;timeColor&amp;quot;:&amp;quot;0xeeeeee&amp;quot;,&amp;quot;durationColor&amp;quot;:&amp;quot;0x01DAFF&amp;quot;,&amp;quot;buttonColor&amp;quot;:&amp;quot;0x333333&amp;quot;,&amp;quot;buttonOverColor&amp;quot;:&amp;quot;0x505050&amp;quot;}},&amp;quot;contextMenu&amp;quot;:[{&amp;quot;Item HeartsOfPalm-EarthHeadedHeartextract at archive.org&amp;quot;:&amp;quot;function()&amp;quot;},&amp;quot;-&amp;quot;,&amp;quot;Flowplayer 3.0.5&amp;quot;]}" width="350" height="24"&gt;&lt;/embed&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-5630881063930381507?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/5630881063930381507/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2009/12/fns017-hearts-of-palm-earth-headed.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/5630881063930381507'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/5630881063930381507'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2009/12/fns017-hearts-of-palm-earth-headed.html' title='fNs017 Hearts of Palm &quot;Earth Headed Heart&quot; CDR'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_UapmpMFLq30/Sxaje5FluHI/AAAAAAAAAB8/LBMLOwOavlE/s72-c/CDRs-S.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-4839681382223646033</id><published>2009-11-10T06:53:00.000-08:00</published><updated>2010-02-06T08:00:04.296-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Experimental Rock'/><category scheme='http://www.blogger.com/atom/ns#' term='Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='chien'/><category scheme='http://www.blogger.com/atom/ns#' term='Avant Rock'/><category scheme='http://www.blogger.com/atom/ns#' term='Industrial'/><category scheme='http://www.blogger.com/atom/ns#' term='Post-Punk'/><category scheme='http://www.blogger.com/atom/ns#' term='No Wave'/><title type='text'>fNs018 Chien! "Chien!" CDR</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_UapmpMFLq30/Svl_pKxZIPI/AAAAAAAAABw/Ozpl9g9I1Ek/s1600-h/cdrs.jpg"&gt;&lt;img style="cursor: pointer; width: 320px; height: 217px;" src="http://1.bp.blogspot.com/_UapmpMFLq30/Svl_pKxZIPI/AAAAAAAAABw/Ozpl9g9I1Ek/s320/cdrs.jpg" alt="" id="BLOGGER_PHOTO_ID_5402489573250506994" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;chien!&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;chien!&lt;/span&gt;&lt;br /&gt;fNs018&lt;br /&gt;4€ g.e. incl. EU/ppd EU&lt;br /&gt;5€ ppd Rest Of World&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Primer CDR del grupo con uno de los nombres más guapos que hayamos visto últimamente. Son de Madrid, son tres, y han parido uno de los mejores discos de rock experimental editados por fNs. Con un sonido lo-fi y crudo, en 33 minutos grabados en directo en una grabadora de voz, escupen trece temas, en los que se dejan entrever influencias de la no-wave de DNA, del avant post-punk de Wire, de la música industrial de Einstürzende Neubaten y de la vanguardia más radical de John Cage y Steve Reich.&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Edición limitada de 50 copias numeradas a mano, impresión a color en portadas de papel y en el CDR, en fundas de plástico.&lt;br /&gt;&lt;/div&gt;-------&lt;br /&gt;&lt;div style="text-align: justify;"&gt;First CDR from one of the coolest named group we've seen lately. They're from Madrid, they are three, and have given birth to one of the best experimental rock records released by fNs. With a raw and lo-fi sound, in 33 minutes recorded live on a voice recorder, they spit 13 tracks in which they suggest influences from DNA no-wave, Wire's avant post-punk, Eintürzende Neubaten industrial music, and John Cage and Steve Reich's most radical avant garde.&lt;br /&gt;Limited edition of 50 hand numbered copies, covers and CDR printed in color, packaged in plastic sleeves.&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;Escuchar/Listen&lt;/span&gt;&lt;br /&gt;&lt;embed type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" src="http://www.archive.org/flow/flowplayer.commercial-3.0.5.swf" w3c="true" flashvars="config={&amp;quot;key&amp;quot;:&amp;quot;#$b6eb72a0f2f1e29f3d4&amp;quot;,&amp;quot;playlist&amp;quot;:[{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/download/Chien-Putron/10Putrn.mp3&amp;quot;,&amp;quot;autoPlay&amp;quot;:false}],&amp;quot;clip&amp;quot;:{&amp;quot;autoPlay&amp;quot;:true},&amp;quot;canvas&amp;quot;:{&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;none&amp;quot;},&amp;quot;plugins&amp;quot;:{&amp;quot;audio&amp;quot;:{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/flow/flowplayer.audio-3.0.3-dev.swf&amp;quot;},&amp;quot;controls&amp;quot;:{&amp;quot;playlist&amp;quot;:false,&amp;quot;fullscreen&amp;quot;:false,&amp;quot;gloss&amp;quot;:&amp;quot;high&amp;quot;,&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;medium&amp;quot;,&amp;quot;sliderColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;progressColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;timeColor&amp;quot;:&amp;quot;0xeeeeee&amp;quot;,&amp;quot;durationColor&amp;quot;:&amp;quot;0x01DAFF&amp;quot;,&amp;quot;buttonColor&amp;quot;:&amp;quot;0x333333&amp;quot;,&amp;quot;buttonOverColor&amp;quot;:&amp;quot;0x505050&amp;quot;}},&amp;quot;contextMenu&amp;quot;:[{&amp;quot;Item Chien-Putron at archive.org&amp;quot;:&amp;quot;function()&amp;quot;},&amp;quot;-&amp;quot;,&amp;quot;Flowplayer 3.0.5&amp;quot;]}" width="350" height="24"&gt;&lt;/embed&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-4839681382223646033?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/4839681382223646033/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2009/11/fns018-chien-chien-cdr.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/4839681382223646033'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/4839681382223646033'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2009/11/fns018-chien-chien-cdr.html' title='fNs018 Chien! &quot;Chien!&quot; CDR'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_UapmpMFLq30/Svl_pKxZIPI/AAAAAAAAABw/Ozpl9g9I1Ek/s72-c/cdrs.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-7921379079661608733</id><published>2009-10-29T04:04:00.000-07:00</published><updated>2010-02-06T08:00:57.419-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Avant Rock'/><category scheme='http://www.blogger.com/atom/ns#' term='Sheik Anorak'/><category scheme='http://www.blogger.com/atom/ns#' term='Noise Rock'/><category scheme='http://www.blogger.com/atom/ns#' term='No Wave'/><title type='text'>fNs013 Sheik Anorak "Week" EP CDR</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_UapmpMFLq30/Sul3T8MknxI/AAAAAAAAABg/Stw2ATdYrPg/s1600-h/cdrs.jpg"&gt;&lt;img style="cursor: pointer; width: 320px; height: 240px;" src="http://3.bp.blogspot.com/_UapmpMFLq30/Sul3T8MknxI/AAAAAAAAABg/Stw2ATdYrPg/s320/cdrs.jpg" alt="" id="BLOGGER_PHOTO_ID_5397976812840328978" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Sheik Anorak&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Week&lt;/span&gt;&lt;br /&gt;fNs013&lt;br /&gt;4€ g.e. incl. EU/ppd EU&lt;br /&gt;5€ ppd Rest Of World&lt;br /&gt;&lt;br /&gt;De Lyon, Francia, surge Sheik Anorak, una banda unipersonal, en la que la guitarra, bajo y batería corren a cargo de Frank (que toca también en SoCRaTeS, Hallux Valgus). "Week" es el cuarto disco de Sheik Anorak. En menos de 12 minutos, Sheik Anorak condensa Noise Rock, No Wave y Avant Rock primitivo previamente hecho por bandas como The Flying Luttenbachers y Lake of Dracula de una nueva y refrescante manera. Junto con Telephones Rouges "Libertè, La Nuit", el disco más rockero editado por fNs hasta la fecha.&lt;br /&gt;Edición limitada de 50 copias numeradas a mano, con impresión a color y empaquetado en fundas de plástico.&lt;br /&gt;-------&lt;br /&gt;Hailing from Lyon, France, Sheik Anorak is a one man band, in which guitar, bass and drums are played by Frank (who also plays in SoCRaTeS, Hallux Valgus, Kandinsky and Lweis Karloff). "Week" is Sheik Anorak's fourth release. In less than 12 minutes, Sheik Anorak condenses Noise Rock, No Wave and primitive Avant Rock, previously done like bands as The Flying Luttenbachers and Lake of Dracula, in a new and freshing way. Along Telephones Rouges "Libertè, La Nuit", the most rock oriented release on fNs to date.&lt;br /&gt;Limited edition of 50 hand numbered copies, printed in color and packaged in plastic sleeves.&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Escuchar/Listen&lt;/span&gt;&lt;br /&gt;&lt;embed type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" src="http://www.archive.org/flow/flowplayer.commercial-3.0.5.swf" w3c="true" flashvars="config={&amp;quot;key&amp;quot;:&amp;quot;#$b6eb72a0f2f1e29f3d4&amp;quot;,&amp;quot;playlist&amp;quot;:[{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/download/SheikAnorak-TuesdayAfternoon/SheikAnorak-TuesdayAfternoon.mp3&amp;quot;,&amp;quot;autoPlay&amp;quot;:false}],&amp;quot;clip&amp;quot;:{&amp;quot;autoPlay&amp;quot;:true},&amp;quot;canvas&amp;quot;:{&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;none&amp;quot;},&amp;quot;plugins&amp;quot;:{&amp;quot;audio&amp;quot;:{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/flow/flowplayer.audio-3.0.3-dev.swf&amp;quot;},&amp;quot;controls&amp;quot;:{&amp;quot;playlist&amp;quot;:false,&amp;quot;fullscreen&amp;quot;:false,&amp;quot;gloss&amp;quot;:&amp;quot;high&amp;quot;,&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;medium&amp;quot;,&amp;quot;sliderColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;progressColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;timeColor&amp;quot;:&amp;quot;0xeeeeee&amp;quot;,&amp;quot;durationColor&amp;quot;:&amp;quot;0x01DAFF&amp;quot;,&amp;quot;buttonColor&amp;quot;:&amp;quot;0x333333&amp;quot;,&amp;quot;buttonOverColor&amp;quot;:&amp;quot;0x505050&amp;quot;}},&amp;quot;contextMenu&amp;quot;:[{&amp;quot;Item SheikAnorak-TuesdayAfternoon at archive.org&amp;quot;:&amp;quot;function()&amp;quot;},&amp;quot;-&amp;quot;,&amp;quot;Flowplayer 3.0.5&amp;quot;]}" width="350" height="24"&gt;&lt;/embed&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-7921379079661608733?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/7921379079661608733/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2009/10/fns013-sheik-anorak-week-ep-cdr.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/7921379079661608733'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/7921379079661608733'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2009/10/fns013-sheik-anorak-week-ep-cdr.html' title='fNs013 Sheik Anorak &quot;Week&quot; EP CDR'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_UapmpMFLq30/Sul3T8MknxI/AAAAAAAAABg/Stw2ATdYrPg/s72-c/cdrs.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-6647154825337401654</id><published>2009-09-21T10:45:00.000-07:00</published><updated>2012-01-17T06:50:47.467-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Free Rock'/><category scheme='http://www.blogger.com/atom/ns#' term='Free Hardcore'/><category scheme='http://www.blogger.com/atom/ns#' term='Improv'/><category scheme='http://www.blogger.com/atom/ns#' term='Free Jazz'/><category scheme='http://www.blogger.com/atom/ns#' term='Free Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='xNoBBQx'/><title type='text'>fNs014 xNoBBQx "HI-ATE-US + Newtown Theatre" CDR</title><content type='html'>&lt;span style="font-weight: bold;"&gt;xNoBBQx&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;HI-ATE-US + Newtown Theatre&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: 100%;"&gt;fNs014&lt;/span&gt;&lt;span style="font-size: 100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;5€ g.e. incl. EU/ppd EU&lt;br /&gt;6€ ppd Rest Of World&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-2XcJAAsu8o8/TxWKp4TsRHI/AAAAAAAAAKo/0zXfOfKxXQs/s1600/cdrs.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="196" src="http://2.bp.blogspot.com/-2XcJAAsu8o8/TxWKp4TsRHI/AAAAAAAAAKo/0zXfOfKxXQs/s320/cdrs.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Para los que no conozcan al grupo australiano xNoBBQx, es un buen comienzo saber que su música ha sido descrito como "hardcore vegetariano estricto tocado por monos estreñidos", y ligados a grupos y artistas como Harry Pussy, Henry Flynt, Mouthus y Xenakis, en lo que suena como improvisación ruidosa minimal libre primitiva, con sólo guitarra y batería, y un encantador sonido lo-fi. Han editado un puñado de CDRs, casetes y LPs, el más señalado editado por el legendario sello Siltbreeze, alcanzando mayor conocimiento. Este CDR se compone de dos temas de unos 17 minutos cada uno grabados en directo en Sydney durante 2006. El primer tema es una cruda toma de improvisación y ruido libre, en el que caben las estéticas hardcore y punk. El segundo tema empieza donde termina el primero, con un profundo uso del silencio, un continúo zumbido, un acorde repetitivo, y golpes de batería esporádicos, todo ello llevado al extremo. Intenso, impresionante, maravilloso.&lt;br /&gt;Edición limitada de 75 copias numeradas a mano, con impresión a color, en fundas de cartón y plástico.&lt;br /&gt;&lt;a href="http://c2.ac-images.myspacecdn.com/images02/74/l_827164a016994e34a03759f3253896d1.jpg"&gt;Reseña (The Wire, Dic. 2009)&lt;/a&gt;&lt;br /&gt;-------&lt;br /&gt;For those who don't know about australian xNoBBQx band, it's a good start letting know that they're music has been described as "militant vegan hardcore played by constipated monkeys", and linked to bands and artists like Harry Pussy, Henry Flynt, Mouthus and Xenakis, what it sounds like primitive free minimalist noise improv played, with just a guitar and drums, with a charming lo-fi sound. They have released a bunch of CDRs, cassettes and LPs, the most notable released by the legendary label Siltbreeze, getting wider knowledge. This CDR comprises two tracks lasting each one 17 minutes recorded live in Sydney during 2006. First track is a raw take on free noise improv, in which fits hardcore and punk aesthetics. Second track starts where the first finish, with a deep use of silent, a continous buzz, a repetitive chord, and sporadic drum hits, everythingo taken to the extreme. Intense, breathtaking, marvelous.&lt;br /&gt;Limited edition of 75 hand numbered copies, printed in color, packaged in board and plastic sleeves.&lt;br /&gt;&lt;a href="http://c2.ac-images.myspacecdn.com/images02/74/l_827164a016994e34a03759f3253896d1.jpg"&gt;Review (The Wire, Dec. 2009)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Escuchar/Listen&lt;/span&gt;&lt;br /&gt;&lt;embed allowfullscreen="true" allowscriptaccess="always" flashvars="config={&amp;quot;key&amp;quot;:&amp;quot;#$b6eb72a0f2f1e29f3d4&amp;quot;,&amp;quot;playlist&amp;quot;:[{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/download/Xnobbqx-Hi-ate-usextract/Hi-ate-usextract.mp3&amp;quot;,&amp;quot;autoPlay&amp;quot;:false}],&amp;quot;clip&amp;quot;:{&amp;quot;autoPlay&amp;quot;:true},&amp;quot;canvas&amp;quot;:{&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;none&amp;quot;},&amp;quot;plugins&amp;quot;:{&amp;quot;audio&amp;quot;:{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/flow/flowplayer.audio-3.0.3-dev.swf&amp;quot;},&amp;quot;controls&amp;quot;:{&amp;quot;playlist&amp;quot;:false,&amp;quot;fullscreen&amp;quot;:false,&amp;quot;gloss&amp;quot;:&amp;quot;high&amp;quot;,&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;medium&amp;quot;,&amp;quot;sliderColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;progressColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;timeColor&amp;quot;:&amp;quot;0xeeeeee&amp;quot;,&amp;quot;durationColor&amp;quot;:&amp;quot;0x01DAFF&amp;quot;,&amp;quot;buttonColor&amp;quot;:&amp;quot;0x333333&amp;quot;,&amp;quot;buttonOverColor&amp;quot;:&amp;quot;0x505050&amp;quot;}},&amp;quot;contextMenu&amp;quot;:[{&amp;quot;Item Xnobbqx-Hi-ate-usextract at archive.org&amp;quot;:&amp;quot;function()&amp;quot;},&amp;quot;-&amp;quot;,&amp;quot;Flowplayer 3.0.5&amp;quot;]}" height="24" src="http://www.archive.org/flow/flowplayer.commercial-3.0.5.swf" type="application/x-shockwave-flash" w3c="true" width="350"&gt;&lt;/embed&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-6647154825337401654?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/6647154825337401654/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2009/09/fns014-xnobbqx-hi-ate-us-newtown.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/6647154825337401654'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/6647154825337401654'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2009/09/fns014-xnobbqx-hi-ate-us-newtown.html' title='fNs014 xNoBBQx &quot;HI-ATE-US + Newtown Theatre&quot; CDR'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-2XcJAAsu8o8/TxWKp4TsRHI/AAAAAAAAAKo/0zXfOfKxXQs/s72-c/cdrs.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-4269010341945481627</id><published>2009-07-09T09:14:00.000-07:00</published><updated>2012-01-17T06:47:27.532-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Free Rock'/><category scheme='http://www.blogger.com/atom/ns#' term='Improv'/><category scheme='http://www.blogger.com/atom/ns#' term='Free Jazz'/><category scheme='http://www.blogger.com/atom/ns#' term='Noise Rock'/><category scheme='http://www.blogger.com/atom/ns#' term='pier'/><category scheme='http://www.blogger.com/atom/ns#' term='Drums'/><category scheme='http://www.blogger.com/atom/ns#' term='bazvotni'/><title type='text'>fNs009 bazvotni "vrums" EP CD-R</title><content type='html'>&lt;span style="font-weight: bold;"&gt;bazvotni&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;vrums&lt;/span&gt; EP&lt;br /&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: 100%;"&gt;fNs009&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;4€ g.e. incl. EU/ppd EU&lt;br /&gt;5€ ppd Rest Of World&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-JBesTLhr_0E/TxWJ4c8mJ5I/AAAAAAAAAKg/PLiw1KIz_UU/s1600/cdrs.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="313" src="http://1.bp.blogspot.com/-JBesTLhr_0E/TxWJ4c8mJ5I/AAAAAAAAAKg/PLiw1KIz_UU/s320/cdrs.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;bazvotni es el nuevo proyecto nicolash (pier, bura...) donde utiliza cómo únicos elementos la batería y la voz. "vrums" es su primer cdr, en el que, en poco más de 11 minutos, nos encontramos con 10 temas, el más largo de menos de dos minutos, donde se suceden cortas dosis de ruido como elemento, ruido como expresión. Sin electrónica, apenas sin efectos, sólamente una batería, unos micrófonos y una voz que lucha por expresarse en medio de un sonido lo-fi. Una voz que esquiva la tonalidad pero que entona cánticos primitivos, la banda sonora de los pintores de Altamira. Primitivismo en el concepto y la ejecución, ¿cantos a la lluvia? ¿cantos a la muerte? El límite entre música tradicional africana y el lo-fi, la mezcla entre el noise y el freejazz hecho por tahitianos en trance, porque ante todo bazvotni es libre. Filigranas polirrítmicas camufladas en procesados semianalógicos. Y todo sin producir dolor, con la impresión de estar escuchando algo hermoso, algo honesto, con el corazón y sobre todo con el estómago... su corta duración tiene un motivo: este cdr no ha nacido para complacerte, sino para comulgar con él, para entrar a formar parte de él.&lt;br /&gt;CD-R de 3", edición limitada de 50 copias numeradas a mano, con impresión a color, en cajas de cds.&lt;br /&gt;&lt;br /&gt;bazvotni is the new project of nicolash (pier, bura...) in which he uses as only tools drums and voice. "vrums" is his first cdr, lasting 11 minutes in 10 tracks no longer than two minutes, where short shots of noise follow one another. Without electronics, hardly with effects, just drums, some mics and a voice that fights for express itself amidst a lo-fi sound. The voice avoids tonality but intones primitive chants, like a soundtrack for the Altamira's Caves painters. Primitivism in concept and execution, chants for rain? chants for death? The limit between african traditional music and lo-fi, a mixture of noise and free-jazz played by tahitians in trance, because primarily bazvotni is free. Polyrhythmic filigrees camouflaged in semianalogical processes. And everything without inflicting any pain, having the impression that you're listening to something beauty, honest, with the heart and the stomach... it's short duration has a reason: this cdr is not made for please, but to be in communion with it, to become part of it.&lt;br /&gt;3" CD-R, limited edition of 50 hand numbered copies, printed in color, in jewel cases.&lt;br /&gt;&lt;br /&gt;&lt;span style="color: #9999ff;"&gt;Reseña&lt;/span&gt;/&lt;span style="color: #9999ff;"&gt;Review&lt;/span&gt;&lt;br /&gt;&lt;a href="http://earconditionednightmare.blogspot.com/2009/07/bazvotni-vrums-for-noises-sake-3-cd-r.html"&gt;http://earconditionednightmare.blogspot.com/2009/07/bazvotni-vrums-for-noises-sake-3-cd-r.html&lt;/a&gt;&lt;br /&gt;&lt;i&gt;"Here's another offering from Madrid based For Noise's Sake, this time in  the form of an eleven minute, ten track cruiser by a lad named  Nicolash, who also plays in Pier. Stripping down his setup to only  drums, mics and vocals, the thing is over before you get started, but it  has a certain immediacy to it that's pretty hard to deny. &lt;br /&gt;Talking  about individual tracks feels a bit silly when the longest offering  here is under two minutes and all of them are more or less constructed  from the same material, but the whole romp has the kind of caveman,  primitivist attitude and aesthetic of Foot Village or Black Pus, only  with a tad looser, more cannibalistic, ballistic feel to it. All about  total wreckage with this one, as wordless vocal utterances are huffed  and puffed atop free rock/jazz drumming that glides between  multi-angular African mishmash and complete numb-nuts brawl material.  "Loueem Fv" might have a semblance of a beat for its minute, but its  weirdly unconcerned in a kind of punk nihilist way that flies way beyond  simplicity for simplicity's sake. Elsewhere the vocals are more  central, as on "Neaneamem," where growls harken in clattering putters of  cymbal tinkling and snare pulse while his hyper Jandek chants fuel a  kind of sadomasochistic, hurts so bad it's good energy. Weird.&lt;br /&gt;Like  I said before though, the whole thing is eleven minutes long, and its  brevity actually adds to the excitement--never stops moving at all. And  the submerged, muffled production makes it sound even more like  emissions from some deep cavernous wake, a small flame visible atop the  bass drum. Surprisingly effective stuff&lt;/i&gt;" &lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Escuchar/Listen&lt;/span&gt;&lt;br /&gt;&lt;embed allowfullscreen="true" allowscriptaccess="always" flashvars="config={&amp;quot;key&amp;quot;:&amp;quot;#$b6eb72a0f2f1e29f3d4&amp;quot;,&amp;quot;playlist&amp;quot;:[{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/download/Bazvotni-TaiTaiTai/02TaTaTa.mp3&amp;quot;,&amp;quot;autoPlay&amp;quot;:false}],&amp;quot;clip&amp;quot;:{&amp;quot;autoPlay&amp;quot;:true},&amp;quot;canvas&amp;quot;:{&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;none&amp;quot;},&amp;quot;plugins&amp;quot;:{&amp;quot;audio&amp;quot;:{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/flow/flowplayer.audio-3.0.3-dev.swf&amp;quot;},&amp;quot;controls&amp;quot;:{&amp;quot;playlist&amp;quot;:false,&amp;quot;fullscreen&amp;quot;:false,&amp;quot;gloss&amp;quot;:&amp;quot;high&amp;quot;,&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;medium&amp;quot;,&amp;quot;sliderColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;progressColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;timeColor&amp;quot;:&amp;quot;0xeeeeee&amp;quot;,&amp;quot;durationColor&amp;quot;:&amp;quot;0x01DAFF&amp;quot;,&amp;quot;buttonColor&amp;quot;:&amp;quot;0x333333&amp;quot;,&amp;quot;buttonOverColor&amp;quot;:&amp;quot;0x505050&amp;quot;}},&amp;quot;contextMenu&amp;quot;:[{&amp;quot;Item Bazvotni-TaiTaiTai at archive.org&amp;quot;:&amp;quot;function()&amp;quot;},&amp;quot;-&amp;quot;,&amp;quot;Flowplayer 3.0.5&amp;quot;]}" height="24" src="http://www.archive.org/flow/flowplayer.commercial-3.0.5.swf" type="application/x-shockwave-flash" w3c="true" width="350"&gt;&lt;/embed&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-4269010341945481627?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/4269010341945481627/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2009/07/fns009-bazvotni-vrums-ep.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/4269010341945481627'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/4269010341945481627'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2009/07/fns009-bazvotni-vrums-ep.html' title='fNs009 bazvotni &quot;vrums&quot; EP CD-R'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-JBesTLhr_0E/TxWJ4c8mJ5I/AAAAAAAAAKg/PLiw1KIz_UU/s72-c/cdrs.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-2974169787999342712</id><published>2009-07-09T09:11:00.000-07:00</published><updated>2012-01-17T06:43:41.621-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Tubular Balls'/><category scheme='http://www.blogger.com/atom/ns#' term='Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='Experimental Electronica'/><title type='text'>fNs008 Tubular Balls "Dios está en los muebles" EP CD-R</title><content type='html'>&lt;span style="font-weight: bold;"&gt;Tubular Balls&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Dios está en los muebles&lt;/span&gt; EP&lt;br /&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: 100%;"&gt;fNs008&lt;/span&gt;&lt;span style="font-size: 100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;5€ g.e. incl. EU/ppd EU&lt;br /&gt;6€ ppd Rest Of World&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-0PlXEYKaZS4/TxWI--IBP-I/AAAAAAAAAKQ/uZ5a_PuCi_k/s1600/cdrs-s.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="295" src="http://4.bp.blogspot.com/-0PlXEYKaZS4/TxWI--IBP-I/AAAAAAAAAKQ/uZ5a_PuCi_k/s320/cdrs-s.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;br /&gt;Dios está en su cuarto CDR, Dios está en sus cuatro temas, Dios    está en sus 21:30 minutos, Dios está en su video incluido, Dios    está en su electrónica, Dios está en sus cables, Dios está    en su perro, Dios está en sus ritmos, Dios está en sus saturaciones,    Dios está en su ruido, Dios está en este CDR.&lt;br /&gt;Edición limitada de 40 copias numeradas a mano, diseño por Tubular  Balls, con impresión a color y empaquetado en fundas de plástico.&lt;br /&gt;&lt;br /&gt;God is in their fourth CDR, God is on their four tracks, God is their 21:30    minutes, God is in their included video, God is in their electronica, God is    in their wires, God is in their dog, God in in their rhythms, God is in their    saturations, God is in their noise, God is in this CDR.&lt;br /&gt;Limited edition of 40 hand numbered copies, designed by Tubular Balls, printed    in color and packaged in plastic sleeves.&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Escuchar/Listen&lt;/span&gt;&lt;br /&gt;&lt;embed allowfullscreen="true" allowscriptaccess="always" flashvars="config={&amp;quot;key&amp;quot;:&amp;quot;#$b6eb72a0f2f1e29f3d4&amp;quot;,&amp;quot;playlist&amp;quot;:[{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/download/TubularBalls-TheEmperorsSnuffBox/TubularBalls-TheEmperorsSnuffBox.mp3&amp;quot;,&amp;quot;autoPlay&amp;quot;:false}],&amp;quot;clip&amp;quot;:{&amp;quot;autoPlay&amp;quot;:true},&amp;quot;canvas&amp;quot;:{&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;none&amp;quot;},&amp;quot;plugins&amp;quot;:{&amp;quot;audio&amp;quot;:{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/flow/flowplayer.audio-3.0.3-dev.swf&amp;quot;},&amp;quot;controls&amp;quot;:{&amp;quot;playlist&amp;quot;:false,&amp;quot;fullscreen&amp;quot;:false,&amp;quot;gloss&amp;quot;:&amp;quot;high&amp;quot;,&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;medium&amp;quot;,&amp;quot;sliderColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;progressColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;timeColor&amp;quot;:&amp;quot;0xeeeeee&amp;quot;,&amp;quot;durationColor&amp;quot;:&amp;quot;0x01DAFF&amp;quot;,&amp;quot;buttonColor&amp;quot;:&amp;quot;0x333333&amp;quot;,&amp;quot;buttonOverColor&amp;quot;:&amp;quot;0x505050&amp;quot;}},&amp;quot;contextMenu&amp;quot;:[{&amp;quot;Item TubularBalls-TheEmperorsSnuffBox at archive.org&amp;quot;:&amp;quot;function()&amp;quot;},&amp;quot;-&amp;quot;,&amp;quot;Flowplayer 3.0.5&amp;quot;]}" height="24" src="http://www.archive.org/flow/flowplayer.commercial-3.0.5.swf" type="application/x-shockwave-flash" w3c="true" width="350"&gt;&lt;/embed&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-2974169787999342712?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/2974169787999342712/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2009/07/fns008-tubular-balls-dios-esta-en-los.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/2974169787999342712'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/2974169787999342712'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2009/07/fns008-tubular-balls-dios-esta-en-los.html' title='fNs008 Tubular Balls &quot;Dios está en los muebles&quot; EP CD-R'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-0PlXEYKaZS4/TxWI--IBP-I/AAAAAAAAAKQ/uZ5a_PuCi_k/s72-c/cdrs-s.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-1969157894160207260</id><published>2009-07-09T09:03:00.000-07:00</published><updated>2012-01-17T06:34:00.066-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Improv'/><category scheme='http://www.blogger.com/atom/ns#' term='Free Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='Noise Rock'/><category scheme='http://www.blogger.com/atom/ns#' term='No Wave'/><category scheme='http://www.blogger.com/atom/ns#' term='pier'/><title type='text'>fNs007 pier "improvable" EP CD-R</title><content type='html'>&lt;span style="font-weight: bold;"&gt;pier&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;improvable&lt;/span&gt; EP&lt;br /&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: 100%;"&gt;fNs007&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;5€ g.e. incl. EU/ppd EU&lt;br /&gt;6€ ppd Rest Of World&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-pOwkD4LnZWY/TxWGwmu-4dI/AAAAAAAAAKI/fhCNuudcrP4/s1600/pier+-+improvable+cdr-c-s.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="266" src="http://1.bp.blogspot.com/-pOwkD4LnZWY/TxWGwmu-4dI/AAAAAAAAAKI/fhCNuudcrP4/s320/pier+-+improvable+cdr-c-s.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;En este nuevo asalto a la improvisación, pier ofrece un tema de 20 minutos de bajos free funk, ritmos abstractos, guitarras delirantes desatadas, trompetas dispersas, voces alocadas, saxos insanos, que evolucionan de lo abstracto a lo concreto, del free jazz al free no-wave y viceversa, todo envuelto en un hermoso ruido y saturación que te hará darle al botón de repetir hasta que tus oidos te hablen sobre la grandeza de la libertad... o algo.&lt;br /&gt;Edición limitada de 50 copias numeradas a mano, con impresión a color, empaquetado en bolsas de papel dentro de bolsas de plástico con cierre zip.&lt;br /&gt;&lt;br /&gt;In this new assault on imrov, pier offers one 20 minutes track of free funk basses, abstract rhythms, crunky loosen guitars, sparse trumpets, crazy voices, insane saxs, which evolve from abstract to concrete, from free jazz to free no-wave and vice versa, all wrapped in a beautiful noise and saturation that will make you push the replay button until your ears talk you about the greatness of freedom... or something.&lt;br /&gt;Limited edition of 50 hand numbered copies, printed in color and packaged in paper bags into plastic ziplock bags.&lt;br /&gt;&lt;div style="color: #9999ff;"&gt;Reseña/Review&lt;/div&gt;&lt;a href=""&gt;&lt;/a&gt;&lt;a href="http://earconditionednightmare.blogspot.com/2009/06/pier-improvable-for-noises-sake-cd-r.html"&gt;http://earconditionednightmare.blogspot.com/2009/06/pier-improvable-for-noises-sake-cd-r.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://earconditionednightmare.blogspot.com/2009/06/pier-improvable-for-noises-sake-cd-r.html"&gt;&lt;br /&gt;&lt;/a&gt;&lt;span style="font-weight: bold;"&gt;Escuchar/Listen&lt;/span&gt;&lt;a href="http://earconditionednightmare.blogspot.com/2009/06/pier-improvable-for-noises-sake-cd-r.html"&gt;&lt;br /&gt;&lt;embed allowfullscreen="true" allowscriptaccess="always" flashvars="config={&amp;quot;key&amp;quot;:&amp;quot;#$b6eb72a0f2f1e29f3d4&amp;quot;,&amp;quot;playlist&amp;quot;:[{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/download/Pier-Improvableextract/Improvableextract.mp3&amp;quot;,&amp;quot;autoPlay&amp;quot;:false}],&amp;quot;clip&amp;quot;:{&amp;quot;autoPlay&amp;quot;:true},&amp;quot;canvas&amp;quot;:{&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;none&amp;quot;},&amp;quot;plugins&amp;quot;:{&amp;quot;audio&amp;quot;:{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/flow/flowplayer.audio-3.0.3-dev.swf&amp;quot;},&amp;quot;controls&amp;quot;:{&amp;quot;playlist&amp;quot;:false,&amp;quot;fullscreen&amp;quot;:false,&amp;quot;gloss&amp;quot;:&amp;quot;high&amp;quot;,&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;medium&amp;quot;,&amp;quot;sliderColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;progressColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;timeColor&amp;quot;:&amp;quot;0xeeeeee&amp;quot;,&amp;quot;durationColor&amp;quot;:&amp;quot;0x01DAFF&amp;quot;,&amp;quot;buttonColor&amp;quot;:&amp;quot;0x333333&amp;quot;,&amp;quot;buttonOverColor&amp;quot;:&amp;quot;0x505050&amp;quot;}},&amp;quot;contextMenu&amp;quot;:[{&amp;quot;Item Pier-Improvableextract at archive.org&amp;quot;:&amp;quot;function()&amp;quot;},&amp;quot;-&amp;quot;,&amp;quot;Flowplayer 3.0.5&amp;quot;]}" height="24" src="http://www.archive.org/flow/flowplayer.commercial-3.0.5.swf" type="application/x-shockwave-flash" w3c="true" width="350"&gt;&lt;/embed&gt; &lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-1969157894160207260?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/1969157894160207260/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2009/07/pier-improvable-fns007-5-gastos-de.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/1969157894160207260'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/1969157894160207260'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2009/07/pier-improvable-fns007-5-gastos-de.html' title='fNs007 pier &quot;improvable&quot; EP CD-R'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-pOwkD4LnZWY/TxWGwmu-4dI/AAAAAAAAAKI/fhCNuudcrP4/s72-c/pier+-+improvable+cdr-c-s.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-891847767810248708</id><published>2009-07-08T10:34:00.000-07:00</published><updated>2012-01-17T06:32:43.128-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='Free Hardcore'/><category scheme='http://www.blogger.com/atom/ns#' term='Free Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='Au'/><category scheme='http://www.blogger.com/atom/ns#' term='Noise Rock'/><title type='text'>fNs006 Au "3" EP CD-R</title><content type='html'>&lt;span style="font-weight: bold;"&gt;Au&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;3&lt;/span&gt; EP&lt;br /&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: 100%;"&gt;fNs006&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: 100%;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #990000;"&gt;Agotado&lt;/span&gt;&lt;span style="color: #990000;"&gt;/Sold Out&lt;/span&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: 100%;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 100%;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-2wbEHG1UwSw/TxWGN-ZCcFI/AAAAAAAAAKA/buemM436ESI/s1600/au3+-+cdrs3m1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="237" src="http://3.bp.blogspot.com/-2wbEHG1UwSw/TxWGN-ZCcFI/AAAAAAAAAKA/buemM436ESI/s320/au3+-+cdrs3m1.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;EP de 15 minutos de latigazos de ruido, ritmos frenéticos, saxos esquizofrénicos    que hacen del cuarto cdr de Au (tras 3 autoeditados y uno editado por Ozono    Kids) una explosión de free noise y free hardcore, obteniendo en 7 temas    un fascinante, visceral y extenuante resultado.&lt;br /&gt;Edición limitada de 50 copias numeradas a mano, diseño por Pascal    Nichols (Stuckometer) con impresión a color y empaquetado en fundas de    plástico.&lt;br /&gt;15 minutes EP of noise lashes, frantic rhythms, schizophrenic saxs make the fourth    cdr of Au (after 3 self-released and one released by Ozono Kids) a free noise    and free hardcore blast, getting in 7 tracks an amazing, visceral and exhausting    result.&lt;br /&gt;Limited edition of 50 hand numbered copies, designed by Pascal Nichols (Stuckometer),  printed in color and packaged in plastic sleeves. &lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Escuchar/Listen&lt;/span&gt;&lt;br /&gt;&lt;embed allowfullscreen="true" allowscriptaccess="always" flashvars="config={&amp;quot;key&amp;quot;:&amp;quot;#$b6eb72a0f2f1e29f3d4&amp;quot;,&amp;quot;playlist&amp;quot;:[{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/download/Au-AquelAireDeViuda/Au-AquelAireDeViuda.mp3&amp;quot;,&amp;quot;autoPlay&amp;quot;:false}],&amp;quot;clip&amp;quot;:{&amp;quot;autoPlay&amp;quot;:true},&amp;quot;canvas&amp;quot;:{&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;none&amp;quot;},&amp;quot;plugins&amp;quot;:{&amp;quot;audio&amp;quot;:{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/flow/flowplayer.audio-3.0.3-dev.swf&amp;quot;},&amp;quot;controls&amp;quot;:{&amp;quot;playlist&amp;quot;:false,&amp;quot;fullscreen&amp;quot;:false,&amp;quot;gloss&amp;quot;:&amp;quot;high&amp;quot;,&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;medium&amp;quot;,&amp;quot;sliderColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;progressColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;timeColor&amp;quot;:&amp;quot;0xeeeeee&amp;quot;,&amp;quot;durationColor&amp;quot;:&amp;quot;0x01DAFF&amp;quot;,&amp;quot;buttonColor&amp;quot;:&amp;quot;0x333333&amp;quot;,&amp;quot;buttonOverColor&amp;quot;:&amp;quot;0x505050&amp;quot;}},&amp;quot;contextMenu&amp;quot;:[{&amp;quot;Item Au-AquelAireDeViuda at archive.org&amp;quot;:&amp;quot;function()&amp;quot;},&amp;quot;-&amp;quot;,&amp;quot;Flowplayer 3.0.5&amp;quot;]}" height="24" src="http://www.archive.org/flow/flowplayer.commercial-3.0.5.swf" type="application/x-shockwave-flash" w3c="true" width="350"&gt;&lt;/embed&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-891847767810248708?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/891847767810248708/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2009/07/fns006-au-3-ep.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/891847767810248708'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/891847767810248708'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2009/07/fns006-au-3-ep.html' title='fNs006 Au &quot;3&quot; EP CD-R'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-2wbEHG1UwSw/TxWGN-ZCcFI/AAAAAAAAAKA/buemM436ESI/s72-c/au3+-+cdrs3m1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-8805700180249325064</id><published>2009-07-08T10:31:00.000-07:00</published><updated>2012-01-17T06:29:12.086-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Experimental Rock'/><category scheme='http://www.blogger.com/atom/ns#' term='Telephones Rouges'/><category scheme='http://www.blogger.com/atom/ns#' term='Post-Punk'/><category scheme='http://www.blogger.com/atom/ns#' term='Noise Rock'/><category scheme='http://www.blogger.com/atom/ns#' term='No Wave'/><title type='text'>fNs005 Telephones Rouges "Libertè, La Nuit" CD-R</title><content type='html'>&lt;span style="font-weight: bold;"&gt;Telephones Rouges&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Liberté, La Nuit&lt;/span&gt; EP&lt;br /&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: 100%;"&gt;fNs005&lt;/span&gt;&lt;span style="font-size: 100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;5€ g.e. incl. EU/ppd EU&lt;br /&gt;6€ ppd Rest Of World&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;a href="http://2.bp.blogspot.com/-dsgYElmSyVc/TxWFnkkt6OI/AAAAAAAAAJ4/cYTBoxumqxs/s1600/telephones+rouges+-+cdrs.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="240" src="http://2.bp.blogspot.com/-dsgYElmSyVc/TxWFnkkt6OI/AAAAAAAAAJ4/cYTBoxumqxs/s320/telephones+rouges+-+cdrs.JPG" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;No veo del cielo más que una estrella/Alrededor de nosotros sólo    existe la leche describiendo su&lt;br /&gt;elipse vertiginosa/De donde la blanda intuición de párpados de    ágata ojerosa/Se levanta a veces para clavar la punta de su sombrilla    en  el fango de la luz eléctrica/Entonces unas extensiones echan el ancla    se despliegan por el fondo de mi mirada cerrada/Icebergs que irradian los hábitos    de los mundos venideros/Nacidos de una partícula de ti de una partícula    desconocida y helada que emprende el vuelo/Tu existencia es el ramo gigante    que se escapa de mis brazos/Mal atado abre los muros despliega las escaleras    de las casas/Se deshoja en los escaparates de las calles/Con las noticias me    voy continuamente con las noticias/El diario es ahora de cristal y si las cartas    no llegan ya/Es porque el tren ha sido comido/La gran incisión de la    esmeralda que dio origen al follaje/Está cicatrizada para siempre los    aserraderos de nieve cegadora/Y las canteras de carne zumban solas con el primer    destello/Invertido en este destello/Adquiero la huella de la vida y de la muerte/En    el aire líquido (Extracto de "El Águila Sexual" de André    Breton).&lt;br /&gt;Edición limitada de 50 copias numeradas a mano, diseño por nicolash    con impresión a color y empaquetado en fundas de plástico.&lt;br /&gt;Of the sky I see but one star/Now around us there is only the milk describing    its dizzy ellipsis/From wich sometimes soft intuition with pupils of eyed agate/Rises    to poke its umbrella tip in the mud of the electric light/Then great reaches    cast anchor stretch out in the depth of my closed eyes/Icebergs radiating the    customs of all the worlds yet to come/Born of a fragment of you fragment unknown    and iced on the wing/Your existence the giant bouquet escaping from my arms/Is    badly tied it digs out walls unrolls the stairs of houses/Loses its leaves in    the show windosw of the street/To gather the news I am always leaving to gather    the news/The newspaper is glass today and if letters no longer arrive/It's that    the train has been consumed/The great incision of the emerald wich gave birth    to the foliage/Is scarred for always the sawdust of blinding snow/And the quarries    of flesh are sounding alone on the first shelf/Reversed on this shelf/I take    the impression of dead and life/To the liquid air (Excerpt from "The Sexual    Eagle Exults" by André Breton).&lt;br /&gt;Limited edition of 50 hand numbered copies, designed by nicolash, printed in    color and packaged in plastic sleeves.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Escuchar/Listen&lt;/span&gt;&lt;br /&gt;&lt;embed allowfullscreen="true" allowscriptaccess="always" flashvars="config={&amp;quot;key&amp;quot;:&amp;quot;#$b6eb72a0f2f1e29f3d4&amp;quot;,&amp;quot;playlist&amp;quot;:[{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/download/TelephonesRouges-Menstruacion/TelephonesRouges-Menstruacion.mp3&amp;quot;,&amp;quot;autoPlay&amp;quot;:false}],&amp;quot;clip&amp;quot;:{&amp;quot;autoPlay&amp;quot;:true},&amp;quot;canvas&amp;quot;:{&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;none&amp;quot;},&amp;quot;plugins&amp;quot;:{&amp;quot;audio&amp;quot;:{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/flow/flowplayer.audio-3.0.3-dev.swf&amp;quot;},&amp;quot;controls&amp;quot;:{&amp;quot;playlist&amp;quot;:false,&amp;quot;fullscreen&amp;quot;:false,&amp;quot;gloss&amp;quot;:&amp;quot;high&amp;quot;,&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;medium&amp;quot;,&amp;quot;sliderColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;progressColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;timeColor&amp;quot;:&amp;quot;0xeeeeee&amp;quot;,&amp;quot;durationColor&amp;quot;:&amp;quot;0x01DAFF&amp;quot;,&amp;quot;buttonColor&amp;quot;:&amp;quot;0x333333&amp;quot;,&amp;quot;buttonOverColor&amp;quot;:&amp;quot;0x505050&amp;quot;}},&amp;quot;contextMenu&amp;quot;:[{&amp;quot;Item TelephonesRouges-Menstruacion at archive.org&amp;quot;:&amp;quot;function()&amp;quot;},&amp;quot;-&amp;quot;,&amp;quot;Flowplayer 3.0.5&amp;quot;]}" height="24" src="http://www.archive.org/flow/flowplayer.commercial-3.0.5.swf" type="application/x-shockwave-flash" w3c="true" width="350"&gt;&lt;/embed&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-8805700180249325064?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/8805700180249325064/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2009/07/fns005-telephones-rouges-liberte-la.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/8805700180249325064'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/8805700180249325064'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2009/07/fns005-telephones-rouges-liberte-la.html' title='fNs005 Telephones Rouges &quot;Libertè, La Nuit&quot; CD-R'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-dsgYElmSyVc/TxWFnkkt6OI/AAAAAAAAAJ4/cYTBoxumqxs/s72-c/telephones+rouges+-+cdrs.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-6866589686022340681</id><published>2009-07-08T10:29:00.000-07:00</published><updated>2012-01-17T06:18:33.003-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='Free Rock'/><category scheme='http://www.blogger.com/atom/ns#' term='Improv'/><category scheme='http://www.blogger.com/atom/ns#' term='Free Jazz'/><category scheme='http://www.blogger.com/atom/ns#' term='Free Noise'/><category scheme='http://www.blogger.com/atom/ns#' term='Au'/><category scheme='http://www.blogger.com/atom/ns#' term='Aupier'/><category scheme='http://www.blogger.com/atom/ns#' term='Noise Rock'/><category scheme='http://www.blogger.com/atom/ns#' term='pier'/><title type='text'>fNs004 Aupier "No Is" CD-R</title><content type='html'>&lt;span style="font-weight: bold;"&gt;Aupier&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;No Is&lt;/span&gt; EP&lt;br /&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: 100%;"&gt;fNs004&lt;/span&gt;&lt;span style="font-size: 100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;5€ g.e. incl. EU/ppd EU&lt;br /&gt;6€ ppd Rest Of World&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;a href="http://3.bp.blogspot.com/-Av2owC0pTk0/TxWClgM-xUI/AAAAAAAAAJQ/ZNWmLiuWeBQ/s1600/Aupier+-+No+Is+-+cdrs.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/-Av2owC0pTk0/TxWClgM-xUI/AAAAAAAAAJQ/ZNWmLiuWeBQ/s320/Aupier+-+No+Is+-+cdrs.jpg" width="299" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Colaboración entre las bandas madrileñas Au y pier, este impactante    CDR de 32 minutos reúne lo mejor de cada grupo en 12 temas improvisados,    donde la intensidad, la contundencia y el salvajismo metalero de Au y los sonidos    libres, no-wave, funk y arítmicos de pier, se unen para crear un ruido    multiforme, donde caben micros de contacto, trompetas, guitarras, saxos, bajos,    baterías, gritos, armónicas, y otros sonidos no identificados    que finaliza en una versión de "A Love Supreme" de Coltrane    sin igual. Un ruido supremo.&lt;br /&gt;Doble edición limitada. Una de 40 copias numeradas a mano, diseño    por Timy (Au) con impresión a color y empaquetado en fundas de plástico.    La otra de 50 copias numeradas a mano, diseño de Buter (pier) con impresión    a color y empaquetado en bolsas de plástico con cierre zip.&lt;br /&gt;--&lt;br /&gt;&lt;br /&gt;Collaboration between Madrid bands Au and pier, this striking CDR lasting 32    minutes gathers the best of each band in 12 improvised tracks, where the intensity,    forceful and metal wildness of Au and the free, no-wave, funk and arhythmic    sounds of pier get toghether to create a multiform noise, where you can find    contact mics, trompets, guitars, saxs, bass, drums, screams, harmonicas and other    non identifed sounds that ends in an unlikely cover of Coltrane's "A Love    Supreme". A noise supreme.&lt;br /&gt;Double limited edition. One of 40 hand numbered copies, designed by Timy (Au),    printed in color and packaged in plastic sleeves. Other of 50 hand numbered    copies, designed by Buter (pier), printed in color and packaged in plastic sleeves    into ziplock bags.&lt;br /&gt;&lt;br /&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-weight: bold;"&gt;Reseña de Animal Psi/Animal Psi Review&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;span style="font-size: 85%;"&gt;"Aupier represent the noise-rock genre on ‘No Is’ with pitch-perfect comportment of in-the-red static and manic composure, yet appeal outside of the genre’s faithful (in other words, to people like me) by virtue of the vital combination of discretion in composition – each instrument represents itself in resisting that oft-misguided “freedom” – and captured in high fidelity, bringing out all the color and depth to be found in this hedonistic style. Twelve tracks lumber on 34 minutes with a drinker’s stomach; drums pound out reasonable orders, guitars wheedle footpaths in a necessarily-thorny bramble, and the ever-growing vocal presence appears less trapped than liberated, enthusing the harmony of the collaboration with each successive step. Hand-numbered to 40 copies, available 5€ from For Noise’s Sake&lt;/span&gt;".13 jan. 2010&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;Escuchar/Listen&lt;/span&gt;&lt;br /&gt;&lt;embed allowfullscreen="true" allowscriptaccess="always" flashvars="config={&amp;quot;key&amp;quot;:&amp;quot;#$b6eb72a0f2f1e29f3d4&amp;quot;,&amp;quot;playlist&amp;quot;:[{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/download/Aupier-NoIs2/Aupier-NoIs2.mp3&amp;quot;,&amp;quot;autoPlay&amp;quot;:false}],&amp;quot;clip&amp;quot;:{&amp;quot;autoPlay&amp;quot;:true},&amp;quot;canvas&amp;quot;:{&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;none&amp;quot;},&amp;quot;plugins&amp;quot;:{&amp;quot;audio&amp;quot;:{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/flow/flowplayer.audio-3.0.3-dev.swf&amp;quot;},&amp;quot;controls&amp;quot;:{&amp;quot;playlist&amp;quot;:false,&amp;quot;fullscreen&amp;quot;:false,&amp;quot;gloss&amp;quot;:&amp;quot;high&amp;quot;,&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;medium&amp;quot;,&amp;quot;sliderColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;progressColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;timeColor&amp;quot;:&amp;quot;0xeeeeee&amp;quot;,&amp;quot;durationColor&amp;quot;:&amp;quot;0x01DAFF&amp;quot;,&amp;quot;buttonColor&amp;quot;:&amp;quot;0x333333&amp;quot;,&amp;quot;buttonOverColor&amp;quot;:&amp;quot;0x505050&amp;quot;}},&amp;quot;contextMenu&amp;quot;:[{&amp;quot;Item Aupier-NoIs2 at archive.org&amp;quot;:&amp;quot;function()&amp;quot;},&amp;quot;-&amp;quot;,&amp;quot;Flowplayer 3.0.5&amp;quot;]}" height="24" src="http://www.archive.org/flow/flowplayer.commercial-3.0.5.swf" type="application/x-shockwave-flash" w3c="true" width="350"&gt;&lt;/embed&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-6866589686022340681?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/6866589686022340681/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2009/07/fns004-aupier-no-is.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/6866589686022340681'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/6866589686022340681'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2009/07/fns004-aupier-no-is.html' title='fNs004 Aupier &quot;No Is&quot; CD-R'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-Av2owC0pTk0/TxWClgM-xUI/AAAAAAAAAJQ/ZNWmLiuWeBQ/s72-c/Aupier+-+No+Is+-+cdrs.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-8310982428838346869</id><published>2009-07-08T10:17:00.000-07:00</published><updated>2012-01-17T06:25:44.418-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Abstract Electronica'/><category scheme='http://www.blogger.com/atom/ns#' term='Baalte'/><category scheme='http://www.blogger.com/atom/ns#' term='Experimental Electronica'/><title type='text'>fNs003 Baalte "Sigue" CD-R</title><content type='html'>&lt;span style="font-weight: bold;"&gt;Baalte&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Sigue&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: 100%;"&gt;fNs003&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #990000;"&gt;Agotado&lt;/span&gt;&lt;span style="color: #990000;"&gt;/Sold Out&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-0EmE9k9czqA/TxWEy6O1pcI/AAAAAAAAAJw/1F0Stsp89Pw/s1600/cdrs+baalte+-+sigue.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="240" src="http://3.bp.blogspot.com/-0EmE9k9czqA/TxWEy6O1pcI/AAAAAAAAAJw/1F0Stsp89Pw/s320/cdrs+baalte+-+sigue.JPG" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;18 minutos en 4 canciones forman el primer EP del duo madrileño Baalte,    donde puedes escuchar electrónica tribal, glitches, melodías juguetonas    y ritmos sincopados que se suceden en cascadas, haciendo de cada escucha del    EP un apasionante viaje por la electronica experimental más asombrosa.&lt;br /&gt;Edición limitada de 25 copias numeradas a mano, diseño por Baalte    con impresión a color y empaquetado en fundas de plástico.&lt;br /&gt;----&lt;br /&gt;18 minutes on 4 songs form Madrid's duo Baalte first EP, where you can listen    to tribal electronica, glitches, playful melodies and syncopated rhythms that    flow in cascades, making each listening of the EP an exciting trip by the most    amazing experimental electronica.&lt;br /&gt;Limited edition of 25 hand numbered copies, designed by Baalte, printed in color    and packaged in plastic sleeves.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.mediafire.com/?fmanr1ijthg"&gt;Descargar/&lt;/a&gt;&lt;a href="http://www.mediafire.com/?fmanr1ijthg"&gt;Download&lt;/a&gt;&lt;b&gt;&lt;span style="color: #990000;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Escuchar/Listen&lt;/span&gt;&lt;br /&gt;&lt;embed allowfullscreen="true" allowscriptaccess="always" flashvars="config={&amp;quot;key&amp;quot;:&amp;quot;#$b6eb72a0f2f1e29f3d4&amp;quot;,&amp;quot;playlist&amp;quot;:[{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/download/Baalte-LivelyHood/Baalte-livelyHood.mp3&amp;quot;,&amp;quot;autoPlay&amp;quot;:false}],&amp;quot;clip&amp;quot;:{&amp;quot;autoPlay&amp;quot;:true},&amp;quot;canvas&amp;quot;:{&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;none&amp;quot;},&amp;quot;plugins&amp;quot;:{&amp;quot;audio&amp;quot;:{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/flow/flowplayer.audio-3.0.3-dev.swf&amp;quot;},&amp;quot;controls&amp;quot;:{&amp;quot;playlist&amp;quot;:false,&amp;quot;fullscreen&amp;quot;:false,&amp;quot;gloss&amp;quot;:&amp;quot;high&amp;quot;,&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;medium&amp;quot;,&amp;quot;sliderColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;progressColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;timeColor&amp;quot;:&amp;quot;0xeeeeee&amp;quot;,&amp;quot;durationColor&amp;quot;:&amp;quot;0x01DAFF&amp;quot;,&amp;quot;buttonColor&amp;quot;:&amp;quot;0x333333&amp;quot;,&amp;quot;buttonOverColor&amp;quot;:&amp;quot;0x505050&amp;quot;}},&amp;quot;contextMenu&amp;quot;:[{&amp;quot;Item Baalte-LivelyHood at archive.org&amp;quot;:&amp;quot;function()&amp;quot;},&amp;quot;-&amp;quot;,&amp;quot;Flowplayer 3.0.5&amp;quot;]}" height="24" src="http://www.archive.org/flow/flowplayer.commercial-3.0.5.swf" type="application/x-shockwave-flash" w3c="true" width="350"&gt;&lt;/embed&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-8310982428838346869?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/8310982428838346869/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2009/07/fns003-baalte-sigue.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/8310982428838346869'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/8310982428838346869'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2009/07/fns003-baalte-sigue.html' title='fNs003 Baalte &quot;Sigue&quot; CD-R'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-0EmE9k9czqA/TxWEy6O1pcI/AAAAAAAAAJw/1F0Stsp89Pw/s72-c/cdrs+baalte+-+sigue.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-7623004422343940764</id><published>2009-07-08T10:08:00.000-07:00</published><updated>2012-01-17T06:21:27.300-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Experimental Rock'/><category scheme='http://www.blogger.com/atom/ns#' term='Post-Punk'/><category scheme='http://www.blogger.com/atom/ns#' term='Noise Rock'/><category scheme='http://www.blogger.com/atom/ns#' term='No Wave'/><category scheme='http://www.blogger.com/atom/ns#' term='The Murders In the Rue Morgue'/><title type='text'>fNs002 The Murders In The Rue Morgue "Vargtimmen" CD-R</title><content type='html'>&lt;span style="font-weight: bold;"&gt;The Murders In The Rue Morgue&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Vargtimmen&lt;/span&gt; EP&lt;br /&gt;fNs002&lt;br /&gt;&lt;span style="color: #990000;"&gt;Agotado/&lt;/span&gt;&lt;span style="color: #cc0000;"&gt;Sold Out &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-RB-GWzRApEU/TxWDzYG-JcI/AAAAAAAAAJg/pZwoPDvixWA/s1600/cdrs+murders1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="240" src="http://2.bp.blogspot.com/-RB-GWzRApEU/TxWDzYG-JcI/AAAAAAAAAJg/pZwoPDvixWA/s320/cdrs+murders1.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Primer EP de TMITRM (duo de Mataró, Barcelona), que en sus 21 minutos destrozan todo lo que hasta ahora entendíamos como No-Wave, Noise-Rock, Free-Rock... la crudeza hecha música. Los 7 Temas del EP te devuelven a lo más primitivo del sonido sacado con guitarras sangrantes y batería epilépticas con ecos industriales, obteniendo un resultado estremecedor.&lt;br /&gt;Edición limitada de 25 copias numeradas a mano, diseño por Buter con impresión a color y empaquetado en fundas de plástico.&lt;br /&gt;-------&lt;br /&gt;TMITRM first EP (a duo from Mataró, Barcelona), who in 21 minutes wreck everything what until now we knew as No-Wave, Noise-Rock, Free-Rock... harshness made music. The 7 tracks from the EPtake you back to the most primitive of the sound from bloody guitars and epileptic drums with industrial echoes, getting a trembling result.&lt;br /&gt;Limited edition of 25 hand numbered copies, designed by Buter, printed in color and packaged in plastic sleeves.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.mediafire.com/?nyxxznchrwt%20"&gt;Descargar/&lt;/a&gt;&lt;a href="http://www.mediafire.com/?nyxxznchrwt%20"&gt;Download&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Escuchar/Listen&lt;/span&gt;&lt;br /&gt;&lt;embed allowfullscreen="true" allowscriptaccess="always" flashvars="config={&amp;quot;key&amp;quot;:&amp;quot;#$b6eb72a0f2f1e29f3d4&amp;quot;,&amp;quot;playlist&amp;quot;:[{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/download/TheMurdersInTheRueMorgue-AlAlcanzeDeLosPerros/TheMurdersInTheRueMorgue-AlAlcanzeDeLosPerros.mp3&amp;quot;,&amp;quot;autoPlay&amp;quot;:false}],&amp;quot;clip&amp;quot;:{&amp;quot;autoPlay&amp;quot;:true},&amp;quot;canvas&amp;quot;:{&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;none&amp;quot;},&amp;quot;plugins&amp;quot;:{&amp;quot;audio&amp;quot;:{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/flow/flowplayer.audio-3.0.3-dev.swf&amp;quot;},&amp;quot;controls&amp;quot;:{&amp;quot;playlist&amp;quot;:false,&amp;quot;fullscreen&amp;quot;:false,&amp;quot;gloss&amp;quot;:&amp;quot;high&amp;quot;,&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;medium&amp;quot;,&amp;quot;sliderColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;progressColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;timeColor&amp;quot;:&amp;quot;0xeeeeee&amp;quot;,&amp;quot;durationColor&amp;quot;:&amp;quot;0x01DAFF&amp;quot;,&amp;quot;buttonColor&amp;quot;:&amp;quot;0x333333&amp;quot;,&amp;quot;buttonOverColor&amp;quot;:&amp;quot;0x505050&amp;quot;}},&amp;quot;contextMenu&amp;quot;:[{&amp;quot;Item TheMurdersInTheRueMorgue-AlAlcanzeDeLosPerros at archive.org&amp;quot;:&amp;quot;function()&amp;quot;},&amp;quot;-&amp;quot;,&amp;quot;Flowplayer 3.0.5&amp;quot;]}" height="24" src="http://www.archive.org/flow/flowplayer.commercial-3.0.5.swf" type="application/x-shockwave-flash" w3c="true" width="350"&gt;&lt;/embed&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-7623004422343940764?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/7623004422343940764/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2009/07/fns002-murders-in-rue-morgue-vargtimmen.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/7623004422343940764'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/7623004422343940764'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2009/07/fns002-murders-in-rue-morgue-vargtimmen.html' title='fNs002 The Murders In The Rue Morgue &quot;Vargtimmen&quot; CD-R'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-RB-GWzRApEU/TxWDzYG-JcI/AAAAAAAAAJg/pZwoPDvixWA/s72-c/cdrs+murders1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5764983287224643286.post-343440740550399664</id><published>2009-07-08T02:41:00.000-07:00</published><updated>2012-01-17T06:20:00.951-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Free Rock'/><category scheme='http://www.blogger.com/atom/ns#' term='Improv'/><category scheme='http://www.blogger.com/atom/ns#' term='Free Jazz'/><category scheme='http://www.blogger.com/atom/ns#' term='Noise Rock'/><category scheme='http://www.blogger.com/atom/ns#' term='No Wave'/><category scheme='http://www.blogger.com/atom/ns#' term='pier'/><title type='text'>fNs001 pier "the bree-fings vol. 1" CD-R</title><content type='html'>&lt;span style="font-weight: bold;"&gt;pier&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;the bree-fings vol.1&lt;/span&gt;&lt;br /&gt;fNs001&lt;br /&gt;&lt;span style="color: #990000;"&gt;Agotado/&lt;/span&gt;&lt;span style="color: #990000;"&gt;Sold Out&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-TjtB5UT9Rdo/TxWDfTsNQxI/AAAAAAAAAJY/hGneW5cphGE/s1600/cdrs+pier1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="240" src="http://1.bp.blogspot.com/-TjtB5UT9Rdo/TxWDfTsNQxI/AAAAAAAAAJY/hGneW5cphGE/s320/cdrs+pier1.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Tercer CD-R del trio madrileño pier (tras los autoeditados "25 fragments" en 2006 y "slow food" en 2007), los 43 minutos de "the bree-fings vol. 1" están compuestos por 17 improvisaciones hechas a partir de briefings, y de duración no superior a los 5 minutos. Con guitarra, bajo, batería, trompeta, saxos, sintes y cintas remodelan de una manera formidable Noise-Rock, Free-Jazz, Punk, Hardcore... haciendo de ello una especie de Free-Noise-Jazz-Punk desordenado, música violenta para el Siglo XXI... no hay más palabras para describir este CDR, escúchalo y pregúntate si en música está todo dicho.&lt;br /&gt;Edición limitada de 50 copias numeradas a mano, diseño por Willyfunk con impresión a color, empaquetado en fundas de plástico dentro de bolsas con cierre zip, incluye fragmento de camiseta personalizado.&lt;br /&gt;----&lt;br /&gt;Third CD-R from this Madrid trio (after the two self-released "25 fragments" in 2006 and "slow food" in 2007), "the bree-fings vol. 1" 43 minutes are composed of 17 improvisations made out from briefings, that last no longer than 5 minutes. With guitar, bass, drums, trumpet, saxs, synths and tapes they reshape in a formidable way Noise-Rock, Free-Jazz, Punk, Hardcore... making of it a kind of disordered Free-Noise-Jazz-Punk, violent music for 20th Century... there's no more words to describe this CDR, just take a listen to it and ask yourself if it's all said in music.&lt;br /&gt;Limited edition of 50 hand numbered copies, designed by Willyfunk, printed in color and packaged in plastic sleeves into ziplock bags, it comes with a t-shirt stencilled fragment.&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Escuchar/Listen&lt;/span&gt;&lt;br /&gt;&lt;embed allowfullscreen="true" allowscriptaccess="always" flashvars="config={&amp;quot;key&amp;quot;:&amp;quot;#$b6eb72a0f2f1e29f3d4&amp;quot;,&amp;quot;playlist&amp;quot;:[{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/download/pier-fanilosophy/fanilosophy.mp3&amp;quot;,&amp;quot;autoPlay&amp;quot;:false}],&amp;quot;clip&amp;quot;:{&amp;quot;autoPlay&amp;quot;:true},&amp;quot;canvas&amp;quot;:{&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;none&amp;quot;},&amp;quot;plugins&amp;quot;:{&amp;quot;audio&amp;quot;:{&amp;quot;url&amp;quot;:&amp;quot;http://www.archive.org/flow/flowplayer.audio-3.0.3-dev.swf&amp;quot;},&amp;quot;controls&amp;quot;:{&amp;quot;playlist&amp;quot;:false,&amp;quot;fullscreen&amp;quot;:false,&amp;quot;gloss&amp;quot;:&amp;quot;high&amp;quot;,&amp;quot;backgroundColor&amp;quot;:&amp;quot;0x000000&amp;quot;,&amp;quot;backgroundGradient&amp;quot;:&amp;quot;medium&amp;quot;,&amp;quot;sliderColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;progressColor&amp;quot;:&amp;quot;0x777777&amp;quot;,&amp;quot;timeColor&amp;quot;:&amp;quot;0xeeeeee&amp;quot;,&amp;quot;durationColor&amp;quot;:&amp;quot;0x01DAFF&amp;quot;,&amp;quot;buttonColor&amp;quot;:&amp;quot;0x333333&amp;quot;,&amp;quot;buttonOverColor&amp;quot;:&amp;quot;0x505050&amp;quot;}},&amp;quot;contextMenu&amp;quot;:[{&amp;quot;Item pier-fanilosophy at archive.org&amp;quot;:&amp;quot;function()&amp;quot;},&amp;quot;-&amp;quot;,&amp;quot;Flowplayer 3.0.5&amp;quot;]}" height="24" src="http://www.archive.org/flow/flowplayer.commercial-3.0.5.swf" type="application/x-shockwave-flash" w3c="true" width="350"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;form action="https://www.paypal.com/cgi-bin/webscr" method="post" target="paypal"&gt;&lt;br /&gt;&lt;/form&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5764983287224643286-343440740550399664?l=fornoisesssake.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://fornoisesssake.blogspot.com/feeds/343440740550399664/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://fornoisesssake.blogspot.com/2009/07/fns001-pier-bree-fings-vol-1.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/343440740550399664'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5764983287224643286/posts/default/343440740550399664'/><link rel='alternate' type='text/html' href='http://fornoisesssake.blogspot.com/2009/07/fns001-pier-bree-fings-vol-1.html' title='fNs001 pier &quot;the bree-fings vol. 1&quot; CD-R'/><author><name>for Noise's sake</name><uri>http://www.blogger.com/profile/04950131725935078972</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://2.bp.blogspot.com/_UapmpMFLq30/SlRrWxwgIqI/AAAAAAAAAAM/bofbrVokEP8/S220/LogofNs.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-TjtB5UT9Rdo/TxWDfTsNQxI/AAAAAAAAAJY/hGneW5cphGE/s72-c/cdrs+pier1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry></feed>
