fNs071 Sagrados Corazones "Sagrados Corazones" CDR

fNs071 Sagrados Corazones

Sagrados Corazones CDR

5€ g.e. incl. EU/ppd EU
6€ ppd Rest Of World --
Grupo ocasional formado por miembros de chien! y Au. 34 minutos de brutal noise rock/no wave frenético y desquiciado. No te lo pierdas.
Edición limitada de 50 copias numeradas a mano, impresión a color en portadas y b/n en disco, en fundas de plástico, empaquetados en fundas de plástico selladas.
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A one-off band formed by members of chien! and Au. 34 minutes of brutal frantic noise rock/no wave. Unmissable.
Limited edition of 50 hand numbered copies, color printing on covers and b/w on disc, housed in plastic sleeves, packed in sealed plastic bags.
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fNs067 Placenta Popeye / pier Split C40

fNs067 Placenta Popeye / pier

Split C40

5€ g.e. incl. EU/ppd EU
6€ ppd Rest Of World
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Cara A: Placenta Popeye es un duo francés de oscuro free noise rock de guitarra y bajo, con un puñado de discos impresionantes en sellos de todo el mundo. Esta cara contiene rifs lofi repetitivos, guitarras como enjambres cabreados, bajos embarrados, bonitas voces y gritos desquiciadas. Una jam aditiva.
Cara B: pier ofrece seis temas cortos de improvisaciones no-wave/free noise rock, que suenan como si DNA violara a la Magic Band de Captain Beefheart bajo una lluvia de escombros.
Edición limitada de 50 copias numeradas a mano. Portadas en b/n sobre cartulinas de color. Etiquetas de color en casetes amarillas.
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Side A: Placenta Popeye is a french duo of guitar & bass dark free noise rock with a bunch of impressive releases in labels around the world. This side contains a lofi repetitious riffs, pissed swarming guitars, muddy basses, nice disturbed voices and screams. A very addictive jam.
Side B: pier offers six short tracks of no-wave/free noise rock improvs, that sound as if DNA raped Captain Beefheart's Magic Band under a rain of debris.
Limited edition of 50 hand numbered copies. Xeroxed covers on colored cardboards. Color lables on yellow cassettes.
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Placenta Popeye

pier

fNs016 The Murders in the Rue Morgue "Voladura" CDR

fNs016 The Murders in the Rue Morgue "Voladura"

5€ g.e. incl. EU/ppd EU
6€ ppd Rest Of World
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En su segundo CDR para fNs, The Murders in the Rue Morgue amplían y enriquecen su espectro sonoro lofi, con el uso de nuevos instrumentos (vientos, teclados, samplers...) e introduciendo diversos estilos (psicoledlia, nowave, spoken word) en su personal estilo de rock crudo y primitivo, creando un inquietante monstruo de free rock de 60 minutos que crece, se desarrolla y muta en cada escucha.
Edición limitada de 30 copias numeradas a mano, portadas a color e impresión en blanco y negro en el disco, con insert, en fundas de plástico y empaquetados en envoltorios plásticos autoadhesivos.
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In their second CDR for fNs, The Murders in the Rue Morgue expand and enrich their lofi sound spectrum, with the use of new instruments (winds, keyboards, samplers...) and introducing different styles (psicoledlia, nowave, spoken word) into its own brand of raw and primitive rock, creating an eerie monster of free rock lasting 60 minute that grows, develops and mutates in each listening.
Limited edition of 30 hand numbered copies, covers printed in color, black & white printed on disc, with insert, housed in plastic sleeves and packaged in self-adhesive seal plastic bags.

fNs021 Les Yeux Sans Visage "Este Hastío" CDR

Les Yeux Sans Visage

Este Hastío

fNs021
5€ g.e. incl. EU/ppd EU
6€ ppd Rest Of World
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De Barcelona (España) vienen el trio Les Yeux Sans Visage, y su primer CDR para fNs es un compendio de lo mejor de su improvisación, en la que caben free rock, psicodelia, percusiones tribales, vientos, voces lunáticas de ultratumba, cuerdas metálicas, samplers, que forman un aquelarre fascinante y absorvente donde se pueden escuchar ecos de la vanguardia de los 60.
Edición limitada de 30 copias numeradas a mano, en fundas de cartón, con etiquetas e impresión en disco a color, encarte en b/n, en fundas de plástico y empaquetados en envoltorios de plástico autoadhesivos.
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Les Yeux Sans Visage are a trio from Barcelona (Spain), and their first CDR for fNs is a compendium of the best of their improvisation, in which fit free rock, psychedelic, tribal percussion, winds, lunatic voices from beyond the grave, metal strings, samplers, which form a fascinating and absorbing coven where you can hear echoes of the 60's avant garde.
Limited edition of 30 hand numbered copies, in cardboard sleeves, color print on lables and disc, b/w insert, housed in plastic sleeves and packaged in self-adhesive seal plastic bags.

fNs040 Aupier "Attila" CDR

Aupier
Attila
fNs040
5€ g.e. incl. EU/ppd EU
6€ ppd Rest Of World
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De las mismas sesiones que el primer disco "No Is" sale esta grabación, fruto de la colaboración de las bandas madrileñas Au y pier. Un único tema de 35 minutos, donde guitarras, bajos, saxos, trompetas, vientos, voces y baterías forman una bola de noise rock y free rock que muta, se tranforma, te envuelve y atrapa, para luego escupirte sin compasión.
Edición limitada de 30 copias numeradas a mano. Diseño a color sobre papel de color doblado, impresión en disco, en fundas de plástico.
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From the same sessions as the first album "No Is" comes this recording, a collaboration of Madrid bands Au and pier. A single 35 minute track where guitars, basses, saxs, trumpets, winds, voices and drums form a ball of noise-rock and free-rock that mutates, it transforms, envelops and traps you, and then spit you without mercy.
Limited edition of 30 hand numbered copies. Color design on colored folded paper, b/w print on disc, housed in plastic sleeves.

fNs033 pier "apparently liberatory gestures" CDR

pier
apparently liberatory gestures
fNs033
5€ g.e. incl. EU/ppd EU
6€ ppd Rest Of World
22 minutos de free no-wave improv desde Madrid, en su tercer CDR para fNs (octavo en su discografía). 8 temas cortos, abrasivos y esquizofrénicos donde guitarras, bajos y baterías se suceden sin sentido, junto con saxos y trompetas desquiciadas. Y ya.
Edición limitada de 40 copias numeradas a mano, impresión a color en el CDR y en portadas de cartulina plastificadas.
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22 minutes of free no-wave improv from Madrid, this is their third CDR for fNs (eighth in their discography). 8 abrasive and schizophrenic short tracks, where guitars, bass and drums succeed without meaning, with unhinged saxs and trumpets unhinged. And that's it.
Limited edition of 40 hand-numbered copies, color printing on the CDR and laminated cardboard covers.

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fNs015 Cousins of Reggae "Disuelvos Ensangrentados, Inhalantes Perdidos"

Cousins of Reggae
Disuelvos Ensangrentados, Inhalantes Perdidos
fNs015
5€ g.e. incl. EU/ppd EU
6€ ppd Rest Of World

En su noveno album, Cousins of Reggae (Ontario, Canada), reunen 14 temas, algunos editados anteriormente en LPs y Cdr junto con temas nuevos. Más de 70 minutos de increíble noise rock trastornado, rock musculoso abstracto, trash psicodélico, no-rock y free-rock del estilo de Harry Pussy y Trumans Water, cortesía de Blake Hargraves (guitarra, batería, ruido y voces) y Liam Thurston (guitarra, batería y ruido).
Edición limitada de 60 copias numeradas a mano, impresión a color en disco y portada de pegatinas pegadas a fundas de cartón, en fundas de plástico.
Reseña (Norman Records, feb. 2010)
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In their nineth album, Cousins of Reggae (Ontario, Canada), gather 14 tracks, some previously released on LP and CDr along with new tracks. Over 70 minutes of amazingly deranged noise rock, abstrackt muscle-rock, psychedelic trash, no-rock and free-rock Harry Pussy and Trumans Water style, courtesy of Blake Hargraves (guitar, drums, noise and vocals) and Liam Thurston (guitar, drums and noise).
Limited edition of 60 hand numbered copies, color printing on the disc and sticker cover on cardboard sleeves, enveloped in plastic sleeves.
Review (Norman Records, feb. 2010)

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fNs014 xNoBBQx "HI-ATE-US + Newtown Theatre" CDR

xNoBBQx
HI-ATE-US + Newtown Theatre
fNs014
5€ g.e. incl. EU/ppd EU
6€ ppd Rest Of World

Para los que no conozcan al grupo australiano xNoBBQx, es un buen comienzo saber que su música ha sido descrito como "hardcore vegetariano estricto tocado por monos estreñidos", y ligados a grupos y artistas como Harry Pussy, Henry Flynt, Mouthus y Xenakis, en lo que suena como improvisación ruidosa minimal libre primitiva, con sólo guitarra y batería, y un encantador sonido lo-fi. Han editado un puñado de CDRs, casetes y LPs, el más señalado editado por el legendario sello Siltbreeze, alcanzando mayor conocimiento. Este CDR se compone de dos temas de unos 17 minutos cada uno grabados en directo en Sydney durante 2006. El primer tema es una cruda toma de improvisación y ruido libre, en el que caben las estéticas hardcore y punk. El segundo tema empieza donde termina el primero, con un profundo uso del silencio, un continúo zumbido, un acorde repetitivo, y golpes de batería esporádicos, todo ello llevado al extremo. Intenso, impresionante, maravilloso.
Edición limitada de 75 copias numeradas a mano, con impresión a color, en fundas de cartón y plástico.
Reseña (The Wire, Dic. 2009)
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For those who don't know about australian xNoBBQx band, it's a good start letting know that they're music has been described as "militant vegan hardcore played by constipated monkeys", and linked to bands and artists like Harry Pussy, Henry Flynt, Mouthus and Xenakis, what it sounds like primitive free minimalist noise improv played, with just a guitar and drums, with a charming lo-fi sound. They have released a bunch of CDRs, cassettes and LPs, the most notable released by the legendary label Siltbreeze, getting wider knowledge. This CDR comprises two tracks lasting each one 17 minutes recorded live in Sydney during 2006. First track is a raw take on free noise improv, in which fits hardcore and punk aesthetics. Second track starts where the first finish, with a deep use of silent, a continous buzz, a repetitive chord, and sporadic drum hits, everythingo taken to the extreme. Intense, breathtaking, marvelous.
Limited edition of 75 hand numbered copies, printed in color, packaged in board and plastic sleeves.
Review (The Wire, Dec. 2009)

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fNs009 bazvotni "vrums" EP CD-R

bazvotni
vrums EP
fNs009
4€ g.e. incl. EU/ppd EU
5€ ppd Rest Of World

bazvotni es el nuevo proyecto nicolash (pier, bura...) donde utiliza cómo únicos elementos la batería y la voz. "vrums" es su primer cdr, en el que, en poco más de 11 minutos, nos encontramos con 10 temas, el más largo de menos de dos minutos, donde se suceden cortas dosis de ruido como elemento, ruido como expresión. Sin electrónica, apenas sin efectos, sólamente una batería, unos micrófonos y una voz que lucha por expresarse en medio de un sonido lo-fi. Una voz que esquiva la tonalidad pero que entona cánticos primitivos, la banda sonora de los pintores de Altamira. Primitivismo en el concepto y la ejecución, ¿cantos a la lluvia? ¿cantos a la muerte? El límite entre música tradicional africana y el lo-fi, la mezcla entre el noise y el freejazz hecho por tahitianos en trance, porque ante todo bazvotni es libre. Filigranas polirrítmicas camufladas en procesados semianalógicos. Y todo sin producir dolor, con la impresión de estar escuchando algo hermoso, algo honesto, con el corazón y sobre todo con el estómago... su corta duración tiene un motivo: este cdr no ha nacido para complacerte, sino para comulgar con él, para entrar a formar parte de él.
CD-R de 3", edición limitada de 50 copias numeradas a mano, con impresión a color, en cajas de cds.

bazvotni is the new project of nicolash (pier, bura...) in which he uses as only tools drums and voice. "vrums" is his first cdr, lasting 11 minutes in 10 tracks no longer than two minutes, where short shots of noise follow one another. Without electronics, hardly with effects, just drums, some mics and a voice that fights for express itself amidst a lo-fi sound. The voice avoids tonality but intones primitive chants, like a soundtrack for the Altamira's Caves painters. Primitivism in concept and execution, chants for rain? chants for death? The limit between african traditional music and lo-fi, a mixture of noise and free-jazz played by tahitians in trance, because primarily bazvotni is free. Polyrhythmic filigrees camouflaged in semianalogical processes. And everything without inflicting any pain, having the impression that you're listening to something beauty, honest, with the heart and the stomach... it's short duration has a reason: this cdr is not made for please, but to be in communion with it, to become part of it.
3" CD-R, limited edition of 50 hand numbered copies, printed in color, in jewel cases.

Reseña/Review
http://earconditionednightmare.blogspot.com/2009/07/bazvotni-vrums-for-noises-sake-3-cd-r.html
"Here's another offering from Madrid based For Noise's Sake, this time in the form of an eleven minute, ten track cruiser by a lad named Nicolash, who also plays in Pier. Stripping down his setup to only drums, mics and vocals, the thing is over before you get started, but it has a certain immediacy to it that's pretty hard to deny.
Talking about individual tracks feels a bit silly when the longest offering here is under two minutes and all of them are more or less constructed from the same material, but the whole romp has the kind of caveman, primitivist attitude and aesthetic of Foot Village or Black Pus, only with a tad looser, more cannibalistic, ballistic feel to it. All about total wreckage with this one, as wordless vocal utterances are huffed and puffed atop free rock/jazz drumming that glides between multi-angular African mishmash and complete numb-nuts brawl material. "Loueem Fv" might have a semblance of a beat for its minute, but its weirdly unconcerned in a kind of punk nihilist way that flies way beyond simplicity for simplicity's sake. Elsewhere the vocals are more central, as on "Neaneamem," where growls harken in clattering putters of cymbal tinkling and snare pulse while his hyper Jandek chants fuel a kind of sadomasochistic, hurts so bad it's good energy. Weird.
Like I said before though, the whole thing is eleven minutes long, and its brevity actually adds to the excitement--never stops moving at all. And the submerged, muffled production makes it sound even more like emissions from some deep cavernous wake, a small flame visible atop the bass drum. Surprisingly effective stuff"
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fNs004 Aupier "No Is" CD-R

Aupier
No Is EP
fNs004
5€ g.e. incl. EU/ppd EU
6€ ppd Rest Of World

Colaboración entre las bandas madrileñas Au y pier, este impactante CDR de 32 minutos reúne lo mejor de cada grupo en 12 temas improvisados, donde la intensidad, la contundencia y el salvajismo metalero de Au y los sonidos libres, no-wave, funk y arítmicos de pier, se unen para crear un ruido multiforme, donde caben micros de contacto, trompetas, guitarras, saxos, bajos, baterías, gritos, armónicas, y otros sonidos no identificados que finaliza en una versión de "A Love Supreme" de Coltrane sin igual. Un ruido supremo.
Doble edición limitada. Una de 40 copias numeradas a mano, diseño por Timy (Au) con impresión a color y empaquetado en fundas de plástico. La otra de 50 copias numeradas a mano, diseño de Buter (pier) con impresión a color y empaquetado en bolsas de plástico con cierre zip.
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Collaboration between Madrid bands Au and pier, this striking CDR lasting 32 minutes gathers the best of each band in 12 improvised tracks, where the intensity, forceful and metal wildness of Au and the free, no-wave, funk and arhythmic sounds of pier get toghether to create a multiform noise, where you can find contact mics, trompets, guitars, saxs, bass, drums, screams, harmonicas and other non identifed sounds that ends in an unlikely cover of Coltrane's "A Love Supreme". A noise supreme.
Double limited edition. One of 40 hand numbered copies, designed by Timy (Au), printed in color and packaged in plastic sleeves. Other of 50 hand numbered copies, designed by Buter (pier), printed in color and packaged in plastic sleeves into ziplock bags.

Reseña de Animal Psi/Animal Psi Review

"Aupier represent the noise-rock genre on ‘No Is’ with pitch-perfect comportment of in-the-red static and manic composure, yet appeal outside of the genre’s faithful (in other words, to people like me) by virtue of the vital combination of discretion in composition – each instrument represents itself in resisting that oft-misguided “freedom” – and captured in high fidelity, bringing out all the color and depth to be found in this hedonistic style. Twelve tracks lumber on 34 minutes with a drinker’s stomach; drums pound out reasonable orders, guitars wheedle footpaths in a necessarily-thorny bramble, and the ever-growing vocal presence appears less trapped than liberated, enthusing the harmony of the collaboration with each successive step. Hand-numbered to 40 copies, available 5€ from For Noise’s Sake".13 jan. 2010

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fNs001 pier "the bree-fings vol. 1" CD-R

pier
the bree-fings vol.1
fNs001
Agotado/Sold Out

Tercer CD-R del trio madrileño pier (tras los autoeditados "25 fragments" en 2006 y "slow food" en 2007), los 43 minutos de "the bree-fings vol. 1" están compuestos por 17 improvisaciones hechas a partir de briefings, y de duración no superior a los 5 minutos. Con guitarra, bajo, batería, trompeta, saxos, sintes y cintas remodelan de una manera formidable Noise-Rock, Free-Jazz, Punk, Hardcore... haciendo de ello una especie de Free-Noise-Jazz-Punk desordenado, música violenta para el Siglo XXI... no hay más palabras para describir este CDR, escúchalo y pregúntate si en música está todo dicho.
Edición limitada de 50 copias numeradas a mano, diseño por Willyfunk con impresión a color, empaquetado en fundas de plástico dentro de bolsas con cierre zip, incluye fragmento de camiseta personalizado.
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Third CD-R from this Madrid trio (after the two self-released "25 fragments" in 2006 and "slow food" in 2007), "the bree-fings vol. 1" 43 minutes are composed of 17 improvisations made out from briefings, that last no longer than 5 minutes. With guitar, bass, drums, trumpet, saxs, synths and tapes they reshape in a formidable way Noise-Rock, Free-Jazz, Punk, Hardcore... making of it a kind of disordered Free-Noise-Jazz-Punk, violent music for 20th Century... there's no more words to describe this CDR, just take a listen to it and ask yourself if it's all said in music.
Limited edition of 50 hand numbered copies, designed by Willyfunk, printed in color and packaged in plastic sleeves into ziplock bags, it comes with a t-shirt stencilled fragment.
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