fNs019 ahno zwei "stakr l'vond" CDR

ahno zwei
stakr l'vond
fNs019
5€ g.e. incl. EU/ppd EU
6€ ppd Rest Of World

ahno zwei es un dúo de trompeta y saxo amplificados y tratados electrónicamente, y en su primer CDR nos ofrecen 20 minutos de free noise al estilo Borbetomagus, pero más melódico, más inteligible, más crudo y más simple, donde implícitamente existe cierto orden o sentido. Aunque parece que este dislocamiento de vientos tiene como objetivo molestar, y hacer que te quites los auriculares, escarbando en la maraña sonora se pueden encontrar melodías, espasmos de música, de jazz primitivo que están encerrados, que quieren salir pero no pueden... pero para eso hay que sumergirse en un mar de acoples y ruidos extremos.

Edición limitada de 40 copias numeradas a mano, CDRs y portadas impresos a color, empaquetados en encuadernación con espiral metálico, tapa transparente y contratapa de cartón semirígida negra.

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ahno zwei is a duo of amplified and electronically treated sax trumpet and sax, and their first CDR give us 20 minutes of free noise Borbetomagus style, but more melodic, more intelligible, cruder and simpler, where there is implicitly a certain order and meaning. Although it appears that this displacement of winds aims annoy, and make you take off your headphones, digging in the sound mess we find melodies, spasms of music, primitive jazz, that are locked, they want to leave but can not ... but for that you have to inmerse yourself into a sea of feedbacks and extreme noise.

Limited edition of 40 hand-numbered copies, CDRs and covers printed in color, packaged in metal spiral binding, semi-rigid transparent front cover and cardboard black back cover.
Reseña/Review (The Wire, Feb. 2010)
Reseña/Review (Animal Psi, Feb. 2010)
A step further removed from the Naked City act of Au (itself a jazzier derivation of the Aupier dogpile), amplified brass duo Ahno Zwei submit ‘Stakr l’vond’ for Spanish label For Noise’s Sake. Hardly the solo biopsy of Greg Kelley, wherein the instrument is perversely dismantled and cataloged, this doubling of instruments in equally a squaring of the sonic dimensions, which sees these figurative blasts resonate and distort in trails of pollution. In actuality a lesser traveled means to Noise, the reverbed channels and throw-away melodies dialog a nice tension with the hard-wrought screams of feedback. This tension is exaggerated over the six tracks/20 minutes, where increasingly the instruments are separated from their effects through emergent harmonies. The status of the noise elements remain in limbo in the end, as the skronky image and staticky afterimage mostly realign in a wall of violent hyperventilation. Numbered to 40 copies, the labeled disc comes in an unusual, spiral-bound booklet with color insert and tab.
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fNs017 Hearts of Palm "Earth Headed Heart" CDR

Hearts of Palm
Earth Headed Heart
fNs017
5€ g.e. incl. EU/ppd EU
6€ ppd Rest Of World

De Cincinnati, Ohio, vienen Hearts of Palm, un trio de improvisación al que en esta ocasión se une el prolífico C. Spenser Yeh al violín (Burning Star Core, Organs y otros, y ha colaborado con artistas y grupos experimentales y noise como Wasteland Jazz Unit, John Wiese, Paul Flaherty, Sick Llama, Aaron Dilloway...). Este es su cuarto CDR en diez años que llevan improvisando. En un solo tema de 31 minutos forman una amalgama sonora unas veces etérea y otras intensa, con sonidos electrónicos, violínes, sintes, pianos percusivos, instrumentos no identificados, y percusión libre al estilo de Harry Partch y Moondog. Añade a esto pasajes de ruido, de psicodelia libre, drones, voces sacadas de un templo budista, que te llevan por distintos escenarios y ambientes imaginarios, desde una jungla llena de monos esquizofrénicos a una red de alcantarillado de ciudad llena de ratas hippie tocando música improvisada libre. Échale imaginación y disfruta.

Edición limitada de 75 copias numeradas a mano, CDRs y portadas impresos a color, empaquetados en fundas de cartón y plástico.

Reseña (Animal Psi, Feb. 2010)
"Similar to the recent solo release of Ahno Zwei player Nicolash (released on FNS imprint Fater Disks) for its experiment with sonic field, ‘Earth Headed Heart’ by Cincinnati improv trio Hearts of Palm relishes in the open physicality of their method, as though they foremost play the space as opposed to make a sound. This immediacy translates surprisingly well, as the depth and separation of this high fidelity recording allows an easy placement of the sonic objects which litter the single, 30 minute track. Here joined by local institution C. Spencer Yeh (Burning Star Core) carving away on violin, the band play with a number of acoustically-mindful devices – some electronic, but mostly otherwise – to produce a cohesive, coherent, yet totally motley sound which writhes aerobically for the duration. Gongs clatter dutifully, throats drone, and radio reports tweak the air pressure in strands. With no harsh cop-outs and no evident stutters, this is a very impressive effort making the most of the improvisational methodology with a maximum of sonic things to get lost among. Handsomely labeled disc comes in a thick, full-color sleeve (design by Aaron Fry). Hand-numbered to 75 copies. Recommended"
Reseña (Wonderful Wooden Reasons)
"An always welcome return from Cincinnati based experi-mentalists HOP who are here joined by C. Spencer Yeh (Burning Star Core) on violin. Unlike their previous recordings this is a solid 30 minute block of unadulterated improv. It's noisy, chaotic, anarchic and fun. HoP are very much of the Faustian school of improvising and build their music from hard edged shards of metallic scree. All good improvisation is introspective in that it is reliant on the participants being fully focussed on their part in the whole but HoP's brand doesn't promote introspection on the part of the listener, at least not in this listener. Instead it promotes big cheesy grins as one becomes gloriously ensnared in their multi-layered tangle of textures, instruments and sounds."
Reseña (The Sound Projector, Mayo 2010)
"Equally lush in the aural area is the latest offering from Hearts Of Palm, Cincinnati’s best-kept secret of the US underground. Earth Headed Heart (FOR NOISES SAKE FNS 017) can sometimes give you so much substance and density to listen to that you think your ears are about to have a heart attack, swimming in golden lard and diamond-encrusted starch. For this single 31-minute stretch of bleakened diabolry and mystery sporting-events, the Palmsters are joined by C. Spencer Yeh, that superb violinist and noise-monger from Burning Star Core who has yet (in my view) to put a single foot wrong as he paws his way through the hinterlands. Where previous HOP releases have apparently comprised edits from longer performances, this time out we get the whole thing served up in one hefty man-sized dose, a wodge of such unknown quantity that ingesting it in one sitting could prove fatal. “We wanted to try something a bit more natural this time out,” blithely states one band member in the attached letter. Natural? If they call this natural, I’d certainly hate to go on a ramble in the Blackhand Gorge State Nature Preserve with these guys! At 75 copies, this is another limited-edition gem of completely twisted, kraut-psych noisy unholiness that wipes the floor with most competitors who aspire to lick salt from the same rocks…no website for this, mail enquiries to heartsofpalm@earthlink.net"
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From Cincinnati, Ohio, come Hearts of Palm, an improv trio joined in this ocassion by prolific C. Spenser Yeh on violin (Burning Star Core, Organs and others, and has collaborated with experimental and noise artists and bands such a Wasteland Jazz Unit, John Wiese, Paul Flaherty, Sick Llama, Aaron Dilloway...). This is their forth CDR in ten years they've been improvising. In a single track lasting 31 minutes they form an amalgam sound sometimes intense and sometimes ethereal, with electronic sounds, violins, synths, percusive pianos, unidentified instruments, and Harry Partch and Moondog free percussion style. Add to this noise passages, free psychedelia, drones, Buddhist temple's voices, which take you through various imaginary scenarios and environments, from a jungle full of monkeys with schizophrenia to a city sewer full of hippie rats playing free music with leftovers. Let your imagination run away and enjoy.

Limited edition of 75 hand numbered copies, CDRs and covers printed in color, packaged in board and plastic sleeves.

Review (Animal Psi, Feb. 2010)
"Similar to the recent solo release of Ahno Zwei player Nicolash (released on FNS imprint Fater Disks) for its experiment with sonic field, ‘Earth Headed Heart’ by Cincinnati improv trio Hearts of Palm relishes in the open physicality of their method, as though they foremost play the space as opposed to make a sound. This immediacy translates surprisingly well, as the depth and separation of this high fidelity recording allows an easy placement of the sonic objects which litter the single, 30 minute track. Here joined by local institution C. Spencer Yeh (Burning Star Core) carving away on violin, the band play with a number of acoustically-mindful devices – some electronic, but mostly otherwise – to produce a cohesive, coherent, yet totally motley sound which writhes aerobically for the duration. Gongs clatter dutifully, throats drone, and radio reports tweak the air pressure in strands. With no harsh cop-outs and no evident stutters, this is a very impressive effort making the most of the improvisational methodology with a maximum of sonic things to get lost among. Handsomely labeled disc comes in a thick, full-color sleeve (design by Aaron Fry). Hand-numbered to 75 copies. Recommended."
Review (Wonderful Wooden Reasons)
"An always welcome return from Cincinnati based experi-mentalists HOP who are here joined by C. Spencer Yeh (Burning Star Core) on violin. Unlike their previous recordings this is a solid 30 minute block of unadulterated improv. It's noisy, chaotic, anarchic and fun. HoP are very much of the Faustian school of improvising and build their music from hard edged shards of metallic scree. All good improvisation is introspective in that it is reliant on the participants being fully focussed on their part in the whole but HoP's brand doesn't promote introspection on the part of the listener, at least not in this listener. Instead it promotes big cheesy grins as one becomes gloriously ensnared in their multi-layered tangle of textures, instruments and sounds."
Review (The Sound Projector, May 2010)
"Equally lush in the aural area is the latest offering from Hearts Of Palm, Cincinnati’s best-kept secret of the US underground. Earth Headed Heart (FOR NOISES SAKE FNS 017) can sometimes give you so much substance and density to listen to that you think your ears are about to have a heart attack, swimming in golden lard and diamond-encrusted starch. For this single 31-minute stretch of bleakened diabolry and mystery sporting-events, the Palmsters are joined by C. Spencer Yeh, that superb violinist and noise-monger from Burning Star Core who has yet (in my view) to put a single foot wrong as he paws his way through the hinterlands. Where previous HOP releases have apparently comprised edits from longer performances, this time out we get the whole thing served up in one hefty man-sized dose, a wodge of such unknown quantity that ingesting it in one sitting could prove fatal. “We wanted to try something a bit more natural this time out,” blithely states one band member in the attached letter. Natural? If they call this natural, I’d certainly hate to go on a ramble in the Blackhand Gorge State Nature Preserve with these guys! At 75 copies, this is another limited-edition gem of completely twisted, kraut-psych noisy unholiness that wipes the floor with most competitors who aspire to lick salt from the same rocks…no website for this, mail enquiries to heartsofpalm@earthlink.net"

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fNs018 Chien! "Chien!" CDR

chien!
chien!
fNs018
4€ g.e. incl. EU/ppd EU
5€ ppd Rest Of World

Primer CDR del grupo con uno de los nombres más guapos que hayamos visto últimamente. Son de Madrid, son tres, y han parido uno de los mejores discos de rock experimental editados por fNs. Con un sonido lo-fi y crudo, en 33 minutos grabados en directo en una grabadora de voz, escupen trece temas, en los que se dejan entrever influencias de la no-wave de DNA, del avant post-punk de Wire, de la música industrial de Einstürzende Neubaten y de la vanguardia más radical de John Cage y Steve Reich.

Edición limitada de 50 copias numeradas a mano, impresión a color en portadas de papel y en el CDR, en fundas de plástico.

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First CDR from one of the coolest named group we've seen lately. They're from Madrid, they are three, and have given birth to one of the best experimental rock records released by fNs. With a raw and lo-fi sound, in 33 minutes recorded live on a voice recorder, they spit 13 tracks in which they suggest influences from DNA no-wave, Wire's avant post-punk, Eintürzende Neubaten industrial music, and John Cage and Steve Reich's most radical avant garde.
Limited edition of 50 hand numbered copies, covers and CDR printed in color, packaged in plastic sleeves.

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fNs013 Sheik Anorak "Week" EP CDR

Sheik Anorak
Week
fNs013
4€ g.e. incl. EU/ppd EU
5€ ppd Rest Of World

De Lyon, Francia, surge Sheik Anorak, una banda unipersonal, en la que la guitarra, bajo y batería corren a cargo de Frank (que toca también en SoCRaTeS, Hallux Valgus). "Week" es el cuarto disco de Sheik Anorak. En menos de 12 minutos, Sheik Anorak condensa Noise Rock, No Wave y Avant Rock primitivo previamente hecho por bandas como The Flying Luttenbachers y Lake of Dracula de una nueva y refrescante manera. Junto con Telephones Rouges "Libertè, La Nuit", el disco más rockero editado por fNs hasta la fecha.
Edición limitada de 50 copias numeradas a mano, con impresión a color y empaquetado en fundas de plástico.
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Hailing from Lyon, France, Sheik Anorak is a one man band, in which guitar, bass and drums are played by Frank (who also plays in SoCRaTeS, Hallux Valgus, Kandinsky and Lweis Karloff). "Week" is Sheik Anorak's fourth release. In less than 12 minutes, Sheik Anorak condenses Noise Rock, No Wave and primitive Avant Rock, previously done like bands as The Flying Luttenbachers and Lake of Dracula, in a new and freshing way. Along Telephones Rouges "Libertè, La Nuit", the most rock oriented release on fNs to date.
Limited edition of 50 hand numbered copies, printed in color and packaged in plastic sleeves.
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fNs014 xNoBBQx "HI-ATE-US + Newtown Theatre" CDR

xNoBBQx
HI-ATE-US + Newtown Theatre
fNs014
5€ g.e. incl. EU/ppd EU
6€ ppd Rest Of World

Para los que no conozcan al grupo australiano xNoBBQx, es un buen comienzo saber que su música ha sido descrito como "hardcore vegetariano estricto tocado por monos estreñidos", y ligados a grupos y artistas como Harry Pussy, Henry Flynt, Mouthus y Xenakis, en lo que suena como improvisación ruidosa minimal libre primitiva, con sólo guitarra y batería, y un encantador sonido lo-fi. Han editado un puñado de CDRs, casetes y LPs, el más señalado editado por el legendario sello Siltbreeze, alcanzando mayor conocimiento. Este CDR se compone de dos temas de unos 17 minutos cada uno grabados en directo en Sydney durante 2006. El primer tema es una cruda toma de improvisación y ruido libre, en el que caben las estéticas hardcore y punk. El segundo tema empieza donde termina el primero, con un profundo uso del silencio, un continúo zumbido, un acorde repetitivo, y golpes de batería esporádicos, todo ello llevado al extremo. Intenso, impresionante, maravilloso.
Edición limitada de 75 copias numeradas a mano, con impresión a color, en fundas de cartón y plástico.
Reseña (The Wire, Dic. 2009)
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For those who don't know about australian xNoBBQx band, it's a good start letting know that they're music has been described as "militant vegan hardcore played by constipated monkeys", and linked to bands and artists like Harry Pussy, Henry Flynt, Mouthus and Xenakis, what it sounds like primitive free minimalist noise improv played, with just a guitar and drums, with a charming lo-fi sound. They have released a bunch of CDRs, cassettes and LPs, the most notable released by the legendary label Siltbreeze, getting wider knowledge. This CDR comprises two tracks lasting each one 17 minutes recorded live in Sydney during 2006. First track is a raw take on free noise improv, in which fits hardcore and punk aesthetics. Second track starts where the first finish, with a deep use of silent, a continous buzz, a repetitive chord, and sporadic drum hits, everythingo taken to the extreme. Intense, breathtaking, marvelous.
Limited edition of 75 hand numbered copies, printed in color, packaged in board and plastic sleeves.
Review (The Wire, Dec. 2009)

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fNs009 bazvotni "vrums" EP CD-R

bazvotni
vrums EP
fNs009
4€ g.e. incl. EU/ppd EU
5€ ppd Rest Of World

bazvotni es el nuevo proyecto nicolash (pier, bura...) donde utiliza cómo únicos elementos la batería y la voz. "vrums" es su primer cdr, en el que, en poco más de 11 minutos, nos encontramos con 10 temas, el más largo de menos de dos minutos, donde se suceden cortas dosis de ruido como elemento, ruido como expresión. Sin electrónica, apenas sin efectos, sólamente una batería, unos micrófonos y una voz que lucha por expresarse en medio de un sonido lo-fi. Una voz que esquiva la tonalidad pero que entona cánticos primitivos, la banda sonora de los pintores de Altamira. Primitivismo en el concepto y la ejecución, ¿cantos a la lluvia? ¿cantos a la muerte? El límite entre música tradicional africana y el lo-fi, la mezcla entre el noise y el freejazz hecho por tahitianos en trance, porque ante todo bazvotni es libre. Filigranas polirrítmicas camufladas en procesados semianalógicos. Y todo sin producir dolor, con la impresión de estar escuchando algo hermoso, algo honesto, con el corazón y sobre todo con el estómago... su corta duración tiene un motivo: este cdr no ha nacido para complacerte, sino para comulgar con él, para entrar a formar parte de él.
CD-R de 3", edición limitada de 50 copias numeradas a mano, con impresión a color, en cajas de cds.

bazvotni is the new project of nicolash (pier, bura...) in which he uses as only tools drums and voice. "vrums" is his first cdr, lasting 11 minutes in 10 tracks no longer than two minutes, where short shots of noise follow one another. Without electronics, hardly with effects, just drums, some mics and a voice that fights for express itself amidst a lo-fi sound. The voice avoids tonality but intones primitive chants, like a soundtrack for the Altamira's Caves painters. Primitivism in concept and execution, chants for rain? chants for death? The limit between african traditional music and lo-fi, a mixture of noise and free-jazz played by tahitians in trance, because primarily bazvotni is free. Polyrhythmic filigrees camouflaged in semianalogical processes. And everything without inflicting any pain, having the impression that you're listening to something beauty, honest, with the heart and the stomach... it's short duration has a reason: this cdr is not made for please, but to be in communion with it, to become part of it.
3" CD-R, limited edition of 50 hand numbered copies, printed in color, in jewel cases.

Reseña/Review
http://earconditionednightmare.blogspot.com/2009/07/bazvotni-vrums-for-noises-sake-3-cd-r.html
"Here's another offering from Madrid based For Noise's Sake, this time in the form of an eleven minute, ten track cruiser by a lad named Nicolash, who also plays in Pier. Stripping down his setup to only drums, mics and vocals, the thing is over before you get started, but it has a certain immediacy to it that's pretty hard to deny.
Talking about individual tracks feels a bit silly when the longest offering here is under two minutes and all of them are more or less constructed from the same material, but the whole romp has the kind of caveman, primitivist attitude and aesthetic of Foot Village or Black Pus, only with a tad looser, more cannibalistic, ballistic feel to it. All about total wreckage with this one, as wordless vocal utterances are huffed and puffed atop free rock/jazz drumming that glides between multi-angular African mishmash and complete numb-nuts brawl material. "Loueem Fv" might have a semblance of a beat for its minute, but its weirdly unconcerned in a kind of punk nihilist way that flies way beyond simplicity for simplicity's sake. Elsewhere the vocals are more central, as on "Neaneamem," where growls harken in clattering putters of cymbal tinkling and snare pulse while his hyper Jandek chants fuel a kind of sadomasochistic, hurts so bad it's good energy. Weird.
Like I said before though, the whole thing is eleven minutes long, and its brevity actually adds to the excitement--never stops moving at all. And the submerged, muffled production makes it sound even more like emissions from some deep cavernous wake, a small flame visible atop the bass drum. Surprisingly effective stuff"
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fNs008 Tubular Balls "Dios está en los muebles" EP CD-R

Tubular Balls
Dios está en los muebles EP
fNs008
5€ g.e. incl. EU/ppd EU
6€ ppd Rest Of World

Dios está en su cuarto CDR, Dios está en sus cuatro temas, Dios está en sus 21:30 minutos, Dios está en su video incluido, Dios está en su electrónica, Dios está en sus cables, Dios está en su perro, Dios está en sus ritmos, Dios está en sus saturaciones, Dios está en su ruido, Dios está en este CDR.
Edición limitada de 40 copias numeradas a mano, diseño por Tubular Balls, con impresión a color y empaquetado en fundas de plástico.

God is in their fourth CDR, God is on their four tracks, God is their 21:30 minutes, God is in their included video, God is in their electronica, God is in their wires, God is in their dog, God in in their rhythms, God is in their saturations, God is in their noise, God is in this CDR.
Limited edition of 40 hand numbered copies, designed by Tubular Balls, printed in color and packaged in plastic sleeves.
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fNs007 pier "improvable" EP CD-R

pier
improvable EP
fNs007
5€ g.e. incl. EU/ppd EU
6€ ppd Rest Of World

En este nuevo asalto a la improvisación, pier ofrece un tema de 20 minutos de bajos free funk, ritmos abstractos, guitarras delirantes desatadas, trompetas dispersas, voces alocadas, saxos insanos, que evolucionan de lo abstracto a lo concreto, del free jazz al free no-wave y viceversa, todo envuelto en un hermoso ruido y saturación que te hará darle al botón de repetir hasta que tus oidos te hablen sobre la grandeza de la libertad... o algo.
Edición limitada de 50 copias numeradas a mano, con impresión a color, empaquetado en bolsas de papel dentro de bolsas de plástico con cierre zip.

In this new assault on imrov, pier offers one 20 minutes track of free funk basses, abstract rhythms, crunky loosen guitars, sparse trumpets, crazy voices, insane saxs, which evolve from abstract to concrete, from free jazz to free no-wave and vice versa, all wrapped in a beautiful noise and saturation that will make you push the replay button until your ears talk you about the greatness of freedom... or something.
Limited edition of 50 hand numbered copies, printed in color and packaged in paper bags into plastic ziplock bags.

Reseña/Review

http://earconditionednightmare.blogspot.com/2009/06/pier-improvable-for-noises-sake-cd-r.html


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fNs006 Au "3" EP CD-R

Au
3 EP
fNs006
Agotado/Sold Out 

EP de 15 minutos de latigazos de ruido, ritmos frenéticos, saxos esquizofrénicos que hacen del cuarto cdr de Au (tras 3 autoeditados y uno editado por Ozono Kids) una explosión de free noise y free hardcore, obteniendo en 7 temas un fascinante, visceral y extenuante resultado.
Edición limitada de 50 copias numeradas a mano, diseño por Pascal Nichols (Stuckometer) con impresión a color y empaquetado en fundas de plástico.
15 minutes EP of noise lashes, frantic rhythms, schizophrenic saxs make the fourth cdr of Au (after 3 self-released and one released by Ozono Kids) a free noise and free hardcore blast, getting in 7 tracks an amazing, visceral and exhausting result.
Limited edition of 50 hand numbered copies, designed by Pascal Nichols (Stuckometer), printed in color and packaged in plastic sleeves.
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fNs005 Telephones Rouges "Libertè, La Nuit" CD-R

Telephones Rouges
Liberté, La Nuit EP
fNs005
5€ g.e. incl. EU/ppd EU
6€ ppd Rest Of World

No veo del cielo más que una estrella/Alrededor de nosotros sólo existe la leche describiendo su
elipse vertiginosa/De donde la blanda intuición de párpados de ágata ojerosa/Se levanta a veces para clavar la punta de su sombrilla en el fango de la luz eléctrica/Entonces unas extensiones echan el ancla se despliegan por el fondo de mi mirada cerrada/Icebergs que irradian los hábitos de los mundos venideros/Nacidos de una partícula de ti de una partícula desconocida y helada que emprende el vuelo/Tu existencia es el ramo gigante que se escapa de mis brazos/Mal atado abre los muros despliega las escaleras de las casas/Se deshoja en los escaparates de las calles/Con las noticias me voy continuamente con las noticias/El diario es ahora de cristal y si las cartas no llegan ya/Es porque el tren ha sido comido/La gran incisión de la esmeralda que dio origen al follaje/Está cicatrizada para siempre los aserraderos de nieve cegadora/Y las canteras de carne zumban solas con el primer destello/Invertido en este destello/Adquiero la huella de la vida y de la muerte/En el aire líquido (Extracto de "El Águila Sexual" de André Breton).
Edición limitada de 50 copias numeradas a mano, diseño por nicolash con impresión a color y empaquetado en fundas de plástico.
Of the sky I see but one star/Now around us there is only the milk describing its dizzy ellipsis/From wich sometimes soft intuition with pupils of eyed agate/Rises to poke its umbrella tip in the mud of the electric light/Then great reaches cast anchor stretch out in the depth of my closed eyes/Icebergs radiating the customs of all the worlds yet to come/Born of a fragment of you fragment unknown and iced on the wing/Your existence the giant bouquet escaping from my arms/Is badly tied it digs out walls unrolls the stairs of houses/Loses its leaves in the show windosw of the street/To gather the news I am always leaving to gather the news/The newspaper is glass today and if letters no longer arrive/It's that the train has been consumed/The great incision of the emerald wich gave birth to the foliage/Is scarred for always the sawdust of blinding snow/And the quarries of flesh are sounding alone on the first shelf/Reversed on this shelf/I take the impression of dead and life/To the liquid air (Excerpt from "The Sexual Eagle Exults" by André Breton).
Limited edition of 50 hand numbered copies, designed by nicolash, printed in color and packaged in plastic sleeves.

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fNs004 Aupier "No Is" CD-R

Aupier
No Is EP
fNs004
5€ g.e. incl. EU/ppd EU
6€ ppd Rest Of World

Colaboración entre las bandas madrileñas Au y pier, este impactante CDR de 32 minutos reúne lo mejor de cada grupo en 12 temas improvisados, donde la intensidad, la contundencia y el salvajismo metalero de Au y los sonidos libres, no-wave, funk y arítmicos de pier, se unen para crear un ruido multiforme, donde caben micros de contacto, trompetas, guitarras, saxos, bajos, baterías, gritos, armónicas, y otros sonidos no identificados que finaliza en una versión de "A Love Supreme" de Coltrane sin igual. Un ruido supremo.
Doble edición limitada. Una de 40 copias numeradas a mano, diseño por Timy (Au) con impresión a color y empaquetado en fundas de plástico. La otra de 50 copias numeradas a mano, diseño de Buter (pier) con impresión a color y empaquetado en bolsas de plástico con cierre zip.
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Collaboration between Madrid bands Au and pier, this striking CDR lasting 32 minutes gathers the best of each band in 12 improvised tracks, where the intensity, forceful and metal wildness of Au and the free, no-wave, funk and arhythmic sounds of pier get toghether to create a multiform noise, where you can find contact mics, trompets, guitars, saxs, bass, drums, screams, harmonicas and other non identifed sounds that ends in an unlikely cover of Coltrane's "A Love Supreme". A noise supreme.
Double limited edition. One of 40 hand numbered copies, designed by Timy (Au), printed in color and packaged in plastic sleeves. Other of 50 hand numbered copies, designed by Buter (pier), printed in color and packaged in plastic sleeves into ziplock bags.

Reseña de Animal Psi/Animal Psi Review

"Aupier represent the noise-rock genre on ‘No Is’ with pitch-perfect comportment of in-the-red static and manic composure, yet appeal outside of the genre’s faithful (in other words, to people like me) by virtue of the vital combination of discretion in composition – each instrument represents itself in resisting that oft-misguided “freedom” – and captured in high fidelity, bringing out all the color and depth to be found in this hedonistic style. Twelve tracks lumber on 34 minutes with a drinker’s stomach; drums pound out reasonable orders, guitars wheedle footpaths in a necessarily-thorny bramble, and the ever-growing vocal presence appears less trapped than liberated, enthusing the harmony of the collaboration with each successive step. Hand-numbered to 40 copies, available 5€ from For Noise’s Sake".13 jan. 2010

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fNs003 Baalte "Sigue" CD-R

Baalte
Sigue
fNs003
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18 minutos en 4 canciones forman el primer EP del duo madrileño Baalte, donde puedes escuchar electrónica tribal, glitches, melodías juguetonas y ritmos sincopados que se suceden en cascadas, haciendo de cada escucha del EP un apasionante viaje por la electronica experimental más asombrosa.
Edición limitada de 25 copias numeradas a mano, diseño por Baalte con impresión a color y empaquetado en fundas de plástico.
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18 minutes on 4 songs form Madrid's duo Baalte first EP, where you can listen to tribal electronica, glitches, playful melodies and syncopated rhythms that flow in cascades, making each listening of the EP an exciting trip by the most amazing experimental electronica.
Limited edition of 25 hand numbered copies, designed by Baalte, printed in color and packaged in plastic sleeves.

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fNs002 The Murders In The Rue Morgue "Vargtimmen" CD-R

The Murders In The Rue Morgue
Vargtimmen EP
fNs002
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Primer EP de TMITRM (duo de Mataró, Barcelona), que en sus 21 minutos destrozan todo lo que hasta ahora entendíamos como No-Wave, Noise-Rock, Free-Rock... la crudeza hecha música. Los 7 Temas del EP te devuelven a lo más primitivo del sonido sacado con guitarras sangrantes y batería epilépticas con ecos industriales, obteniendo un resultado estremecedor.
Edición limitada de 25 copias numeradas a mano, diseño por Buter con impresión a color y empaquetado en fundas de plástico.
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TMITRM first EP (a duo from Mataró, Barcelona), who in 21 minutes wreck everything what until now we knew as No-Wave, Noise-Rock, Free-Rock... harshness made music. The 7 tracks from the EPtake you back to the most primitive of the sound from bloody guitars and epileptic drums with industrial echoes, getting a trembling result.
Limited edition of 25 hand numbered copies, designed by Buter, printed in color and packaged in plastic sleeves.

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fNs001 pier "the bree-fings vol. 1" CD-R

pier
the bree-fings vol.1
fNs001
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Tercer CD-R del trio madrileño pier (tras los autoeditados "25 fragments" en 2006 y "slow food" en 2007), los 43 minutos de "the bree-fings vol. 1" están compuestos por 17 improvisaciones hechas a partir de briefings, y de duración no superior a los 5 minutos. Con guitarra, bajo, batería, trompeta, saxos, sintes y cintas remodelan de una manera formidable Noise-Rock, Free-Jazz, Punk, Hardcore... haciendo de ello una especie de Free-Noise-Jazz-Punk desordenado, música violenta para el Siglo XXI... no hay más palabras para describir este CDR, escúchalo y pregúntate si en música está todo dicho.
Edición limitada de 50 copias numeradas a mano, diseño por Willyfunk con impresión a color, empaquetado en fundas de plástico dentro de bolsas con cierre zip, incluye fragmento de camiseta personalizado.
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Third CD-R from this Madrid trio (after the two self-released "25 fragments" in 2006 and "slow food" in 2007), "the bree-fings vol. 1" 43 minutes are composed of 17 improvisations made out from briefings, that last no longer than 5 minutes. With guitar, bass, drums, trumpet, saxs, synths and tapes they reshape in a formidable way Noise-Rock, Free-Jazz, Punk, Hardcore... making of it a kind of disordered Free-Noise-Jazz-Punk, violent music for 20th Century... there's no more words to describe this CDR, just take a listen to it and ask yourself if it's all said in music.
Limited edition of 50 hand numbered copies, designed by Willyfunk, printed in color and packaged in plastic sleeves into ziplock bags, it comes with a t-shirt stencilled fragment.
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